Tag: The Catholic Weekly

The hard lesson of being unproductive

Because I’m friends with a lot of creative people — painters, poets, authors, poets, clothing and jewelry designers — there is a lot of talk about impostor syndrome, the deeply internalized fear that one’s accomplishments are all a sham. Even though they have successful careers, they routinely have to hush the little voice telling them have no business calling themselves a professional, and that either everyone is already laughing at them, or it’s only a matter of time before the great denouement begins. (I am also friends with a few people who ought to feel this way, but don’t. Somehow it’s always the genuinely talented and accomplished people who feel the most like phonies, whereas there’s no shortage of confidence among the fakers, hacks, and bums.)

So a little service my friends and I perform for each other is to point out the obvious: But you’re doing it. You’re making a living. People are paying you for what you do. Your skills are in demand. If you’re not the real thing, then no one is. The objective evidence proves you are productive and successful. 

The task has been a bit different lately. Lots of creative people are in a bit of a rut. Can’t seem to come up with any ideas. Can’t seem to come up with any enthusiasm for expressing what they do come up with. Can’t seem to drum up a persuasive argument for why it’s worth while to try to express anything to anyone anyway, when everyone is so . . . well, you know. It was one thing when we were doing drawing challenges to get through a two-week lockdown to flatten the curve. Headed past the bend of two years, and the flattening effect has become pervasive, and very flat indeed. 

So the task becomes a bit different. Rather than persuade ourselves that what we produce really is extraordinary, really is above average, really is something special, my friends and I are busily reminding each other that we are valuable and worthy even when we’re not producing anything. And this is a steeper hill to climb. 

But it is a time that will come to all of us, sooner or later. Night, when no man works. The hour when the clock has run out, one way or the other, and we will no longer be able to point to our busywork as evidence for our worth.

For some people, this hour is their entire lives: They never make anything, they never accomplish anything. They simply exist, and the Christian ethos has always insisted that these souls are as worthy of love and respect as the most productive among us. There are saints who never did anything but sweep the floor, and saints who never did anything but pray. There are saints who only became saints after they lost their ability to accomplish the things they thought God put them on earth to do. 

I wish I were writing this essay as a guide to tell you how to get from A to B — how to remind yourself that you have intrinsic worth in the eyes of God, and that your value was never a matter of what you could accomplish or produce. I do know that God sometimes gets our attention by letting our accomplishments be taken away from us.

I’m in no place to teach any lessons, but I can at least point to them. I’m reading He Leadeth Me, and woof, that’s the story right there.

The author, Servant of God Walter Ciszek, tells about how he thought he was going to be a bold and amazing priest who evangelizes Russia, but when he gets there, it turns out he’s not allowed to preach; then he gets arrested and it turns out everyone he talks to has been taught to despise priests; and then he doesn’t even get to talk to anybody at all, except interrogators . . . for five years. 

And he breaks. He agrees to sign his name to a false confession of spying for the Vatican, and is horrified and grief-stricken at his own weakness. And this is the place where he finds himself totally reliant on the mercy and will of God. 

About halfway through the book, after he describes a strange and profound conversion where he fully surrenders to God’s will for the first time, he says:

“Somehow, that day, I imagined I must know how Saint Peter felt when he had survived his denials and been restored to Christ’s friendship. Even though our Lord had promised that he, being once converted, would confirm his brethren, I doubt very much that Peter ever again boasted that he would never desert the Lord even if all others deserted him. I find it perfectly understandable that Peter, in his letters to the early churches, should have reminded his Christians to work out their salvation in fear and trembling. For just as man begins to trust in his own abilities, so sure has he taken the first step on the road to ultimate failure. And the greatest grace God can give such a man is to send him a trial he cannot bear with his own powers–and then sustain him with his grace to he may endure to the end and be saved. “

I am not going to pretend I know what this really means. I’m just going to keep reading the book, which is fascinating and brutally honest about his interior struggles. I’m sure it’s no accident that this book came into my life when the theme of the last many months has been distress over how little I seem to be able to get done. Fr. Ciszek puts a lot of stock — his entire heart, in fact — in the value of being where God puts you, to do God’s will. I wish he had been more explicit about how to tell what God’s will is; but I have gathered, at least, that it’s more about being than about doing. And the good news is, he found tremendous joy, freedom, and relief when he surrendered to being entirely at God’s disposal, rather than trying to be productive. 

