The freedom of wearing your faith on your sleeve: Artist Mattie Karr

Mattie Karr wanted to be an infiltrator. The 28-year-old Kansas native had big dreams of traveling to Hollywood and stealthily planting spiritual seeds in the work she did, smuggling religious themes into mainstream stories and animation.

“I loved the idea of being incognito with my art. I could be this Catholic evangelizing spy, almost,” she said.

It didn’t work out, and she is so glad.

First of all, she loves living in Kansas and loves the parish where she just finished a massive commission, three years in the making. It consists of two 15-foot high triptychs that bring color and warmth to either side the rather austere apse of Holy Name of Jesus in Kansas City.

Second, she found that she couldn’t stop making religious art if she tried. “As I grew in my faith, I couldn’t help it. The art just came out and it was all religious, mostly Mary. I couldn’t stop drawing Mary,” she said. The big shift came when she went on retreat, and some people prophesied over her, saying that God was calling her to do something and that she needed to be brave and step out.

“It was very clear he wanted me to leap,” she said. A week later, she did, quitting her job in sales, and launching her full-time career as an artist. Karr paints and draws sacred and liturgical art and also does commissions with specific religious themes, depicting spiritual tableaux that are particularly meaningful to her patrons.

Now that she’s surrendered to the idea of being a sacred artist, she said life has gotten so much easier.

“The images come a lot quicker. It doesn’t feel like as much of a struggle,” she said. “I appreciate wearing my religion on my sleeve in my business. It’s much more freeing.”

Karr said she once met a priest at a wedding, and he was adamant that she is an iconographer. Although Karr has done a painting that, at the request of a client, borrows some elements of traditional iconography, most of her work is in a very different mode. But the priest insisted, “Your spirituality is that of an icon painter. I can tell you pray through it.”

And this is so.

“Even if I’m not consciously praying, I’m praying,” she said. “Even in artist mode, I’m aware of the Holy Spirit.”

When she’s working with a client to develop a commissioned piece, she prays with them, and asks the Holy Spirit to give her an image for them. This is what happened when a client asked her to portray Mary, Undoer of Knots.

She collaborated with a client whose wife is a mental health counselor and had a recurring dream of Mary dressed in work clothes, diligently unbinding the tangles in a long ribbon that shines in the light falling on her shoulders.

Karr said that, although the image was made for one client, it often brings people to tears, even if they previously knew nothing of this traditional title of Mary.

“I’ve seen how much God can speak through these images. Beauty has this quality of stopping people in their tracks and making them pay attention,” she said. It breaks through the silence, even a silence we may not be aware of.

“So many people in their relationship with God don’t think he has much to say to them. Even devout Christians don’t experience the love of God in their lives,” she said. But sometimes beauty can speak to them with God’s voice.

“It’s a collaboration with the Holy Spirit. I’m always asking,” she said.

Sometimes that collaboration seems to come in the form of failure…. Read the rest of my latest monthly artist profile for Our Sunday Visitor.

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This is the eighth in a monthly feature on Catholic and Catholic-friendly artists I’ve been writing for Our Sunday Visitor. 
Previous artists featured in this series:
Jaclyn Warren
Daniel Finaldi
Gwyneth Thompson-Briggs
Chris Lewis
Kreg Yingst
Sarah Breisch
Charles Rohrbacher

If you know of (or are) a Catholic or Catholic-friendly artist you think should be featured, please drop me a line! simchafisher at gmail dot com. I’m not always excellent about responding, but I always check out every suggestion. Thanks!

No holy eyerolls on the Assumption

A friend was very reasonably grousing about holy cards that make saints look like they’ve died halfway through a seizure. The mouths hang slightly open, the eyes are rolled up, and they’re pale as a corpse. That’s how sanctity is portrayed.

This gooey, sentimental style has just about died out, thankfully. I do understand why it was once popular, though. Artists were trying to depict someone who was in the world but not of the world. The rolled-up eyes and otherworldly stare were intended to show a holy detachment in a saint whose entire attention is fixed on Heaven.

Unfortunately, what it conveys to modern people is: “Saints are creepy weirdos who don’t care about you and are definitely not like you.” Pretty much the opposite of what we should be hearing, when we think of the universal call to grow in holiness and to be saints ourselves.

