Tag: prayer

A Lent for this specific year

Lent is one of those seasons when the “Both/And” nature of the Catholic Church really asserts itself.  

The practices and purposes of Lent are ancient, timeless, universal. It’s a season when we’re invited to step into an ancient, continuous tradition of fasting, praying, self-denial that would not be completely foreign to Catholics who lived centuries ago. 

It’s also a time when we’re supposed to ask ourselves, “What am I in particular, in this specific year, at this specific time in my life, supposed to do so that I can come closer to God?” 

I have some ideas! Here are my suggestions for how to spend Lent in the year 2025. 

Refuse to dehumanize. Not even a little bit.

Undeniably, there are evil people in the world doing evil things.  These people are our brothers and sisters in Christ, with no exceptions at all. They are not trash, not termites, not scum, not excrement, not parasites, not a waste of skin.  

Dehumanization paves the way to oppression, every time. We must not participate, even for the sake of rhetoric, or our hearts will follow the lead of our lips.  

It is becoming more and more socially acceptable to refer to our opponents as less than human, because we see them behaving so abominably, and because they’re calling us even worse names. But as Christians, this should impel us to work harder to recall their humanity, not to give in. Christ did not despise us, and we’re obligated to pass that mercy on.  

Refuse to enjoy being angry.

There’s a lot to be angry about. But when we’re angry at another human being, we should steel ourselves against relishing that rage and delighting in our disgust.  

We can follow the example of Mr Dimble in the final pages of That Hideous Strength, who has just discovered how thoroughly Mark Studdock has given himself over to evil: 

“He seemed to Mark to be looking at him not with anger or contempt but with that degree of loathing which produces in those who feel it a kind of embarrassment—as if he were an obscenity which decent people are forced, for very shame, to pretend that they have not noticed. 

“In this Mark was quite mistaken. In reality his presence was acting on Dimble as a summons to rigid self-control. Dimble was simply trying very hard not to hate, not to despise, above all not to enjoy hating and despising, and he had no idea of the fixed severity which this effort gave to his face.” 

Relatedly:

Give up, or at least cast a critical eye on, doing things that will score us points with our crowd 

That’s one of the worst and most perilous reasons to do or believe something: For applause. Our foundational ideas can so easily shift along with the crowd without us even realizing it, and the crowd tends to demand more and more debasement.  

Times like these are a wonderful opportunity to halt, assess what our core values are, and ask ourselves: Why am I doing this? Why am I saying this? Why am I speaking to or about this person this way?  Just check in and see if anything has shifted in your heart since last year, or since a few years ago; and, if it has, consider whether our new personal standards make us a better witness to the Gospel, or worse. 

Swear off hate-socialising…

Read the rest of my latest for The Catholic Weekly. 

On hearing the word

Do you have a priest with a non-American accent? We’ve had several in our little parish over the years. That’s not surprising, even in our very white, very homogeneous region, because according to a recent study, about a quarter of seminarians in the United States are foreign-born. 

When Catholics hear a thick accent coming from the pulpit, they tend to respond in one of two extremes: either with a cranky dismissal, with undertones of “Why don’t these people go back where they came from?” or else with a warm, self-congratulatory welcome of ethnic diversity — which lasts until the own-back-patterns discover this new priest doesn’t omit the bracketed section for shorter reading. 

But I heard a new take the other day, a rather bracing one for native-born Americans like me.

Father Ryan Hildebrand wrote on X: “‘I can’t understand my foreign priest’s accent!’ Instead of belittling you for not sending your sons to seminary (like I normally would), I’ll give you a helpful tip: Go to YouTube. Pull up BBC [his country of origin]. Watch it for a few minutes each day. That’ll help.”

He’s right, it would! It really is the kind of thing you can get better at with practice.

I loved the advice itself; and I loved the implication that a priest’s hard-to-understand accent is a problem for the listener to solve, and not only for the priest or the pastor or someone else. It’s certainly not something we should be mad about, because a foreign accent is the sign that someone has been brave and persevering, and willing to do hard things to serve God and us. But it’s also not something we should be passively, contentedly tolerant of, without trying to make the situation better. It’s something we should work on, from our end.

The Word — every word, but especially the Word of God — is meant to be heard and understood, and we should do what we can to help that happen.