This is some good company, my friends, with Fr. Ciszek and St. Peter. If you are, like so many other people, struggling and feeling discouraged, or if you are not only struggling but have actually failed, then this is a time to pray that the place you’re in is a path toward God. It’s not a time to stop praying. That’s always a mistake; that much I know. It couldn’t hurt to pray to Fr. Ciszek. You know he’ll understand. 

Anyway, one thing “impostor syndrome” has taught me is that it’s one thing to recognize my own talents and skills objectively, but quite another to act as if I deserve special treatment because of them. I don’t. But the deeper lesson is that we’re all imposters, as long as we insist that our worth lies in what we can produce. 

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Image by Steve Johnson from Pixabay

In which I contract driving madness (subscriber content)

Can I tell you about my week? Can I just tell you?

To understand what really happened — to truly savor the full robust flavor of the drink I am about to proffer you — you have to understand that, the whole time everything I am about to tell you is going on, I am driving. I am driving all the time. All I do is drive. Driving is what I am. That’s all there is to me, anymore: Drivingness. 

The reason for this is that my husband and I decided, against our better judgment, that he should fly away on a business trip to the rather far-fetched-sounding state of Texas for four days. The reasons for this will become more clear as the story proceeds. He used to travel a lot, just about every week, back when our family was young and I wasn’t as good as screaming, “YOU’RE NOT GOING ANYWHERE” as I am nowadays. We didn’t like that kind of life at all, and we decided not to do that anymore.

But we did decide he should go, just this once, and I would take care of things back home, mostly by driving. This is because we have six kids who go to four different schools in two different towns, none of which are in the town we live in; and three of our kids go to college in another town, but live at home, and they all work part time in town. We do have one extra car, and one of our kids can currently drive it, so that helps somewhat. That kid would do his driving, I would do my driving and my husband’s driving, and it would be a lot of driving, but we could do it. That was the plan.

Then I took a look at my calendar for the week he would be gone, and o! What a clever woman I am. I saw that, on the week I was solo parenting, in addition to all the usual trips and errands and chores and obligations and side quests, I had scheduled physical therapy for my hip, and a neurological evaluation for one of the kids, and I had, as a long-overdue birthday present, bought tickets to see an off-Broadway show in the next state, and I had also, this is true, signed up to cook an Italian meal in honor of St. Clare for 35 youth group kids. And we also had a driving test for one of the kids. Which in theory would come in handy eventually, but which at the moment felt like seeing someone drowning and quickly tossing them the blueprint for a boat.Read the rest of my latest for The Catholic Weekly. (Subscriber content)

 

Imposter syndrome is hard, but comes with a hidden lesson (subscriber content)

Because I’m friends with a lot of creative people — painters, poets, authors, poets, clothing and jewelry designers — there is a lot of talk about impostor syndrome, the deeply internalized fear that one’s accomplishments are all a sham. Even though they have successful careers, they routinely have to hush the little voice telling them have no business calling themselves a professional, and that either everyone is already laughing at them, or it’s only a matter of time before the great denouement begins. (I am also friends with a few people who *ought* to feel this way, but don’t. Somehow it’s always the genuinely talented and accomplished people who feel the most like phonies, whereas there’s no shortage of confidence among the fakers, hacks, and bums.)

So a little service my friends and I perform for each other is to point out the obvious: But you’re doing it. You’re making a living. People are paying you for what you do. Your skills are in demand. If you’re not the real thing, then no one is. The objective evidence proves you are productive and successful. 