Another friend, an artist, commented,

“Honestly, though, anyone looking up to heaven looks pretty dumb. Just like anyone looking down at a baby looks pretty. Mary got lucky.”

It was just a quip, but she is onto something. There’s a reason we’re more drawn to this look:

than this one:

The otherworldly glow of her skin is warm, like embers, bidding you to draw closer, rather than pallid, like leprosy, repelling you; and her tender, gracious, intimate downward gaze at her beloved Child expresses the holiness the more sentimental artist was grasping at.

The thing is, in this picture, Mary is looking to Heaven. She is finding it in her son.

I once heard the account of the annunciation, and had a thought I’d never had before. The angel comes to Mary and says,

“Behold, you will conceive in your womb and bear a son, and you shall name him Jesus. He will be great and will be called Son of the Most High, and the Lord God will give him the throne of David his father, and he will rule over the house of Jacob forever, and of his kingdom there will be no end.”

But (as you know), “Mary said to the angel, “How can this be, since I have no relations with a man?” 

Ha! I thought. The angel — an angel — just told her, “You are going to have a baby who will be THE SON OF GOD and He will BE KING OF EVERYTHING AND RULE FOR EVER. And her question is, “Okay, but about this pregnancy . . . ”

She’s not wondering about the theology of how a human child can be the son of God. She’s not thinking about salvation history or heavenly thrones or eternity —  not right this moment. She just wants to know about her and the baby, and also about her husband-to-be. First things first. This is the conversation she wants to have with an archangel: Let’s talk about my son, that’s going to be in my body, because it’s personal.

That’s how Mary does things. There’s that downward gaze we associate with her. So much better than rolled-up eyes! It’s a good look, on Mary and on all of us: that personal, intimate, “You’re real and so am I” connection. Not a faraway gaze at something beyond the mysterious beyond, but at the Heaven that has located itself directly in our lives. And despite how artists often choose to portray it, I believe that, even during the Assumption, and most definitely afterwards, Mary did not forget her little ones, and however it happened that she was assumed into heaven, you would not catch her rolling her eyes away from us. 

So this is how we can be like Mary, if you are looking for a way: Look to the ones who are closest to us. Look to their needs. Take their day-to-day existence seriously as our own concerns. That includes beloved family and friends, and the ones who are easy to smile at and cherish, but also the people whom God puts close to us whether we wanted to cross paths or not: the crabby customer service lady, the cantor whose warbling gets on your nerves, the snotty stranger who comments on your social media. And the family and friends who are behaving in ways that do not invite us to instinctively draw closer. If we can, it would be a good goal to remember Mary’s gaze — that intimate, personal, attentive focus — and try to adopt that. Because that’s what holiness looks like. 

Sometimes, let’s be real, the best we can do is recruit Mary to our side, and ask her to be the one to be loving and attentive, when we can’t or shouldn’t get too close to someone ourselves. This is holy, too, and this is a way to sanctify our relationships with other people. Mary will be there. She will do that for us. She will be the person who will make it personal. 

But holiness has to be personal. If it’s impersonal and abstract, if it remains closed off from other people, then it’s not holiness. Like it or not, sanctifying our responses to each other is how we will find Heaven. Don’t roll your eyes at me! Not in exasperation, and not in sentimental piety, either. This is how we find Heaven. It’s personal.

 

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A version of this essay was originally published in The Catholic Weekly in December of 2017.

Images:
Photo of St. Gerard statue holy card courtesy of a friend
Adoration of the Shepherds (detail) by Gerard van Honthorst [Public domain], via Wikimedia Commons]

That time God sounded like Groucho Marx

There is a store downtown that we’ve asked our kids not to shop at. The window is full of a hodgepodge of goods: Sun catchers and hour glasses, crystals and oils, whimsical socks, tarot cards, and all kinds of items the modern shopper has classified as “metaphysical,” which includes anything having to do with Wiccans, native Americans, buddhists, or I guess mermaids.

When I saw a ouija board for sale, I told the kids it was probably just a stupid place, but it would be smarter just stay out, because we don’t need to even get close to that kind of nonsense.

