Tag: ignatius press

Through the Year With Tomie dePaola GIVEAWAY!

Note: I am now an Ignatius Affiliate, and earn money when readers purchase books through my links. 

When Tomie dePaola died a few years ago, I had just recently gotten up the nerve to ask him for an interview, and it’s an everlasting regret that I missed my chance. I don’t know how likely it is that he would have agreed, but he certainly was generous with his work. 

That’s one reason it feels like such a gift to have this new book, published posthumously: Through the Year With Tomie dePaola. Ignatius is sponsoring one copy for me to give away! Read on. 

Through the Year With Tomie dePaola collects the “art mail” he used to send to family and friends (and sometimes post on social media), and it is lovely. 

Each page features one of his bright, fluid illustrations of a saint or other depiction of a holy day, and is decorated with dePaola’s characteristic clouds, stars, leaves, flowers, and doves, and the pictures are accompanied by text written by Catherine Harmon and John Herreid. It feels like a beloved journal or sketchbook by someone in love with celebration of the liturgical year.

There is not an entry for every single day, but each month features between eight and fourteen little pictures and passages, and each month also ends with a list of “other important feast days.”

Some are well known

some are more obscure

some include prayers

a few are specifically American, while still staying grounded in the faith

and a few include history lessons, and are also just cute

It is a small, solid hardcover that comes with a ribbon bookmark, so you can keep your spot and dip into it as you move through the calendar. 

This book would be an easy enrichment for evening prayers, or would be a pleasant way to start the day with little ones. It would make an appealing baptism or first Communion gift (or confirmation gift, depending on how old kids are when your diocese confirms them). The reading level makes it completely appropriate for older kids, maybe through age 12 or even older, but they may look at the cover and think it’s aimed at younger kids. I would not hesitate to make it part of family prayers, though, even if you don’t have younger kids in the house, because dePaola’s art is for everybody.

AND NOW THE GIVEAWAY! Just leave a comment on this post and I will use a random number generator to chose a winner in a few days. U.S. and Canada only, please. And please o please be sure that the email you use when you comment on this site is a real email address! I will be using it to contact you if you win. If the winner is “nicetryfeds@biteme.edu” then you won’t get your lovely book. 

If you just want to buy the book, which is $18.99, you can order it here. Go ahead! I get a commission! Mama needs a new set of teeth. 

This is the second book that John Herried has produced, and I’m delighted to see him using his considerable creative powers in this direction. If you haven’t yet checked out his Catholic Home Gallery, also from Ignatius, do take a look! It’s an excellent collection of contemporary Catholic artwork in all different styles, and the book is designed so you can pull the prints right out and hang them in your home. I interviewed John about it here. 

And thank you to Ignatius for sponsoring this giveaway!

Children’s book giveaway! Tomie dePaola’s CHRISTOPHER THE HOLY GIANT and THE LITTLE FRIAR WHO FLEW

Couple of things! First, Ignatius is having a 30% off sale on children’s books. Just about every book for kids is on sale until Sunday, March 26 at 11:59 PM Pacific. They have so many lovely titles, including many re-issues by Tomie dePaola. (I reviewed some others here.)

Second, today I have two more books to give away! Two more wonderful Tomie dePaola books, both great picks for Easter. And weirdly enough, they ended up being two books about two very different models of masculinity (or maybe that’s just where my head is at right now). 

First: THE LITTLE FRIAR WHO FLEW 

It’s a cheery, attractive, colorful book full of details, animals, flowers and fanciful historical costumes, and makes a good introduction to the life of Joseph of Cupertino, the simple-minded, accident-prone boy who experiences the joy of God so directly, he levitates.

The story has a gentle arc and ends quietly with Joseph escaping fame and returning to his solitary life in the hills.

The text is by Patricia Lee Gauch and illustrated by dePaola in 1980, in a style that’s a little more line-heavy and busy and maybe more comic-like, less elegant and delicate than the style we may associate with dePaola.

Not a bad thing, just worth noting.

Incidentally, last night we watched The Reluctant Saint (1962) about Joseph of Cupertino and we all liked it. I’ll try and do a full review later this week, but it was entertaining and well-realized and although it was certainly dated, it had some very moving scenes and extremely appealing characters. 