The task has been a bit different lately. Lots of creative people are in a bit of a rut. Can’t seem to come up with any ideas. Can’t seem to come up with any enthusiasm for expressing what they do come up with. Can’t seem to drum up a persuasive argument for why it’s worth while to try to express anything to anyone anyway, when everyone is so . . . well, you know. It was one thing when we were doing drawing challenges through a  two-week lockdown to flatten the curve. Headed round the bend toward two years, and the flattening effect has become pervasive, and very flat indeed. 

So the task becomes a bit different. Rather than persuade ourselves that what we produce really is extraordinary, really is above average, really is something special, my friends and I are busily reminding each other that we are valuable and worthy even when we’re not producing anything. And this is a steeper hill to climb. 

But it is a time that will come to all of us, sooner or later. Night, when no man works. The hour when the clock has run out, one way or the other, and we will no longer be able to point to our busywork as evidence for our worth.

Read the rest of my latest at The Catholic Weekly. Note: This essay is currently available only to CW digital subscribers. 

Image: Rod Allday / A fallow field on the Trewidden Estate via Wikimedia Commons

We talked about the cross

When I used to teach catechism, with a loud and hopping little class of eight- and nine-year-olds, most of them were more or less willing to learn how to repent of their little sins.

So we talked about the cross. Of course we talked about the cross.

“Let me see your best sign of the cross,” I would call out in my best teacher voice, with one eye fixed on those two boys who would make the most trouble. “Let’s start the class off right,” I would say. And we would cross ourselves: up, down, left, right, amen, begin.

One of the things I told them about was Miguel Pro. Here was a guy who was so joyful, full of tricks and jokes and trouble, but he was really ready to serve, and things got serious very quickly. He had to sneak around to be a priest, and he soon got arrested for it, and you know the rest.

You know the famous photo, which I decided to show my class: There he stands before the firing squad with his arms out, making a cross with his body. That’s what he decided to do with his life: Make a cross.

I told the kids that, when they were baptized, they were marked with a cross, sealed, signed. “You know how pirates do,” I said. (Things pop out of your mouth when you’re in front of a group of kids). “You know how, when they bury their treasure, they mark the spot so they can come back for it? How do they mark it?”

They all knew it was with an X. “Well, God marks his treasure with a cross,” I said. “That’s where his treasure is: That’s the spot that he wants to come back to. That’s the thing that he cares about: Right in the middle of the cross.”

And they believed me. They knew that Jesus was on the cross, and they saw that, when they made the cross on themselves, they were right there, with Jesus.

Plain as day. I thought about having them stand and make a cross with their bodies like Miguel Pro about to be shot full of holes, but we settled for making a sign on ourselves, marking the spot where God’s treasure is.

It’s right there: Up, down, left, right, amen. And I had them shout: VIVA CHRISTO REY. It was close to the end of class, and any time we had a little free time, we got a little shouting in. VIVA CHRISTO REY.

I know this is too much for little children.

Who is this not too much for? …Read the rest of my latest for The Catholic Weekly. 

 

 

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Image: Execution of Miguel Pro by Grentidez, Public domain, via Wikimedia Commons

In real life, they are so big

Here is a little child sitting in the gondola of a Ferris wheel, nervously crushing fistfuls of cotton candy into nuggets as they wait for the ride to start. She and her mother are in number 16.

Her mother says that she may need to hold hands so she doesn’t get too scared. It’s not a trick, like something Grandfather Bear would say to give courage to Little Bear. The mother is some form of scared all the time. Most of the time, the mother’s fear gets crushed down into manageable handfuls. But not always.

She has found herself in charge of her youngest child on the final fun trip of the final week of vacation. The oldest kids are too busy to go on a day trip; the tweens band up and run off together, being cool; the dad is bonding with big sister who desperately needs to be treated like a little kid for once. So it’s the mother and her youngest, navigating the world of the amusement park alone together. It was a long ride to get there, and now there are long lines for everything.

There are rides that are out of the question. Some of them drag you up to ludicrous heights, turn you upside down, shake you very hard, drop you, shove you backwards, put you in the dark. Why would you pay someone to do this to you, when it happens to you anyway on some random Tuesday, just in the course of ordinary living?