How many problems in the world actually have a simple, at least partial solution, but it never occurs to us to discover it, because we don’t consider the problem ours to solve? Probably about as many problems as we drive ourselves crazy trying to solve, even though they’re not our responsibility or not under our control.

Sometimes the best way to help the Word be understood is to get out of the way.

Here is another scenario … Read the rest of my latest for Our Sunday Visitor.

Image: Christus met sterren in de hand (1899) Odilon Redon, public domain (creative commons)

 

Don’t listen to thoughts you have when you’re tired

I am a life-long insomniac, and please believe me when I say I have tried everything. I do all the right things, and avoid all the wrong things, to encourage good sleep, but it just seems to be my fate that sometimes I lose the knack, and long periods go by when sleep eludes me, night after night. I just forget how to do it, and the only thing to do is wait until I get the hang of it again. Staying asleep is like trying to stay underwater while clutching a giant beach ball: You can go under for a bit, but pretty soon you’re bobbing around on the surface again, blinking and frustrated, high and dry.

But nighttime is still different from daytime. The thoughts you have when you’re awake, and shouldn’t be, are very different from the thoughts you have when it’s just regular daytime. Nighttime thoughts can take on a certain urgency, even a certain spiritual compulsion.

Not long ago, Catholics on social media were talking about liminality: of “threshold” experiences when we are passing, or trying to pass, from one state or stage to another. We feel a sensation of peculiar and unsettling ambiguity, when we are neither this nor that, here nor there, but maybe we paradoxically feel a sharpened awareness of our in-betweenness.

There are some places on the planet that tend to make people feel this way – mountaintops, caves, very open spaces, heavy fog — and also some experiences: sitting with the dying, having sex, giving birth.

Sometimes insomnia puts us in this state. Eyes wide open in the darkness, body looking for all the world like it’s fully at rest when it’s actually tense and alert. The harder you try to push through from consciousness to unconsciousness, the more stuck you become in this liminal state.

Many people say that, if they can’t sleep, they pray. They say that, if they’re going to be awake anyway, they might as well be sure they’re passing the time well. Someone even told me once that God wouldn’t let her sleep until she said a whole Rosary for me (and I was very grateful when I found out, because I had been in labor, and struggling). And some people freely admit that they just keep on saying Hail Marys until they drop off to sleep. Call it boredom, call it tapping into some kind of mind/body magic, or call it faithfully letting your guardian angel finish the set, but it works for some people.

What I find, more often, is a different kind of spiritual experience…..Read the rest of my latest for Our Sunday Visitor.

“Insomnia” photo by Alyssa L. Miller via Flickr (Creative Commons)

Small ways to make your Triduum better

How do you keep the Triduum well? The obvious and maybe best way is to take advantage of whatever your parish is offering on these three final days before Easter: Holy Thursday Mass, veneration of the cross, stations of the cross, Tenebrae, adoration. Or if you can’t do these things with your fellow Catholics in person, you can certainly do many of them at home. Here’s Tenebrae; here’s stations.

But some of us are just barely hanging on, and getting up and going to a service that’s not obligatory could very well just be too much. And many of us are doing okay, but we have multiple obligations that keep us from dropping everything mundane and plunging entirely into spiritual exercises. We have to live our everyday lives while still somehow preparing ourselves and maybe our families for the most holy and solemn and meaningful three days of the entire year. How do we pull that off?

Here are a few ideas that require no preparation, and you can do them immediately, and they may help put you in the right frame of mind for the Triduum. 

Don’t denounce anybody. If you spend any time on social media, this one is harder than it might seem. So many people are so ripe for denunciation! But you can just take a pause and remember that all sins, all the ones you detest in other people, and all the ones you excuse in yourself, all are accounted for in the cross. So take a pause, and let the cross account for them, rather than doing it yourself, just for now. It doesn’t mean you’re condoning evil or looking the other way or being one of those much-maligned good men who says nothing. You’re just acknowledging that this is the one week when right and wrong is bigger than you and your wagging finger. 

Quiet down. Just . . . quiet down, everywhere. Quiet your voice, quiet the radio, quiet your music. Take everything down a notch, or turn it off altogether. Opt out of anything optional that’s raucous or frenetic, just for a few days. Triduum is a short, strange, unsettling time, and it’s good to help ourselves feel the strangeness of it by removing some of the ordinary bustle and noise of our everyday life if possible. 