Next book! 

CHRISTOPHER THE HOLY GIANT, written and illustrated by  dePaola. This one was first published in 1994, and it is my favorite dePaola era. 

What a story! This is very much what I mean by a myth: Something that’s not perhaps intended to be taken as a literal historical account, but is crafted to convey things that are true and important about humans, about the world, and about God.

It’s told very simply, without embellishment, and lets the glowing, icon-like illustrations wallop you. 

There are two pages with no text

And it ends with Jesus telling him everything he needs to know, and Christopher listens, and the very next day his actions bear fruit. What do you know about that. 

What a book! Can we have this as recommended reading for high school kids? For seminarians? 

Uh, I don’t mean to be a weirdo, but Christopher actually kind of looks like the sigma male or gigachad meme guy, ultra-muscular, ultra-masculine lone wolf who does what he wants and follows his own set of very simple rules.

I feel like a lot of dudes I’ve encountered have been reduced to Reprobus [Christopher’s name before he meets Jesus] level-grasp of cultural and spiritual norms. They know they are strong, and they are just looking for someone even stronger to follow, the end. What to do? 

Not that there is any kind of pop cultural subtext in this book, or anything! I just thought it’s an especially poignant parable for 2023. It wouldn’t be a bad idea to buy this for your little kids but leave it around for your teenage boys to read. (I’m a big believer in leaving books lying around where they may be idly picked up, like outside the bathroom or in the car, or on the table when dinner is almost ready.) 

Anyway, both books, in their own way, are about being the person God made you to be, and using the strengths you have been given for their proper ends. Good stuff, good stories. 

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And now the giveaway! To enter to win both books courtesy of Ignatius, just leave a comment on this site and I’ll use a random number generator to pick and notify a winner on Sunday afternoon. (That will give you a chance to still purchase them at 30% off if you don’t win.) Good luck! 

The Catholic Home Gallery: Interview with John Herreid and GIVEAWAY

A little something to help get you through Lent! I have in my hot hands a copy of The Catholic Home Gallery: Eighteen Works of Art by Contemporary Catholic Artists, and Ignatius Press is giving me a second copy to give away! I’ll put details for how to enter at the end of the post. 

Guys, the book is gor-ge-ous, and it’s more than a book: It’s designed so you can pull the prints out and hang them on your wall. Wonderful idea.

Here’s the back cover, showing thumbnails of all the prints:

Here’s a little preview flip book, so you can see how it’s set up. I was actually astonished that this book is listed at $26.96. That’s a sale price, but the full price of $29.95 is also an excellent deal. I can’t think of another place you could find eighteen high quality prints for that price. You could also keep it together as a book, if that’s what you prefer. There is a short bio for each artist; many artists have included a little statement about art, and there is an artist’s note about each print. Importantly, the book includes information about where to find more of the artist’s work, so you can follow them, and maybe support them by buying more art. 

Here’s the list of the nine artists included in what I hope is the first in a series of such collections:

The book includes two pieces by each artist, with a forward by Emily Stimpson.

The other day, I talked to John Herreid, who came up with the whole idea and edited the book. He is the catalogue manager for Ignatius, and also designs many book and DVD covers for them. Herreid is an artist himself, and an art collector (as well as being my sister’s husband’s brother; I’m never sure if I’m supposed to mention that). Here’s our conversation.

SF: You say in your note at the end of the book that “I kept hearing people say such things as ‘I wish we had great Catholic artists working today.’ The thing is, we do! But with the overload of information in the digital age, it is often difficult to find these artists if you don’t know where to look.”
 
It does seem, though, like there has been a sudden flourishing of variety of styles of sacred art in the last several years. There are just more, and more different kinds of Catholic art, than there used to be.
 
JH: One of the things that facilitates that is the advent of social media, especially the kind that’s devoted to sharing images, like Instagram. But before that, there were a fair number of people devoted to making sacred art, but it was hard to encounter it. 
 
Around maybe 2002, another artist, Ted Schluenderfritz, author-illustrator Ben Hatke, and Sean Gleeson, and later some others and I put together Smallpax, a group for Catholic illustrators and artists, and I started interviewing artists like Daniel Mitsui and Tim Jones. Deacon Lawrence Klimecki and Anthony VanArsdale were also involved. That’s where I first started seeing the early versions of [Ben Hatke’s character] Zita. Ben was still doing illustrations for Seton Home School, way back in the day. The website is gone now, into the mists of the Internets. 
 