It’s a fine line, because you don’t want to pique kids’ natural interest in the forbidden by making occult things sound tantalizingly fascinating, but you also don’t want them to make contact with anything dangerous. We draw a pretty bright line with ouija boards. Some things are designed to make something spiritual happen, whether the participants believes in them or not, and the purpose of a ouija board is to open a spiritual door.

We have found that the most effective strategy is to teach the kids to roll their eyes at the overwhelming lameness of the kind of store that blathers on about “magick” and darkness and light, and sells cheap sparkly jewelry from China and tries to pass that off as mystical. Snark is a powerful tool. 

But recently one of my younger daughters came to me pretty steamed, because in among the singing bowls and skeleton goblets and fairy wind chimes, they were selling a statue of Mary.

“I don’t want to buy it and give those people money, but I want to get Mary out of there!” she said.

I reassured her that it wasn’t hurting Mary at all to have her statue in such a foolish clutter. It’s just a statue, which isn’t her; and anyway, you really can’t hurt Mary. She’s too strong. But I understood the indignation she was feeling. You don’t put our mother in with all that trivia, like she’s just another pretty good luck charm that might send positive vibes your way.

I told her that you never know; someone might choose the Mary statue and bring it home because it was pretty, and it might lead them down a path of finding out more about who this lady is, and it might bring them into the arms of the Church where Jesus is. That is what Mary tends to do: She leads people to Jesus. You never know.

My daughter was fairly skeptical. She is ten, and like many kids her age, quite a traditionalist. She likes things to stay in their lane. So I told her that the Holy Spirit definitely uses the normal channels to reach people, but also speaks to people through whatever is around them. A statue, a song, a movie, anything.

She was intrigued, so I told her about a thought process that went through my head one time, and just about knocked me off my feet.

I had just finished an essay about the faith, and I liked it pretty well, but as often happens, I immediately started fretting that people wouldn’t understand what I was trying to say. Then I started fretting that maybe I wasn’t really clear, myself, on what I was trying to say. Then I thought maybe, in that uncertainty, I was missing out on something that God was trying to say to me.

And then, clear as a bell, I heard in my mind the voice of Rufus T. Firefly in Duck Soup saying, Can’t you see that I’m trying to tell you I love you?

And that . . . was God. Speaking in the voice of Groucho Marx, talking to Margaret Dumont as Mrs. Teasdale, whom he assuredly did not really love, but whom he was trying to woo, in between insults, because he wanted her money. But the point was, the line made me laugh, and it came to me out of nowhere because that is what God is trying to tell me, all the time. He loves me.

He does know me, and he knows what’s in my head, and what will make me laugh. I don’t know if I’m conveying just how sweet and perfect and strangely intimate this moment was, but there is no earthly reason this line should have popped into my head at all, but it perfectly put to rest all the fretting and questioning that I was chasing myself around with. And you would have to know me really well to know what a good line this is to use on me. 

It was a blessed reassurance that I had done my best with my work and that God would do with it what he wanted to, and I could relax, because he loves me.  All was well.

It wasn’t just a random thing, just a personal quirky story. It tells me that doors are always opening.  We can forget this, sometimes, as we fret over the many threats and tantalizing temptations our kids are subject to. Sometimes, as parents, we can focus overly on the many ways that evil can creep in and reach our children.

The enticements are cramming all the storefronts, reaching out and trying to get our kids to partake. The dangers are real. But so is Christ. So is Mary; so is the Holy Spirit. So much realer than evil! So much more authentic. So much more gratifying. So much more intimate.

Jesus is always looking for ways to reach us and to reach our children. He is so humble, he doesn’t wait for a formal, dignified, church-sanctioned invitation to swoop in and make a proposition. Just a little crack in the door will do. A joke, a song, a statue in a window. A line from a movie from short little Jew with wiggling eyebrows.

Can’t you see he’s trying to say he loves you? Don’t be afraid to see it, because it’s everywhere. Be watchful, be listening, but don’t be afraid.

A version of this essay was originally published at The Catholic Weekly on July 7, 2022.

Image is still from Duck Soup:

 

I’m giving away FOUR books by Tomie dePaola!