Listen. Make a particular effort to listen to the people around you. Give them your full attention when they are talking to you, and try to respond to them as humanely as you can. When you go outdoors, listen to the sounds of the natural world, and be more aware of the complexity of the millions of little lives that surround you. And try to be ready to listen to the tiny, easy-to-ignore voice of the Holy Spirit that patiently waits and waits for you to be ready to listen. 

Go to bed a little bit earlier. Not everyone can. Lots of people have no choice about how much sleep they get. But many of us, me included, stay up late for no good reason, and it has a bad effect on them and everyone they interact with the next day. In a small act of self-discipline, try sending yourself to bed sooner than you’d like. It’s not self-indulgent. Even Jesus rested over Holy Saturday. He didn’t die for our sins and then bounce right back up again out of the grave, but he rested. I know He was busy scouring the underworld, but I do believe he was also taking a break. Rest is very much baked into who we are and who God is, so if we’re ever going to make a point of doing it, let’s do it before Easter if we possibly can. 

Be content with whatever your Lent has been. If you haven’t used your Lent in any especially admirable way, there’s not really any such thing as scrambling to make up for lost time at the last minute. That was never what it was about anyway. We all show up empty-handed. You can offer up failure to the Lord, too, and He receives that as graciously as any great achievement or sacrifice. The point is to show up. Always show up. The only mistake you can make is to stay away. 

Pray for me, and I will pray for you! 

Image: Pieta tryptich by Luis de Morales, 1570, Museo Nacional del Prado via Picryl

The freedom of wearing your faith on your sleeve: Artist Mattie Karr

Mattie Karr wanted to be an infiltrator. The 28-year-old Kansas native had big dreams of traveling to Hollywood and stealthily planting spiritual seeds in the work she did, smuggling religious themes into mainstream stories and animation.

“I loved the idea of being incognito with my art. I could be this Catholic evangelizing spy, almost,” she said.

It didn’t work out, and she is so glad.

First of all, she loves living in Kansas and loves the parish where she just finished a massive commission, three years in the making. It consists of two 15-foot high triptychs that bring color and warmth to either side the rather austere apse of Holy Name of Jesus in Kansas City.

Second, she found that she couldn’t stop making religious art if she tried. “As I grew in my faith, I couldn’t help it. The art just came out and it was all religious, mostly Mary. I couldn’t stop drawing Mary,” she said. The big shift came when she went on retreat, and some people prophesied over her, saying that God was calling her to do something and that she needed to be brave and step out.

“It was very clear he wanted me to leap,” she said. A week later, she did, quitting her job in sales, and launching her full-time career as an artist. Karr paints and draws sacred and liturgical art and also does commissions with specific religious themes, depicting spiritual tableaux that are particularly meaningful to her patrons.

Now that she’s surrendered to the idea of being a sacred artist, she said life has gotten so much easier.

“The images come a lot quicker. It doesn’t feel like as much of a struggle,” she said. “I appreciate wearing my religion on my sleeve in my business. It’s much more freeing.”

Karr said she once met a priest at a wedding, and he was adamant that she is an iconographer. Although Karr has done a painting that, at the request of a client, borrows some elements of traditional iconography, most of her work is in a very different mode. But the priest insisted, “Your spirituality is that of an icon painter. I can tell you pray through it.”

And this is so.

“Even if I’m not consciously praying, I’m praying,” she said. “Even in artist mode, I’m aware of the Holy Spirit.”

When she’s working with a client to develop a commissioned piece, she prays with them, and asks the Holy Spirit to give her an image for them. This is what happened when a client asked her to portray Mary, Undoer of Knots.

She collaborated with a client whose wife is a mental health counselor and had a recurring dream of Mary dressed in work clothes, diligently unbinding the tangles in a long ribbon that shines in the light falling on her shoulders.

Karr said that, although the image was made for one client, it often brings people to tears, even if they previously knew nothing of this traditional title of Mary.

“I’ve seen how much God can speak through these images. Beauty has this quality of stopping people in their tracks and making them pay attention,” she said. It breaks through the silence, even a silence we may not be aware of.

“So many people in their relationship with God don’t think he has much to say to them. Even devout Christians don’t experience the love of God in their lives,” she said. But sometimes beauty can speak to them with God’s voice.

“It’s a collaboration with the Holy Spirit. I’m always asking,” she said.

Sometimes that collaboration seems to come in the form of failure…. Read the rest of my latest monthly artist profile for Our Sunday Visitor.