But the rides with no lines are all the same: Around and around and around. It’s hard to know what to do. So the mother and kid alternate: Rides that are too boring, and rides that are too scary.

Here are all the moms, draped along the fence, watching their baffled little toddlers swoop up and down, up and down inside metal dragons that beep and flash and whine. “WHEE! WHEE! WHEE!” shout the moms, grinning.

Here’s a little cluster of blonde cousins rushing and tumbling into the serpentine line barrier at the double decker carousel. One child wants desperately to ride the only giraffe, but there are many other people in line. “Whyn’t we just duck under the fence?” a woman rasps.

“We all have to wait our turn,” her sister answers mildly.

“Aunty will make sure you git that giraffe,” the first woman insists. “You’ve ben such a pretty girl all day. Aunty will make sure you git that giraffe. Pretty girl.”

The mother, shriveling a bit inside as she imagines meeting these pretty girls in fifteen years, is relieved to hear that her own daughter wants to ride the panda, instead.

She finds a horse next to the panda, and surprises herself by heavily climbing up on it. Her legs are the right length for the stirrups, so maybe it’s a normal thing to do. The horse’s tail looks like a real tail, and someone has taken so many pains painting scenes from Venice on the ceiling and brushing in little yellow and pink bouquets in between the mirrors.

A chubby hispanic man gives his shell-shaped bench a spin, and it twirls, and he beams like a baby. It is a beautiful carousel. There has never been such a beautiful carousel. It’s two stories high, and everyone on it is smiling. But the ride is very short.

Here are a set of tiny twins, dressed to the nines in identical new sneakers, athletic shorts, and patriotic tank tops, strapped carefully into a blinking helicopter. All the other kids are yanking on the bar, jerking and swooping and clanking up and down, but the boys are staring solemnly ahead and moving smoothly on their appointed rounds, around and around.

“Pull on the bar! Pull it toward your belly! Make it go up! Don’t you wanna fly?” the operator screams. They do not. Their father comes to collect them when the ride is over. God willing, he will understand that they did what seemed right to them. They are extremely small and the world is very big…Read the rest of my latest for The Catholic Weekly. 

 

Ask a couple who’ve been married 24 years today

Who has four thumbs, has been married for almost a quarter of a century, and absolutely adores haunted houses?

I have no idea. Definitely not me and my husband. We have the thumb part covered, and it will be our 24th anniversary in a few weeks, but we’re ambivalent at best about haunted houses.

You may wonder then, why we’re currently packing our bags to spend a long anniversary weekend at something called “Screeemfest,” which takes place inside an amusement park, which we also don’t especially care for, and which features no fewer than five on-premises haunted houses. Yes, that’s Screeemfest with three “e’s,” just like in Eastern equine encephalitis. Eee!

The thinking, see, is that our expectations will be so incredibly low, there’s nowhere to go but up. We do like each other, and we definitely like getting away from our kids, I mean the workaday responsibilities of everyday life, I mean our kids; so, I don’t know, this is what we’re doing. Chances are good we’ll have a good time one way or another, and after 24 years, we’re just leaning into the fact that we got married in late October, that’s all.

This strikes me as a much safer strategy than what we’ve done for our anniversary in the past, which was to try and sneak away for a super ultra romantic absolutely perfect dream getaway — a perilous endeavor which included getting lost on the highway, and then the fireplace not lighting properly, being embarrassed because I didn’t know how to pronounce the name of the fancy cheese I wanted to order, being too tired for champagne, etc. etc. The heck with all of that. A romantic weekend is where you find it. Happy anniversary, BOO! Eee!

As a little present to myself, I asked my social media friends for help writing this post. I solicited questions for a couple who’ve been married more or less happily for almost a quarter of a century. Here’s what we came up with:

What’s the preferred term: “The marital act” or “The Obligations”?