But I saved a bunch of images into a folder and showed them to people at work and said, “Wouldn’t it be neat to do a collection of prints?” Then I proceeded to be annoying about it for a decade, and they eventually agreed to do it. 
 
SF: I’m really struck with how it’s not just designed to page through, but so you can take the images out and put them your home.
 
JH: I grew up in a house where my mom had art all over the place. A lot was stuff she was pulling out of magazines and putting in frames. When I started collecting art for my own purposes, several times I encountered these folios of prints from the WPA era. There would be just a collection of thirty or forty prints, designed so they could be detached and put on the walls. I was familiar with a loose folio that came in a folder, but the idea of a bound folio was really neat. 
 
If you have art on the wall, it becomes part of your daily life. It informs how you think of the saints being depicted, or of the Blessed Mother, or your image of God, which is one of the reasons I really don’t like the saccharine late 19th and early 20th century treacly kind of sacred art. 
 
If you grow up around that, you get the idea that the faith is either pretty and nice, or else it isn’t real, or else you encounter a great amount of suffering, and if this is your image of the faith, you think, well, I can’t connect with that. Some people find it deeply meaningful; they really do. But for me, that has never been something that spoke to me. 
 

Fr. Jaques Hamel by Neilson Carlin
 
SF: Have your kids let you know how the art you put in the house has affected them? 
 
JH: Some of my kids are more into visual art than others. My daughter, who is very artistic, will look at it and talk about it with me. My youngest, who is six, as soon as I showed him the proofs [of the book] that came in, he immediately told me that as soon as I get the final one, he wants St. Joseph Terror of Demons. He grabbed that one right away. 
 

St. Joseph Terror of Demons by Bernadette Carsensen
 
SF: How did you choose the artists? 
 
JH: It’s a wide variety of styles, and that was conscious. There were people I really wanted to get in there: Tim Jones, Matthew Alderman, and Jim Janknegt. Those were the initial people I envisioned building this around. Matt Alderman is doing a black and white sort of art nouveau style;
 

The Wedding at Cana by Matthew Alderman
 
Tim Jones is doing a classic realistic style,
 

The Immaculate Heart by Timothy Jones
 
and Jim Janknegt is doing a modern style with colors that explode off the page.
 
Miracle of the Sun by James B. Janknegt
 
With those three, you get an idea of the kind of variety you will find in the book. 
 
SF: Did anything surprise you as you went through the process of putting it together? 
 
JH: One person said, “I’m glad you decided to include some images of recent saints and soon-to-be saints,” and I said, “Oh, I guess I did.” I have Blessed Solanus Casey [by Matthew Alderman] and Servant of God Fr. Kapaun [by Elizabeth Zelasko]
 

Servant of God Father Emil Kapaun by Elizabeth Zelasko
 
I hadn’t really consciously set out to do that, but I am interested in recent saints. 
 
 I also didn’t realize that I had put quite so many Marian images in there. There’s . . .seven, eight, nine, fully half these images. I brought a copy to the Marian Library at the University of Dayton to give them in their library collection, and I said something like, “There aren’t that many Marian images,” but then I looked at them and I was like, oh, I guess there are!
 

Mary, the Mother of Life by Michael D. O'Brien
 

SF: I know some people have rules about sacred art, like not combining it with secular art in the same space. Do you have any rules? 

JH: I personally do not. I grew up in a house with a jumble of images, like a Padre Pio statue in a shrine made out of an old tofu press hanging on the wall. 

SF: That’s the most Herreid thing I have ever heard. 

JH: I do think, looking back, it’s funny that Padre Pio is Mr. Redmeat saint, and there he is in a tofu press. 

Saint Padre Pio by Matthew Conner

SF: I have seen the photos you’ve been posting on social media as you’ve been hanging up the prints in your house. It’s a good tip to find high quality frames in thrift shops. Frames are expensive! Do you have other advice for people who want to incorporate more sacred art into their homes?