***

This is the eighth in a monthly feature on Catholic and Catholic-friendly artists I’ve been writing for Our Sunday Visitor. 
Previous artists featured in this series:
Jaclyn Warren
Daniel Finaldi
Gwyneth Thompson-Briggs
Chris Lewis
Kreg Yingst
Sarah Breisch
Charles Rohrbacher

If you know of (or are) a Catholic or Catholic-friendly artist you think should be featured, please drop me a line! simchafisher at gmail dot com. I’m not always excellent about responding, but I always check out every suggestion. Thanks!

This potted plant life: Lessons on prayer for the new year

Let’s talk about prayer. Let’s talk about how January is a wonderful time to start or restart a habit of daily prayer.

But first, let’s talk about winter.

I’m not a big fan of this time of year. There are plenty of unpleasant things about the winter months where I live: The way the coldness makes you cold, the way the darkness is so dark, and the way the dark and the cold make you kind of stupid.

But the thing that really hurts is how all the green goes away. You look outside, and everything is gray and white and brown, and it’s just sad. I need green! This is why, of course, people have houseplants. Nothing livens up a living space like living things. It’s the obvious solution to my green starvation, right?

Not so fast. I’m an absolute plant assassin. I love having plants around, but I’m terrible at keeping them alive. If plants were people, I’d be on an FBI watch list for the sheer number of suspicious disappearances associated with me.

Take, for example, my little fig tree. I had put it outside on the patio over the summer, but then a frost came and I forgot to bring it in. The poor thing turned brown, all the leaves fell off, and it went from a luxurious, broad-leafed beauty to a dry stick in a pot. I was so sad.

But I’m telling you about it because I realized that I’ve actually learned a thing or two in the last several years — and what I’ve learned dovetails very nicely with what I’ve learned about prayer. Just as I suffer when there is no green outside, so too do I suffer when I don’t have a naturally flourishing relationship with God; and just as the solution to green starvation is having houseplants, the solution to spiritual starvation is prayer.

And if this metaphor doesn’t quite work out perfectly, just assume it’s because it’s dark and cold and I’m stupid. Not my fault!

I am the queen of letting plants dry out in between waterings. Then, when I finally do remember to do it, the soil has become so parched that the water goes straight through it and runs out the bottom. Depending on the plant, you can fix this by either flooding it with water from the top down, or putting it in a second pot of water and letting it absorb it from the roots, or you can give it little sips of water very frequently until it softens up and is ready to accept more.

But the point is: There are consequences to letting it get that dry. If you neglect it for long enough, you can’t expect to just leap back in and pick up where you left off. The same is true with prayer. If you’ve been out of touch for a long time, you might be able to reestablish contact by flooding God with your passionate prayers; or maybe you need to sit and quietly meditate for a long time; or maybe you need to start small with short, frequent prayers until your soul softens up and feels ready for more. But there will be a period of adjustment…Read the rest of my latest monthly column for Our Sunday Visitor

Let the dead bury the dead

We have a new annual tradition: Once a year, as many as possible of my far-flung siblings and I meet at my parents’ grave, back in the town where we grew up. We say a rosary, chat, and reminisce. The first year, I planted a little lilac tree.

It had been a long time since I sweated that much. We sat on the grass before the granite headstone in the blazing August sun in the middle of the day, this time me and two of my sisters and my brother-in-law. I thought it would be easy to find the spot, but the last time I had been at the cemetery, this particular plot stood out more, because there were mourners gathered around, and heaps of flowers, and a priest, and a canopy, and a casket, and an open grave for my mother, and a fairly fresh one for my father. It was much easier to spot that time.

Now the grave looks more or less like all the others: The stone with names and dates carved into it looks comfortably settled, surrounded by late summer grass, somewhat shaggy, a little parched, looking like it had been there forever. Someone had stuck a bunch of artificial purple flowers into the ground, long enough ago that they were faded in the sun.

I did come prepared. I brought a little lilac sapling from my house, and a couple of hearty rose bush cuttings that transplant well, and I brought a pickaxe and a short-handled shovel, and a small jug of water. It didn’t take long to get the green things in the ground. I also brought a bottle of soapy water to squirt at the headstone, and a little scrubbing brush to clear any grime out of the cracks and the letters of their names. The smell of a soapy lemon Joy cut through the summer haze of dry grass and cricket song, and in the fierce noon sun, the water quickly shrank up and disappeared.