Like so many things in a strong marriage, it’s mainly about making other people feel uncomfortable. But what long-married couples don’t want you to know is that their secret word for “sex” is actually inaudible. They’re probably saying it right now, and you don’t even know it. Boo!

Did you ever switch sides of the bed?

Several people asked some form of this apparently burning question, and one person volunteered the information that she once did switch sides, and her husband got up in the middle of the night in his sleep and peed in the closet. Just if you were wondering whether there are less romantic things than going to a haunted house for your anniversary. In our case, it doesn’t matter which side of the bed I’m on, because I never sleep. I used to be up with the baby all the time. Now I don’t have a baby, and all I do is put on my pajamas and spend all night getting up and getting some ibuprofen, all night long. It’s called aging gracefully, look it up.

What’s the stupidest, funniest thing you’ve seriously argued about in those 24 years?

Read the rest of my latest for The Catholic Weekly. 

Image: Pxfuel 

 

How to actually raise teenagers

A lot of digital ink gets spilled over what it’s really like to raise older kids. I mean really, truly, no jokes, just the unvarnished truth.

We currently have four teenagers, and I’ve tried, myself, to put down some useful words on the topic, but the truth is, nothing scrambles your brain or flattens your ability to function like raising kids this age, these days. And yet it must be done. So here’s my contribution:

Writing about teenagers tends to fall into two categories.

The first comes across like a final report discovered decades later from deep inside a sealed bunker. You know the kind : “They have taken the bridge and the Second Hall. We have barred the gates but cannot hold them for long. We cannot get out. They are coming” kind of thing.

Poor miserable souls these parents are, for so many years they clung to the illusion that their own children would be different, and that they alone would maintain discipline and order and even an amicable relationship with their offspring.

But they suffer the same fate as everyone else. Their kids are absolute sociopaths, and the parents can’t wait to warn their peers about the fate that awaits them. They hang around at maternity wards just to gloat. They turn up at kindergarten graduations of strangers and throw tomatoes at the stage, because these kids may look adorable now, but they know what’s coming as soon as puberty sets in.

So that’s one kind of advice you’ll get from parents of teens. The other type valiantly pushes back against these tired tropes of the surly, smelly, antisocial adolescent. These parents insist that it’s neither necessary nor normal for teenagers to behave so poorly. Give them some higher expectations and a little guidance, and they’ll grow and bear fruit like the most elegant of topiaries.

They themselves have an entire phalanx of teenagers in their house right now, they will tell you, and the only way you’d guess it is because of the sounds of the viola wafting up through the floorboards as they willingly practice their arpeggios. One teen is tutoring his younger brother, two are about to come home from work at the Fine Young Man Store, and one is sitting at the desk he built himself, writing a letter to apologise to his elderly neighbour for how unevenly he chopped the shallots in last Sunday’s boeuf en croûte.

It is simply a matter of having the right expectations, and you must simply expect your children to be as inexhaustibly fabulous as you are yourself, and the job’s halfway done.

(The other half happens at boarding school, it turns out, which the grandparents pay for. Also the kids spend their weekends at the grandparents’ house. The grandparents themselves live in a metal trailer in the desert, desperately petitioning the courts to terminate their visitation rights.)

I joke, I joke. The truth, as usual, lies somewhere in between these two extremes. Teenagers are by no means natural sociopaths, but neither are they [excuse me while I get up and make sure my door is locked] especially willing and eager to be formed into useful members of society. Not. Especially. Read the rest of my latest for The Catholic Weekly. 

Image source PXhere (public domain)

Leaning into the boringness of the rosary

For several years, family prayer night at our house went like this: We would shout, “Time to pray! Time to pray!” and everyone would slouch into the living room and hurl themselves onto the couch.

When everyone was sufficiently hurled and all screens were darkened, we would make the sign of the cross, then my husband or I would ask, “What are our intentions?” and the kids would mumble out a few names. Then we would say, “And what are we thankful for?” This was our stab at keeping prayer fresh, personal, and meaningful, and for our efforts, we invariably got the youngest child screaming out something like, ‘I’M GRANKFUL DAT ELIJAH GOT A NEW BUTT FOR A FACE” and we’d have to dampen the ensuing riot.