Tomie dePaola is a beloved author and illustrator for good reason, and in addition to his dozens of charming and lovely books about Strega Nona and Big Anthony, he published many Catholic books, including books on the saints, Bible stories, and other religious works. Ignatius Press with Magnificat has recently been reprinting some of these in hardcover. I got to review four of them, and they’ve given me four to give away to you! The titles:

Queen Esther
Brother Francis of Assisi
Noah and the Ark
Mary, the Mother of Jesus

Enter by using the form at the end of the post. 

If you don’t win, or if you just want to order some or all of the books, I also have a 25% off code for these four books.

Use the coupon code STOMIE25 when you order any of these four books from Ignatius and get a 25% discount starting today and ending Saturday, Nov. 21 at midnight. 

And now for the books! 

Queen Esther (first published 1986) A simple and dignified telling of the story of Esther, the Jewish woman who was chosen for her beauty by the Persian king, and who risked her own life to protect her people.

Esther is rendered in blues and grays, very elegant but rather severe and sad, which seems right to me. She didn’t ask to be put in that position, but she did what had to be done once she was there. 

A good true “princess” story about a girl chosen for her beauty, who musters up courage and strength for her people. 

The story is somewhat simplified, good for young kids, and is nicely dramatic

The final page notes that her story is commemorated on the Jewish feast Purim. “On Purim, Jews give gifts to the poor and one another. This spring holiday often falls during Lent, when Catholics recall the courageous faith of Queen Esther.” I didn’t realize this was so, but he’s right! The Mass readings during Lent tell her story, paired with an exhortation to ask God for what we want and trust he will give it to us. 

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Brother Francis of Assisi (first published 1982) 
I had this one when it was first published, and as a result, I’ve always been a little afraid of St. Francis, as is appropriate. He is most certainly not the fuzzy wuzzy pal to our furry friends that pop culture has turned him into, but was an intense, passionate, singleminded man.

Don’t get me wrong; it’s not a scary or graphic book, but it doesn’t shy away from how hard Francis was on himself.

I had a hard time getting through the Pope’s dream where Francis holds up the crumbling walls of the Church. Oh boy. Give yourself time to compose yourself if you’re reading this one aloud.

It does include favorite stories, like Francis preaching to the birds, and dealing with the wolf of Gubbio,

and also has some lesser known stories, like Francis allowing himself to indulge in some honey almond cakes made for him by a patroness,

and a story about Francis recreating a manger scene and being visited by a real holy child who smiles at Francis and strokes his beard.

And here — get ready — here is Francis receiving the stigmata

This is one of de Paola’s longer books at 47 pages, and it includes the Canticle of the Sun and a timeline of Francis’ life, including his and Clare’s feast days. Good stories about Clare and her sisters, as well. The illustrations were painstakingly researched on site, and you get a real sense of place, as well as a sense of who Francis really was. Excellent. 

*****

Noah and the Ark (first published 1983) I struggle with children’s books about Noah’s ark! I know it has animals and a rainbow, but it’s not really a children’s story, and it bothers me when it’s portrayed as cutesy or rollicking. DePaola’s version avoids this, and is told very simply and has a sort of mythical air to it, which works well.

God is shown as a powerful, bright hand emerging mystically from the heavens, and the animals are animals, not cartoonish sidekicks

DePaola’s mastery of color is on full display here. There are two pages with no text, just the flood waters:

and then the next page pulls back a bit and shows the ark still being tossed on the waves, but with the threatening clouds receding. 

A solid rendition, bright and dignified. 32 pages, for children ages 5 and up. 

*****

And now for the crown jewel of these new editions!

Mary, the Mother of Jesus (first published 1995) 33 pages, and there is a LOT in here. An astonishing book, luminous, illuminating. If you’re looking for a religious book to give a child for Christmas, this is the one.