It was so hot, that I was afraid the lilac tree would not survive. I didn’t bring nearly enough water, and I wasn’t sure when I could be back to care for it again. It’s only an hour away, but somehow it’s hard to get there.

We prayed a decade of the rosary and talked a bit about our parents. My sister remembered my father storming home one day and demanding, “Who’s been praying for me?” The answer was, of course, my mother…Read the rest of my latest column for Our Sunday Visitor. 

 

Who shows up at the Adoration chapel?

Without really meaning to, I seem to have adopted adoration as a mainstay of my spiritual life. It’s the thing I keep coming back to in all seasons, and I’ve done so since I was in college, and I hope to keep it up until I’m one of those creaky old people who makes everybody hold their breath while they shakily lower themselves down for a little genuflection, possibly never to get up again.

I have been to all kinds of adoration chapels: ornate, baroque ones and glossy, minimalist ones, ones that feel like waiting rooms of some kind (waiting for what?), ones that feel like a Polish grandmother’s rummage sale, and ones that feel like raves.

The funny thing is, the people you meet at the adoration chapel tend to be the same, no matter where you go.

Everybody knows, for instance, about the classic Jesus Whisperer: The adorer who simply cannot pray without whispering. Maybe it’s how they keep track of how many Hail Marys they’ve said, or maybe Sister Mary Scrupulosa back in 1952 actually taught them it somehow doesn’t count if it’s not audible; but by gum, as long as they’re there, everybody else in the room is gonna hear about it. Some people can simply smile and shrug and say their own prayers, but for others, the Jesus Whisperer is a good reminder that earbuds are cheap and there’s nothing wrong with Googling “one hour of rain sounds” before you pop in to pray.

But there are a few other adoration regulars who turn up almost as reliably.

For instance:

The Juicy Mouth. A close cousin to the Jesus Whisperer. These folks seem to realize that it might be disruptive to others to actually whisper prayers, so instead, they simply mouth them. And for some reason — and I’m willing to admit that the reason is that I’m crazy — this is far, far worse than whispering. It’s just an hour of barely audible, faintly wet, somebody-else’s-mouth noises, and it’s the absolute worst. Yes, I have heard of offering things up. No, it’s not getting me anywhere.

The Accessorizer Supreme. Many people bring rosaries, chaplets, Bibles or other prayer books, maybe a journal, perhaps a chapel veil. The Accessorizer Supreme brings THE WORKS. She (and it’s generally a lady) sits down, unpacks her tote bag that says “this is the day the Lord,” pulls out a binder that says “has made,” unzips it, flips it open to the correct page, whips out a little box that says “let us rejoice” that holds dozens of miniature color-coded Post-it Notes and starts applying tabs to the chart in the front so she can get caught up on which color highlighter she’s supposed to be using today.

The highlighter has a little bespoke leather tag tangling off it that says “AND BE GLAD.”

Once she establishes that the color of the day is pink, she pulls out the retractable matching pink bookmark to note the spot where she started reading for the day, and then smartly tears open the Velcro on the little fanny pack where she keeps the thematic hand puppets, with which she acts out the Bible verses. This can occasionally be a little distracting for the people around her, and once somebody complained when she got up to the Song of Songs puppets, but this is HER SPIRITUALITY and she is a TACTILE LEARNER and also if you are interested, she knows where you can BUY THIS EXACT KIT and she will EARN A SMALL COMMISSION.

Read the rest of my latest monthly column for Our Sunday Visitor. 

Photo by Guruh Budi: https://www.pexels.com/photo/woman-praying-in-a-church-16970828/

Carving light out of darkness: The art of Kreg Yingst

Kreg Yingst had set himself a task: He would make one block print for each of the psalms.

“I thought I was gonna knock it out in a year,” he said.

He did not knock it out in a year. Some of the images came to him easily, but some were a struggle. The project dragged.

And that was perfect.

“I had to wrestle with it. It became my daily prayer. If nothing came, I had to sit on it, and that would be the one prayer I would pray. If a visual didn’t come, I would read it tomorrow,” he said.

 

He compares the process to meleté, the intense word-based meditative prayer of the Desert Fathers. Many of them were illiterate, so they would go to their abbot, receive some lines of Scripture and immerse themselves in them all day to “pray without ceasing” in their cells, perhaps in song. This slow, repetitious meditation would purify their hearts and allow the words to take root.