We would then launch into a rocket-speed recitation of a list of prayers that we kept adding to, because it seemed important that the kids knew more and more prayers. And it is important, except that even though I do not have the gift of seeing into hearts, I felt pretty sure that, while our lips were rattling out “our life, our sweetness, and our hope; to thee do we cry, poor banished children of Eve,” we might as well have been saying “fadatta, fadatta, fadatta, beepum, boopum, bah.” It’s just human nature. Say the same words in the same order night after night, and after a while, you don’t even know what you’re saying.

We tried to correct it. We’ve made various stabs at liturgy of the hours, but keep discovering that we are both too lazy and too stupid to keep up with it. (Please don’t make suggestions about how to help this happen. I said “lazy and stupid” and I meant it.) We’ve tried this and we’ve tried that. And finally, back to the scriptural rosary we crept, like a dog to its . . . well-loved tennis ball that it keeps chewing on, because something in its poor simple brain makes it seem satisfying, comforting, and even worthwhile, and it was a gift from its owner.

I used to have no end of trouble with the scriptural rosary. I used to try to flog my brain into some kind of hyper-vigilant state where I would ferret out some new insight every time we revisited each mystery.

There we would be at the finding in the temple for the 723rd time, and I would give myself the space of ten Hail Marys to discover something I had never noticed before, some new little crumb of understanding hidden away behind Jesus’ sandal or some unexpected wrinkle in Joseph’s travel cloak.

“This is good stuff!” I would tell my brain. “It’s a mystery, and you can never get to the bottom of it! So let’s find something new and wonderful! Go! Find it! Go!” This almost never worked, but I kept trying anyway.

Or I would sort of clench my emotional muscles and try to squeeze out some kind of spiritual fervor as we prayed. Sure, sure, we’re all familiar with the story of the wise men coming from the east to do him homage, but this time, let’s really feel it, let’s get right in there and get bowled over by the immensity of the amazingness of the incredibility of the thing that happened, nownit the hourv our death, amen. (That approach didn’t work, either, but I also kept trying anyway.)

I forget why we decided to try one more time, but we did. Despite these past failures, we have returned once again to this old practice of walking through the events of the life of Jesus of Mary, one bead at a time, a verse or two of scripture per prayer, just one decade a night, because that’s what’s sustainable. As with so many other things in my life these days, I’ve arrived at a possible workable solution by failing at everything else. The plan is just to respectfully witness what happened. Just speak the words if it’s my turn to lead, and listen if it’s not, and just be a witness.

What I’ve found is that the extreme familiarity is not a bad thing, any more than it’s a bad thing to be extremely familiar with the events and memories of my own life. In fact, that’s kind of the point: The mysteries of the rosary ought to be very close to our hearts, very familiar, very well-known. They ought to live with us. We do a different mystery each night, so it’s not the exact same prayers every night. The kids take turns leading, so there’s some variation there. There’s enough variety that you have to pay some attention, so we avoid the rocket prayer effect. But basically, it’s nothing new. And that’s a good thing.

I’m not arguing against taking the time to meditate deeply on the lives of Jesus and Mary. We’re robbing ourselves of a great richness if we only ever just zip past them and think of the mysteries of the rosary as a sort of decorative spiritual background. They ought to become personal at some point, and we ought to take the time to think about what they have to do with us, how they apply to us, how we can imitate them, what it must have felt like to live them, and so on. We ought to be open to insight, and we shouldn’t be closed off to emotional experiences.

But I don’t think it’s necessary or helpful to try to torment ourselves into some kind of jarring insight or ecstasy every single time we approach the mysteries of the rosary. Spiritual novelty, it turns out,  is overrated, and probably has to do more with spiritual vanity than with a genuine thirst for holiness. Sometimes it’s more important to sit right where you are and just accept what God has given us, even if it’s just the same old same old. Especially if it’s the same old same old. (It’s called “humility.” Look it up, sweaty.)