It covers the whole life of Mary, from before her conception to her assumption and coronation, and it draws on scripture and also on pious legend, including things like the child Mary climbing the steps to the temple by herself,

and the staff of Joseph miraculously flowering. It also, to my surprise, describes Mary as gently dying and being laid in a tomb, with Thomas meeting an angel who has him roll the stone away and find her winding sheets left behind. My kids were a little dismayed, having been taught (by me!) that Mary didn’t die, but was assumed into heaven body and soul without dying first. It turns out there’s no actual dogma definitively saying whether she died or not. In any case, the illustration of her assumption got me right in the kishkes:

Reading the whole thing from start to finish helped me remember what a straight up good story it is, and how many angels came to this family. 

All the illustrations are striking, and the expressions on the (clearly middle eastern) faces are subtle and thought-provoking.  Here is Mary proud but protective as the wise men appear to visit her little son

Here are the parents angry, dismayed, and confused to find Jesus in the temple:

Here is Mary calmly and knowingly, with a glimmer of a smile, telling the stewards at Cana to do whatever Jesus tells them

and look at this angel, busting through into the room of this young girl with her long braid

Extraordinary. It says ages 7 and up, and honestly I would give this book to an adult convert to introduce him to Mary. It’s so lovely and heartfelt. Each section is introduced with a short excerpt from the liturgy of the hours. So good. 

That’s it! Good luck! You have until Friday the 20th to enter. 

a Rafflecopter giveaway

If you can’t see the Rafflecopter form, click this link and it will take you there. 

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P.S., Did I ever tell you my Tomie dePaola story? It’s not a very good story, but it’s what I’ve got. In second grade, I won a Young Author’s contest (The Day It Rained Piano Keys, by Simmy Prever. No copies extant) and dePaola presented the awards, and each winner got a kiss on the cheek. I’d been reading his books steadily my whole life, and almost forty years later, I finally got up my nerve to ask him for an interview, because he lived in NH. I wanted to know what his favorite book was, and what his relationship was with the Church, and how hard it was to paint the face of Jesus. And if he knew someone like Bambalona. So I put in my request and I waited with bated breath for his response, and then two weeks later, he died.

That’s my story. I don’t think I actually killed him, but if you want to talk to someone, my advice is to do it now, not later. SIGH. 

In praise of litanies

When my spiritual life needs a shot in the arm, I sometimes turn to litanies. Many Catholics only encounter litanies on All Saint’s Day, perhaps leaving Mass with the impression that a litany is a prayer for when you have a short amount of time and a giant crowd to propitiate, sort of like a spiritual credits page that scrolls past in tiny print to fulfill your contractual obligation. St Key Grip, pray for us! All rights reserved, Amen.

But there are so many more litanies, and more kinds of litanies, than the litany of saints — which, by the way, is itself so much more than a list, and which has been prayed in one form or another for over 1500 years. The Litany of Saints was first recorded in the time of Gregory the Great around the year 600. According to one source,

“In 590 Pope Gregory was moved by the occurrence of a great pestilence that followed an inundation, and ordered a Litania Septiformis (‘sevenfold procession’): clergy; laity; monks; virgins; matrons; widows; and the poor and children. It was in one of these Litania Septiformis, in celebration of the end of the plague, that the Litany of the Saints was introduced.”

I’d like to see that! Imagine processing down the streets invoking the names of all the blessed — many of whom would have been martyrs — proclaiming to the world that you’re grateful to them and to God that you’re still breathing. That really brings home how personal the communion of saints truly is.

Of course the form of a litany is older than the Catholic Church. Every year at our Passover seder, we recite the sort of wellspring of all litanies, Psalm 136, and it is very good indeed to say the words that the children of Abraham have been saying faithfully for thousands and thousands of years: His mercy endures forever. I love how it slides so casually from the cosmic to the specific. We say:

“To him who alone doeth great wonders: for his mercy endureth for ever.
To him that by wisdom made the heavens: for his mercy endureth for ever.
To him that stretched out the earth above the waters: for his mercy endureth for ever.
To him that made great lights: for his mercy endureth for ever:
The sun to rule by day: for his mercy endureth for ever:
The moon and stars to rule by night: for his mercy endureth for ever.”

and then later in the same prayer:

“To him which smote great kings: for his mercy endureth for ever:
And slew famous kings: for his mercy endureth for ever:
Sihon king of the Amorites: for his mercy endureth for ever:
And Og the king of Bashan: for his mercy endureth for ever.”