JH: I collect art of all kinds. I love having things on the walls. One thing I think people get too finicky about is having to be very intentional about having to set up a special sacred spot in their room. That’s great if you can do that and have the room for it, and the room is architecturally appropriate for it, but often times you may not be able to do that. In that case, you may want to just put things where they fit and gather around them for prayers. 


St. Benedict by Gwyneth Thompson-Briggs

As far as collecting sacred art, antique stores are a great spot, although it’s often the more saccharine style of art. I found a great Madonna and Child, made by a great sculptor, for $8 at an estate sale. It’s huge, actually impractically huge. 

Our neighbor once brought a friend over to talk about home brewing, and the guy walked into the door and was confronted by all this Catholic imagery. And he said, “So, is the Catholic thing an aesthetic, or . . . ?”
I said, “No, I actually believe it.” 
And he said, “Oh. O-kay . . . . . okay.”
 

SF: Sure, you’re the weirdo. 

Is there anything else you want people to know about this book or about art in general? 

 
JH: I really feel strongly that we made sure to include information about each of the artists, where you can find them online, their social media info, and where you can purchase their art. It drives me bonkers when people share images by working artists and don’t credit them, and don’t say where it’s from. 
 
Sacred art in the past was commissioned by the wealthy and powerful, and they would be responsible for funding it. We’re no loner in a world like that. Most artists depend on people like me and you to buy art from them.  I feel like it’s only just to find artists online and try to support them.
 
If one of these images [in the book] jumps out at you, go look them up and find out what else they’ve done, and maybe purchase a few prints directly. That’s the only way they’ll be able to continue doing this work, if people like me and you support them. 
 

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And now for the giveaway! Nice and simple. Just leave a comment on this post, and you’re entered. I will use a random number generator to choose the winner on Monday the 13th, and I will contact the winner by email. Thanks to Ignatius for sponsoring this. 

FOR THE LOVE OF MIKE, PLEASE LEAVE A COMMENT USING A NAME CONNECTED TO AN EMAIL ADDRESS THAT ACTUALLY WORKS. If the winner left a comment using the email address “nicetryfeds@noneofyourbeezwax.com” I will make rude chimp noises and then pick someone else, and then you won’t get your art. 
 
 
 

 

 

Easter book review: Petook: The Rooster Who Met Jesus

Somehow I’ve never read Petook: The Rooster Who Met Jesus by Caryll Houselander, illustrated by Tomie DePaola. It was recently republished by Ignatius and Magnificat, and it’s a wonderful book. 

It’s a simple story of a rooster who has a brief encounter with the young Jesus. Jesus only appears in person on a few pages, in an apocryphal scene where he pauses on his way  to Jerusalem. Hearing that “some stranger has been walking through the vineyardm” the new father Petook is alarmed, thinking a careless boy might step on his newly hatched chicks. But the young Jesus is entranced.

“It must be the first time that he has seen a hen gathering her chicks,” Petook realizes. I love this little reminder that Jesus is a real person who encountered beautiful sights for the first time with his human eyes. It’s the memory of this moment that later inspires Jesus to say, “Jerusalem, Jerusalem, how often would I have gathered you under my wings as a hen gathers her chicks, and you would not.” 

There are little symbols and portents throughout the story, but it’s done subtly and naturally.

It’s never explicitly stated, but we can assume that Petook is also the rooster whose crow made Peter weep.

The book tells the story of the Passion, death, and resurrection without telling it, with the gospel scenes appearing unobtrusively in the background for alert kids to find and identify. 

DePaola, as usual, conveys a lot with color — the bright daylight colors of Petook’s joy as a new father

the lonesome, uneasy tones of night when Petook can’t sleep (and readers can see the disciples sleeping and Jesus praying while the soldiers approach with their lantern)

and listening quiet just before the sun rises and new life emerges on Easter morning.

This isn’t a tearjerker like some of DePaola’s Christian books, but it’s a quiet meditation on how the life of Christ permeates the whole life of the world, even the chickens and the blades of grass and the seeds in the earth. Just lovely. Good for ages three and up. The language may be too sophisticated for youngest readers, but the pictures will be captivating. 

You can order this book direct from the publisher, where it is currently on sale for $12.74. It is a sturdy hardcover with an attractive format, and the colors are excellent. 