I think that if God wants to tell us something new and interesting about the life of his mother and son, he absolutely will — maybe during the rosary, maybe at some seemingly random moment during the day. It’s all the more likely that it will happen if you’ve made the mysteries part of your life by reciting them faithfully every night. But you don’t have to go clambering after anything spectacular when you say the rosary. The lives of Mary and Jesus are a gift from God, and their comforting familiarity can be a gift, too. At this stage in my life, I’m more than happy to just chew them over one more time.

 

Image by DaModernDaVinci via Pixabay (Creative Commons) 

You’re having a hard time right now because life is hard right now

I didn’t even bother coming up with a little introduction for this essay to work my way up to that idea, because you’re ready to hear it, right? Everyone is having a hard time. Everyone on the globe is feeling the direct and indirect effects of the pandemic in one way or another, and it seems like everyone I know is also struggling with some unusual problem on top of that.

The only other thing we all seem to have in common is that an unusual number of people seem to be thinking poorly of themselves because they are struggling. So many of my friends seem to feel that there is something wrong with them because they are so sad and exhausted. They feel like there are so many other people with worse problems than theirs, or they ought to have adapted to a new normal, or they ought to be glad things are not as bad as they were in the past, or something.

Not only are they having a hard time, they’re angry at themselves, embarrassed and ashamed because they’re even struggling. Everyone I know seems to be fighting terrible battles, and their worst enemy is their own self, who constantly sneers, “Oh, stop your whining. It’s not so bad.”

If you are hearing this voice, you should know that it’s not really your self saying it to you. Or that’s not where the thought has its roots, anyway. It’s an idea that comes from the evil one: This idea that your suffering is imaginary, not worthy of tears or attention.

Isn’t that strange, to think that the devil would want to deny suffering? If you look at medieval paintings, it looks like suffering is, as they say, extremely his jam: You’ll see bony, many-clawed demons gleefully cramming bushels of suffering souls into bubbling cauldrons, stretching them on racks, slicing them into ribbons, searing their flesh.

But I’ve found that some of my most hellish mental states come when I’m unwilling or unable, for whatever reason, to clearly and calmly identify my own suffering as real suffering. It’s counterintuitive, but there is something demonic about being unwilling to look suffering in the face. And there is something holy about calling suffering what it is. Read the rest of my latest for The Catholic Weekly.

Image: Photo by Ron Porter via Pixabay (licensed)

 

What’s wrong with hymns without quotation marks?

Last year, popular sacred music composer David Haas was accused of sexually and spiritually abusing and assaulting 44 women. A recent conversation about his music took an interesting turn, and I thought I’d share some of it here.

First of all, it’s a shame that it even has to be said, but the guy’s music should never be played in church again. He shouldn’t be making royalties off songs he wrote and used explicitly to groom and manipulate women, and nobody should have to hear the words of a predator sung inside the walls of their church.

I have my own thoughts about separating the artist from the art, but this is different: The guy explicitly and recently used his celebrity as a religious artist to prey on women. He should be out for good, period. Yes, even if that one song of his was very meaningful and moving to you at some point in your life. You can always play it in your own home if you like it that much. Music is expendable, but people are not. Even if it were the most sublime music in the history of the church, it doesn’t belong in the church because of what he did.

Everyone agreed on that point, and we moved to the second point, which was more contentious, and which was this: Perhaps Haas’ music wasn’t sublime. Far from it: It was pretty terrible, so there’s a second (less urgent) reason it shouldn’t be played in church. Yes, I firmly believe that some music is objectively inferior to other music. Music that’s trite, coy, and formless is inferior. You don’t have to be a trained musician to develop a sensitive ear, which makes hearing bad music at church the equivalent of sitting on sticky, splintery pews or breathing air that smells like rotten eggs. Christ is still present, but gosh, it’s distracting.

Then came the third objection to Haas’ songs: The lyrics…Read the rest of my latest for The Catholic Weekly. 

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