Poor Og of Bashan! That’s all I ever knew about him, but I’ll never forget him. Even Og could have the mercy of the Lord, if he wanted it.

Read the rest of my latest for The Catholic Weekly

Image: By Byzantinischer Maler um 1020 – The Yorck Project (2002) 10.000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH. ISBN: 3936122202., Public Domain, https://commons.wikimedia.org/w/index.php?curid=148590

Mary and Jesus our castle entire: Mary the fireplace, Jesus the fire. 

Merry Christmas, my dears! We’re headed off to Mass in a few hours and will pray for you all. 

Here’s a good poem which, as far as I can tell, is by Peter Kreeft and Fr. Ronald Tacelli. It’s from Handbook of Catholic Apologetics: Reasoned Answers to Questions of Faith. The image is Mary Panagia (“All-Holy”) icon from Cyprus via Needpix.

Thanks for reading, thanks for commenting, thanks for laughing at my stupid jokes, thanks for getting mad when I say stupid things. I loves you all, but Jesus loves you more. 

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Body of Christ, from Mary’s body;
Blood of Christ, from Mary’s blood.

Jesus the bread, Mary the yeast;
Mary the kitchen, Jesus the feast.

Mary the Mother by whom we are fed;
Mary the oven, Jesus the bread.

Mary the soil, Jesus the vine;
Mary the wine maker, Jesus the wine.

Jesus the Tree of Life, Mary the sod;
Mary our God-bearer, Jesus our God.

Mary the silkworm, Jesus the silk;
Mary the nurse, Jesus the milk.

Mary the stem, Jesus the flower;
Mary the stairway, Jesus the tower.

Mary and Jesus, our castle entire;
Mary the fireplace, Jesus the fire.

Mary God’s ink, Jesus God’s name;
Mary the burning bush, Jesus the flame.

Mary the paper, Jesus the Word;
Mary the nest, Jesus the bird.

Mary the artery, Jesus the blood;
Mary the floodgate, Jesus the flood.

Mary and Jesus, our riches untold;
Mary the gold mine, Jesus the gold.

 

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Let it be done to me

Several years ago, I gave a presentation that I had no business giving. It was a speech about forgiveness, what it really means, and how to do it. Maybe it wasn’t as useless as I remember. I don’t think I said anything that wasn’t true. But I said it glibly, drawing on what I had learned in the shallow end of the pool of suffering. 

There was a Q and A session after the speech, and one man had a hard question. He said that he was willing to suffer, himself, and he was willing to forgive the perpetrator who had hurt him. But what about forgiving people who hurt someone he loves? What is the mechanism there? 

I don’t know what his story was. Maybe someone insulted his child. Maybe someone killed his child. Maybe someone killed his child in the name of God, and that was what he wanted to know how to forgive. Not knowing, and not knowing what else to say, I made the only answer I could think of — and again, it wasn’t the wrong answer; only glib. I said that our model here is Mary, who had to stand by, powerless, watching her innocent son tortured and murdered because he chose to take on our sins and our punishment. We can have faith that she forgave the ones who crucified Jesus, and so she is our model of forgiveness in these cases. The answer is, be like Mary.

It wasn’t the wrong answer. But I didn’t know what I was talking about when I gave it. Now I’m writing on the feast of the presentation of Mary, and I still don’t know what to say. But I have felt much more keenly the sensation of standing helplessly by when someone else suffers, and I can tell you that being powerless is not as simple as it sounds. Standing up under a burden you’re not allowed to carry is not as simple as it sounds.

One morning, I had been up all night, I forget why. I suppose I had a lot of work to do, and I ended up writing about and thinking about Mary. I am too old to be up all night, and I could barely stay upright in my chair. But I was still awake, and I saw something that was not entirely a dream.

You have heard of the woman clothed with the sun, with the moon under her feet. What I saw was a woman in motion, and within the folds of her robe were galaxies. She had nothing to stand on, because nothing could be solid enough to hold firm beneath her transcosmic immensity. The sight of her hit me so hard, I fell on my face inwardly, and I still breathe shallowly when I remember what I saw. She was so immense. She was willing to shelter, to take into herself . . . everything. 