I’m giving away FOUR books by Tomie dePaola!

Tomie dePaola is a beloved author and illustrator for good reason, and in addition to his dozens of charming and lovely books about Strega Nona and Big Anthony, he published many Catholic books, including books on the saints, Bible stories, and other religious works. Ignatius Press with Magnificat has recently been reprinting some of these in hardcover. I got to review four of them, and they’ve given me four to give away to you! The titles:

Queen Esther
Brother Francis of Assisi
Noah and the Ark
Mary, the Mother of Jesus

Enter by using the form at the end of the post. 

If you don’t win, or if you just want to order some or all of the books, I also have a 25% off code for these four books.

Use the coupon code STOMIE25 when you order any of these four books from Ignatius and get a 25% discount starting today and ending Saturday, Nov. 21 at midnight. 

And now for the books! 

Queen Esther (first published 1986) A simple and dignified telling of the story of Esther, the Jewish woman who was chosen for her beauty by the Persian king, and who risked her own life to protect her people.

Esther is rendered in blues and grays, very elegant but rather severe and sad, which seems right to me. She didn’t ask to be put in that position, but she did what had to be done once she was there. 

A good true “princess” story about a girl chosen for her beauty, who musters up courage and strength for her people. 

The story is somewhat simplified, good for young kids, and is nicely dramatic

The final page notes that her story is commemorated on the Jewish feast Purim. “On Purim, Jews give gifts to the poor and one another. This spring holiday often falls during Lent, when Catholics recall the courageous faith of Queen Esther.” I didn’t realize this was so, but he’s right! The Mass readings during Lent tell her story, paired with an exhortation to ask God for what we want and trust he will give it to us. 

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Brother Francis of Assisi (first published 1982) 
I had this one when it was first published, and as a result, I’ve always been a little afraid of St. Francis, as is appropriate. He is most certainly not the fuzzy wuzzy pal to our furry friends that pop culture has turned him into, but was an intense, passionate, singleminded man.

Don’t get me wrong; it’s not a scary or graphic book, but it doesn’t shy away from how hard Francis was on himself.

I had a hard time getting through the Pope’s dream where Francis holds up the crumbling walls of the Church. Oh boy. Give yourself time to compose yourself if you’re reading this one aloud.

It does include favorite stories, like Francis preaching to the birds, and dealing with the wolf of Gubbio,

and also has some lesser known stories, like Francis allowing himself to indulge in some honey almond cakes made for him by a patroness,

and a story about Francis recreating a manger scene and being visited by a real holy child who smiles at Francis and strokes his beard.

And here — get ready — here is Francis receiving the stigmata

This is one of de Paola’s longer books at 47 pages, and it includes the Canticle of the Sun and a timeline of Francis’ life, including his and Clare’s feast days. Good stories about Clare and her sisters, as well. The illustrations were painstakingly researched on site, and you get a real sense of place, as well as a sense of who Francis really was. Excellent. 

*****

Noah and the Ark (first published 1983) I struggle with children’s books about Noah’s ark! I know it has animals and a rainbow, but it’s not really a children’s story, and it bothers me when it’s portrayed as cutesy or rollicking. DePaola’s version avoids this, and is told very simply and has a sort of mythical air to it, which works well.

God is shown as a powerful, bright hand emerging mystically from the heavens, and the animals are animals, not cartoonish sidekicks

DePaola’s mastery of color is on full display here. There are two pages with no text, just the flood waters:

and then the next page pulls back a bit and shows the ark still being tossed on the waves, but with the threatening clouds receding. 

A solid rendition, bright and dignified. 32 pages, for children ages 5 and up. 

*****

And now for the crown jewel of these new editions!

Mary, the Mother of Jesus (first published 1995) 33 pages, and there is a LOT in here. An astonishing book, luminous, illuminating. If you’re looking for a religious book to give a child for Christmas, this is the one.