More than two years later, Yingst’s prints that grew from these words became a book, “The Psalms in 150 Block Prints” ($35.95).

Yingst, 63, was heavily influenced by the black-and-white graphic woodcuts of German artist Frans Masereel and American Lynd Ward, whose wordless novels are considered a precursor to the modern graphic novel. Yingst’s deft, striking compositions, which often incorporate text, are sometimes exuberant, sometimes mystical and often jarring.

As an artist who shares his work on Instagram as he makes it, Yingst has had the disconcerting experience of knowing his most heartfelt pieces will probably be social media “duds.”

“We all want to be happy, and we all want sunshine. It’s the sweet aroma of prayer that everybody likes,” he laughed.

But the psalms also carry a lot of darkness, struggle and fear. He chose not to skip over those verses.

“When the rainy days come, how do I deal with it? Because I can’t escape it. That’s what the psalmists were doing. They always came back to [saying to God], ‘You’re still here. You’re my rock, my foundation,’” he said.

At the same time, he learned that some of the more fearsome psalms — the ones begging God to crush our enemies, and the ones that speak of dashing babies against rocks, are not what they first may seem.

“I need to understand this is a spiritual language. I can’t let this bitterness take root in me but cut it off while it’s still a baby. I started reading the psalms that way,” he said.

He discovered that they’re not so much inveighing against an enemy that’s some literal group of people but against whatever darkness every human will encounter.

One especially dark moment was the school shooting at Sandy Hook in 2012. Yingst had two young daughters and couldn’t come to terms with the horror and loss those parents were enduring. So for his New Year’s resolution, he decided to carve one prayer a week for the entire year. Those images became a self-published book, “Light from Darkness: Portraits and Prayers” ($29.95), and he donated the proceeds to orphanages. Sandy Hook parents had lost their children, so he wanted to help children who had lost parents.

“It was reactionary. I wanted to throw light. At least, this will bring a little light,” he said.

Woodcuts and linoleum prints are particularly suited to that goal.

“With the block print, and with linoleum or woodcuts, you have that black square, and every time I make a mark, every time I make a gouge, I’m carving light out of darkness,” he said.

Read the rest of my latest artist profile for Our Sunday Visitor. 

Previous artists featured in this series:
Sarah Breisch
Charles Rohrbacher

If you know of (or are) a Catholic or Catholic-friendly artist you think should be featured, please drop me a line! simchafisher at gmail dot com. I’m not excellent about responding, but I always check out every suggestion. 

Love of God is something we can learn

When I was little, I pored over the stories of the saints, especially the martyrs. I was morbidly fascinated by stories of little 6-year-old Conchita of the Drooping Veil who loved God so passionately that, whenever her wicked pagan stepmother would torment her and put tar in her hair and report her to the governor for being Christian, she would simply smile and pray for them all, because she just loved God so much. (Please don’t look Conchita up; she is just an amalgam, but you get the idea.)

I was enthralled. I was captivated by the exoticism of the setting (saints all seemed to live in a time when people wore robes and carried things around in clay jugs, which sounded amazing) and the exoticism of the spirituality itself; but even more compelling was how every story carried a clear message: This is what I was supposed to be like. I was supposed to imitate this girl in my own life, right now.

I was savvy enough to figure out that a lot of the details of the story were adaptable. You could wear shorts and a shirt with a purple unicorn on it, like my own favorite shirt, and be a saint. You could pursue holiness by not fighting with your sister or by cleaning the living room like your mother said or by putting your whole allowance in the basket at church instead of spending it on nail polish. I understood that.

The part that was not clicking was the part where St. Conchita loved God. And I, myself, did not. And boy, did I feel bad about it.

It actually shows some pretty good self-awareness that as a kid I even realized I didn’t love God, and loving him is the main point of the stories of the lives of the saints. It wasn’t my fault that these stories were presented in a grotesque and melodramatic way that made them seem foreign to my own life, and it also wasn’t my fault that I didn’t automatically and naturally feel a great love for my creator and savior by the time I reached the age of reason.

It would have been nice if someone had told me how to go about learning to love God, though. Because I have discovered that, for most people, it is something that they have to learn. We may be created to love God, but that doesn’t mean it happens on its own….Read the rest of my latest for America Magazine.

 

Photo by Bicanski on Pixnio