When we make promises, we grow into them. When you make a wedding vow, you do it sincerely, opening the door of your heart to whatever the marriage will bring; and then later, you find out what it is you have agreed to. A real promise holds, even if you didn’t know what it contained. Mary, aged perhaps fourteen, made her marriage vow to God at the annunciation, when she said “Let it be done to me,” not knowing, as humans don’t, what that might entail, but accepting, as humans may, whatever God will send.

At the presentation in the temple, which comes 40 days after Christmas, she begins to find out what was to come when Simeon told her her child would be a sign that would be spoken against. Maybe she thought that her child would be insulted, and maybe she found that notion hard to bear. I remember the rage surging up in my heart when I saw a mosquito alight on the face of my newborn. That blood was not for him! How dare he breech that skin and take what was not his. I brushed the mosquito away, but he had already bitten the baby’s face. 

Of course there was no real injury. It was just a bite. Worse things have since happened to my child, to all my children. There were times when I prayed in anguish to God to let what they are suffering be done to me, instead. “Let it be done to me!” A mother’s cry, as well as a lover’s consent. But that was not the plan. The child has to suffer, and I have to watch, and be helpless. That was what was done to me. That was what I agreed to, when I entered into a marriage that produced a child.

Once you become a mother, you become everyone’s mother. So many people are my children, besides the ones I have given birth to (much good may it do them). I see them suffering, and I don’t know what to do. If standing by and watching helplessly is nothing, then why does it hurt so much? It must be something. It is something. It is what Mary did, and you see how that worked out. When she found out what her promise contained, she held. She did not fall.

Mary is so immense. In her robe are galaxies, but in her womb is all mankind. Jesus’ suffering brought about reconciliation with the Father, but Mary’s suffering brought about — what? Motherhood. Suffering-with. The openness to helplessness. The foot with nowhere firm enough to stand, that stands nonetheless. 

I see you suffering, and I don’t know what to do, other than stand here and be helpless. It can’t be nothing. How could it hurt this much, if it were nothing?

I am here to make a presentation: Here I am, Lord. Here they are; here we are. Look at us. We don’t know what else to do. 

 

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Image via free images 

Another holy day of (pant, pant) obligation

[This essay was written several years ago, for a different Marian solemnity; but the basic idea still applies!]

Behold, our traditional observation of this wonderful solemnity:

Husband wakes up early, brings two of three high school kids to school A in town B, where they can’t come in late because they have a morning concert in school D and the bus leaving School A won’t wait. He comes home, calls schools A, B, and C about lateness of Kids 1, 5, 6,7, and takes them to early Mass at Church 1 in town B. Also takes baby, because he is superman. Comes home, drops off kids, goes to work in town D. I pack up Kids 1, 9, and 10 and bring them to town B to drop off Kid 1 at work, then take the other two to lunch at Wendy’s because it is Kid 9’s birthday, and then we go to Mass at Church 2 in town B, and then go home. We all go to the bathroom. Then we pack up Kids 9 and 10 and go to School C in Town C, where we pick up Kids 6, 7, and 8, then swing by the library in Town B to pick up Kid 5 who goes to School B, and then pick up Kid 2 who has walked from the bus stop to her doctor appointment in Town B. Then we go back home (Town A), wolf down some hot dogs (leaving kid 4 at home since he already went to Mass and doesn’t sing), scramble into our pretty dresses, hoping kids 2 and 3 have made it home on the bus, and swing by Kid 1’s work in Town B (hoping she has eaten at some point) and bring her with us (not forgetting the cookies which Kid 3 baked last night!) to the Unitarian Church where Kids 5, 6, 7, and 8 have their concert and bake sale; and drop off Kids 2 and 3 so they can walk across town in the dark and the cold to late Mass at Catholic Church 1. After the concert, we drive home, drop off Kids 1, 5, 6, 7, 8, 9, and 10 in town A and pick up Kids 2 and 3 in Town B. AND THEN WE ALL GO HOME. And then my husband comes home from Town 4, and we open birthday presents for Kid 9, assuming we’re still able to make our muscles function enough to sit up.