It covers the whole life of Mary, from before her conception to her assumption and coronation, and it draws on scripture and also on pious legend, including things like the child Mary climbing the steps to the temple by herself,

and the staff of Joseph miraculously flowering. It also, to my surprise, describes Mary as gently dying and being laid in a tomb, with Thomas meeting an angel who has him roll the stone away and find her winding sheets left behind. My kids were a little dismayed, having been taught (by me!) that Mary didn’t die, but was assumed into heaven body and soul without dying first. It turns out there’s no actual dogma definitively saying whether she died or not. In any case, the illustration of her assumption got me right in the kishkes:

Reading the whole thing from start to finish helped me remember what a straight up good story it is, and how many angels came to this family. 

All the illustrations are striking, and the expressions on the (clearly middle eastern) faces are subtle and thought-provoking.  Here is Mary proud but protective as the wise men appear to visit her little son

Here are the parents angry, dismayed, and confused to find Jesus in the temple:

Here is Mary calmly and knowingly, with a glimmer of a smile, telling the stewards at Cana to do whatever Jesus tells them

and look at this angel, busting through into the room of this young girl with her long braid

Extraordinary. It says ages 7 and up, and honestly I would give this book to an adult convert to introduce him to Mary. It’s so lovely and heartfelt. Each section is introduced with a short excerpt from the liturgy of the hours. So good. 

That’s it! Good luck! You have until Friday the 20th to enter. 

a Rafflecopter giveaway

If you can’t see the Rafflecopter form, click this link and it will take you there. 

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P.S., Did I ever tell you my Tomie dePaola story? It’s not a very good story, but it’s what I’ve got. In second grade, I won a Young Author’s contest (The Day It Rained Piano Keys, by Simmy Prever. No copies extant) and dePaola presented the awards, and each winner got a kiss on the cheek. I’d been reading his books steadily my whole life, and almost forty years later, I finally got up my nerve to ask him for an interview, because he lived in NH. I wanted to know what his favorite book was, and what his relationship was with the Church, and how hard it was to paint the face of Jesus. And if he knew someone like Bambalona. So I put in my request and I waited with bated breath for his response, and then two weeks later, he died.

That’s my story. I don’t think I actually killed him, but if you want to talk to someone, my advice is to do it now, not later. SIGH. 

Introducing Clara Fisher, published illustrator!

I’m kvelling! The book Clara illustrated just came in the mail. 

Ceremonies Explained for Servers: A Manual for Altar Servers, Acolytes, Sacristans, and Masters of Ceremonies by Bishop Peter Elliott, published by Ignatius. Clara is 19, so I’m pretty psyched.

Here’s a short review of the book by Thom Ryng.

Here are a few of the illustrations she did (there are 17 total):

Doesn’t she have such a fresh, clean style? It looks completely modern, but dignified. I like how all the people look reverent, but the one boy swinging a lit thurible has a tiny little smile, because fire. 

You can follow her on Instagram @clarascuro.

Here’s the book description:

Ceremonies Explained for Servers may well be called the “mother of all servers’ manuals”. This is the most detailed guide available for servers and those who train and supervise them at the altar.

In accessible language, Ceremonies covers the roles of servers in a wide range of Catholic liturgical celebrations. These are described in full, such as: the Mass in both the Ordinary and Extraordinary forms, the seven sacraments, the ceremonies of Holy Week, the Liturgy of the Hours, funeral rites, the liturgies that are celebrated by a bishop and major blessings.

Ceremonies also provides accurate explanations for each of these rites, with Catholic teaching on the liturgy and sacraments and a history of the ministry of servers. The skills, techniques and discipline involved in serving are explained, such as: how a procession should move, how to assist with incense, team-work and responding in emergencies and unforeseen situations.

A spirituality of this ministry runs through the manual, with an underlying theme of service and vocation. In an encouraging personal way, Ceremonies sets out high spiritual ideals that can inspire and guide those who enhance Catholic worship through their ministry.

 

At the Register: Maite Roche is a treasure

 

As a writer with children, I receive lots and lots of Catholic children’s books, and nearly every time, I regretfully decline to review them, because I cannot deal with the way Mary and Jesus’ faces are drawn. The best of them are blank and insipid, giving the impression that the Holy Family was dabbled in narcotics; and the worst are goony and pandering. Take it from me: transferring Spongebob’s features onto a human body and slapping a halo on his head is not, in fact, the best way to attract little children to the Faith.

Maite Roche is different! Read the rest at the Register.