Activism without ego

The other day, I happened across a brief summary of the stories of Ida and Louise Cook, a pair of British sisters. They were a secretary and a romance novelist who lived with their parents. And they quietly saved the lives of dozens of European Jews in the 1930’s.

“Quietly” is the operative word. They knew they were plain-looking, dowdy and unremarkable, and they finagled that knowledge into a scheme.

On Friday nights, they would fly into Germany, and then return home by another route before Monday morning, having spent the weekend secretly working with persecuted people trying to flee.

They would find someone in England to vouch for the person in danger, and secure their legal status as refugees; and they would travel back home wearing the soon-to-be refugees’ furs and jewels, which could later be sold to help them start a new life after they escaped.

They were smugglers, and directly responsible for making the difference between death and survival. But their whole operation depended on not drawing attention to themselves. If they did gain attention, they encouraged people to think of them as harmless and rather silly, the last person you’d suspect of being a radical activist.

Who do you know who is like this? Probably somebody! But you probably don’t know what they’re up to. That’s the point. They’re effective because they don’t draw attention to themselves.

It’s probably very easy, however, to name several people you know who are extremely noisy activists, who make a huge point of taking selfies wearing the colors or flag or scarf of the day, or putting trending frames on their profile pictures, or writing posts or making videos or putting up lawn signs telling the world what side they are on.

It’s very easy to get sucked into some form of this behavior, especially if we frequently spend time on social media. In some circles, you can actually get lambasted for not behaving this way.

Noisy, public activism isn’t always bad. Sometimes it even takes some courage, if the people who do this kind of thing are surrounded by pushy crowds who think otherwise. As I said, when trying to untangle the difference between “speaking the truth even though your voice shakes” and simply engaging in empty virtue signaling:

I have heard from people who identify with the victims—from people raising black kids, for instance—that it gives them great comfort to hear a crowd of people loudly defending them. It would hurt, and be frightening, not to hear it. That in itself is good reason to speak up.

I have also heard from people who’ve said, “I have been too timid to speak up in the past. I’ve let racist jokes slide, and I’ve let insults go unchallenged. Now I see where silence leads, and I’m not going to be silent anymore.” This isn’t posturing; this is conversion of heart. Not virtue signaling, but a sign of actual virtue.

But in general, I’m intensely skeptical of heroism that is deliberately designed to look like heroism, and activism that draws attention primarily to the activist. And I’m skeptical of groups and movements that encourage everybody to speak and act in a certain way, and that condemn anyone who doesn’t speak or act in that exact way.

I keep returning to two ideas that mesh with what we’re taught as Catholics… Read the rest of my latest for The Catholic Weekly

image: Detail of photo by Karolina Grabowska

I got the displaced person blues

What are you watching, reading, and listening to these days? Here’s mine for the week. Apparently I have the blues of some kind or other, what do you know about that.

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Watching:
Peter Gunn,
a jazz-powered, noir, private eye TV show from the late 50’s.

I’m only watching with half an eyeball, if that, but every time I do look up, the framing of every single shot is gor-ge-ous. Worth watching just for that. All the flossy mists, lurid lips, hard streets, velvet shadows, sinister dimples, lonely lampposts, glossy fenders, and echoing gunshots your noirish little heart desires; and you certainly don’t care about any of the characters, so there’s no emotional cost. Although I kind of like Mother.

Also, this show is where this music comes from (by Henry Mancini):

Now you know something! Peter Gunn is now streaming on Amazon.

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Reading:
“The Displaced Person” by Flannery O’Connor.

I came across this long short story in an anthology (originally part of the collection A Good Man Is Hard To Find, 1955) and I’m scratching my head over why this story is not getting more play right now among Catholics who welcome refugees. It’s just as well, because, despite the obvious parallels to current concerns, literal refugees is not really what the story is about. (The Paris Review notes that O’Connor herself was highly allergic to “topical” stories.)

Fleeing Hitler’s onslaught and ending up in a rural Southern dairy farm, the displaced Polish family are not only foreign, but their foreignness threatens the right order of things — even though the familiar order wasn’t satisfactory.

This passage is killer: Mrs. McIntyre, the self-righteous wife of a barely adequate but firmly established tenant farmer, waits for the displaced persons to arrive and recalls seeing a newsreel showing

a small room piled high with bodies of dead naked people all in a heap, their arms and legs tangled together, a head thrust in here, a head there, a foot, a knee, a part that should have been covered up sticking out, a hand raised clutching nothing.

She wonders whether anyone coming from such disorderly barbarity can even be fully human — and never mind that the Guizacs were the victims, not the aggressors:

Watching from her vantage point, Mrs. Shortley had the sudden intuition that the Gobblehooks [her best guess at how to pronounce “Guizacs”], like rats with typhoid fleas, could have carried all those murderous ways over the water with them directly to this place. If they had come from where that kind of thing was done to them, who was to say they were not the kind that would also do it to others? The width and breadth of this question nearly shook her. Her stomach trembled as if there had been a slight quake in the heart of the mountain and automatically she moved down from her elevation and went forward to be introduced to them, as if she meant to find out at once what they were capable of.

That’s the question. What might these displaced people be capable of? Mrs. McIntyre ends up being displaced herself, fully engaged in a cataclysmic body heap of her own, as she flees the farm in outrage; and the Guizacs become a door for upheaval of everyone’s idea of order, ushering in terrifying change.

O’Connor is a hair heavy handed with the Christ imagery — Christ as Displaced Person, but also as the ultimate displacer of persons — but it’s still a fascinating read with many threads.I don’t know why this story doesn’t get anthologized more.

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Listening to:

Chris Thomas King. We showed O Brother, Where Art Thou to the kids the other day, and they ate it up. So good. Here’s one of the quieter numbers, “Hard Time Killing Floor Blues” with some heartbreaking guitar

Here’s King’s “Come on in my kitchen” from The Red Mud Sessions album.

Hey, anyone can shout into a can for ten bucks. Great singers can put it across quietly. In a different vein, here’s “Death Letter Blues”

I guess I have a soft spot in my heart for someone who’s always complaining. I got the displaced person’s blues.

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Flannery O’Connor photo by Will via Flickr (Creative Commons)

Can we celebrate Christmas as Syria burns?

Trying to tamp down the guilt that rose like a cloud of evil dust, I mentally ran through my week, comparing it to the week that my brothers and sisters have endured in Aleppo. I shouldn’t have bought any presents, I thought. How could I even dare? How can we light our Advent candles and sing “O Come, Emmanuel, and ransom captive Israel?” We are not captives. We are healthy, wealthy, safe, pampered. Our walls our intact. We are home. Our children are with us, safe and warm in bed. The Syrians, they are the ones who need rescuing, Lord. Lord, isn’t there something I can do?

Read the rest of my latest at The Catholic Weekly here.

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Image: By Ahill34 (Own work) [CC BY-SA 4.0 (http://creativecommons.org/licenses/by-sa/4.0)], via Wikimedia Commons

What to do about refugees?

Betender_Mönch_bei_Kerzenschein

Pray. Pray!

Maybe you don’t need a reminder, but I do. Almost none of us are in a position to do anything else. We can vote, we can argue, we can maybe collect money or baby carriers or signatures or other signatures or bug-out bags – but if you believe in God, then doing any of these things without praying is like shopping for furniture when you’re homeless. Prayer is where we ought to live, where we ought to start our day from and where we come home to at night. Prayer is the foundation under our feet and the roof over our heads. Going it alone, without prayer, turns us all into refugees.

Read the rest at the Register. 

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image:  in the style of Godfried Schalcken (http://www.bassenge.com/) [Public domain], via Wikimedia Commons