(And no, there was no way of just prudently planning ahead to make things simpler. This was planning ahead. We couldn’t go to a Vigil Mass yesterday, because yesterday looked a lot like today, except with a different kid going to work, my husband having to travel to Town E for work, and one kid going to Roller Derby.)

So when someone asks how we are observing this important feast day, I give a little shudder and say, “Oh, we’re just going to get to Mass.”

And that is pretty good.

When we were figuring out the logistics, I honestly considered skipping Mass. It’s a war of obligations, and the kids truly couldn’t back out of their concerts or be late; but since we’re all healthy and able-bodied and no one is pregnant and the van is running, and my husband was ready and willing to make it happen, I realized that we could do it, and so we should.

We may not be wearing Marian colors or lighting special candles at our charming home altar, or making flower crowns or crafting special crafts; but we are putting forth a huge effort to get to Mass. And this tells our kids (and ourselves!), “THIS IS IMPORTANT.”

So if you had a hard time getting to Mass but you did it anyway, you honored Our Lady. If it was a tight squeeze and maybe you stumbled in late and breathless, with hungry, overtired, confused kids, you showed them, “THIS IS IMPORTANT. This is worth doing. This is The Thing You Make Time For.” And you honored Our Lady! Mass is where Mary wants you to be. Anything else is just icing on the cake.

Today I’m on The Catholic Podcast . . .

talking with Joe Heschmeyer and Chloe Langr about Mary, Our Lady of Sorrows, for their series on the way of the cross. This episode, #57, is called “The Women of the Way,” and includes passages by the great Josef Ratzinger.

You can hear and download the episode here.

I talk about how I came to understand why and how Mary truly understands our suffering; and about the sensation of helplessness that so often comes along with motherhood and with love in general, and how that sensation can either tear us away from God or help us meet him more intimately. (This conversation was the impetus for my essay, Mary who stays.)

Their other guest is Deacon Brad Sloan who works with women who’ve been caught up in sex trafficking in the midwest. He says so many of them have never experienced what it means to be loved, by anyone else and certainly not by their maker.

The podcast isn’t just discussion; it’s intended to help you meditate on various themes in the stations of the cross. The goal is to help us understand that we’re not alone in our suffering, and to give us the courage to confront evil in our lives. 

The Catholic Podcast homepage is here and feed is here; and you can follow them on Facebook @TheCatholicPodcast.

Image: Station of the cross, Saint Symphorian church of Pfettisheim, Bas-Rhin, France. XIXth century. Detail of the 4thstation : Jesus and his mother. Photo by Pethrus [CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0)]

Who wants a discount code for the FemCatholic speeches?

You do! Because they are awesome.

Today’s the feast of the Annunciation, and it happens that my speech “When Women Say Yes: Consent and Control In Sex and Love” focuses on that moment when the angel came to Mary and . . . asked? Or told? It is called “the annunciation,” not “the invitation” or “the proposal.”And if God didn’t give the queen of heaven and earth a real choice about what would happen to her body and her life, then what chance do the rest of us have?

My speech is about how I worked through my distress over women’s apparent low standing in the eyes of God, and how I came out the other side understanding what consent really means, why it’s so important, how Mary basically invented it, and what the rest of us can hope for, including and beyond consent.

My speech is just one of ten, and if you use the code SIMCHA, you’ll get a 20% discount. Go to this Vimeo page  to order these ten excellent speeches:

1. How the Church Beats Feminism at its own Game – Erika Bachiochi, J.D.
2. Woman and Man: Genius and Mission – Dr. Deborah Savage
3. Was Jesus a Feminist? – Claire Swinarski
4. Suffering and Holiness in a Modern World – Leticia Ochoa Adams
5. Am I Good? Life, Love & Same Sex Desires – Shannon Ochoa
6. When Women Say Yes: Consent in Sex and Love – Simcha Fisher
7. Love in the Ruins: The Prophetic Examples of Dorothy Day and Caryll Houslander – Mary FioRito, J.D.
8. Informed Choice: Reclaiming Women’s Health – Gabrielle Jastrebski
9. Learning to Love the F-word: Embracing Prolife Feminism – Aimee Murphy
10. The Wild Diversity of Catholic Femininity – Meg Hunter-Kilmer