Tag: humphrey bogaart

Summer adventure movies! A nine-decade list

It’s so close to summer vacation! We’re going to hike! We’re going to swim! We’re going to finally fix the laundry room floor so we can have a second functioning toilet! And we’re going to watch a bunch of adventure movies. 

We’re not sure yet how mandatory it will be, but we want to have family movie night throughout the summer, and an “adventure” theme sounded like fun. I think we’ll keep this list strictly in the real world — i.e., no science fiction or supernatural or imaginary creatures. So there are plenty of great movies that I heartily recommend, like The Mummy, Into the Spiderverse, Attack the Block, Clash of the Titans (and a bunch of other classic Harryhausen), The Odyssey miniseries, Galaxy Quest, Tremors, Shaun of the Dead, Indiana Jones movies, Mad Max movies, Men In Black, etc. that just belong on a slightly different list.

Our kids are ages 7 and up. Most of these are not completely unsuitable for the youngest kids, but they may not appreciate them much. So please give me your suggestions for your adventure movies for the actual whole family!

Here’s our list so far, which not surprisingly is heavy on the theme of male friendship — or at least male interdependence. I accidentally chose one from each of the last nine decades, so I’ll organize them in that order, from oldest to newest:

Gunga Din (1939)
where to watch

IMDB summary: “In 19th century India, three British soldiers and a native waterbearer must stop a secret mass revival of the murderous Thuggee cult before it can rampage across the land.”

I don’t think I’ve ever seen this. Damien says it’s funny. I know nothing about it other than that it’s Rudyard Kipling, which is great, and Cary Grant, who I’m following a gradual forty-year plan to come around on. Looks like we will be doing some debriefing about blackface and imperialism with the kids; but we generally err on the side of “let’s look at this and see what we think” rather than running away screaming from anything that might be objectionable, and the kids are often capable of much more subtle thought than we expect. 

 

The Treasure of the Sierra Madre (1948)
where to watch

IMDB summary: “Two down-on-their-luck Americans searching for work in 1920s Mexico convince an old prospector to help them mine for gold in the Sierra Madre Mountains.”

I haven’t seen this in yeeeears. A real change of pace from the kind of movies the kids are used to watching. This is, by the way, where the “we don’t need no stinking badges” quote comes from, except the actual quote is: “Badges? We ain’t got no badges! We don’t need no badges! I don’t have to show you any stinking badges!” so it’s one of those rare occasions when people’s faulty memories actually improved something. 

“Towering adventure hurled from the top of the world! Deep human conflict to enthrall the heart of the world! Humphrey Bogart surpassing every other triumph!” Heck yes. 

The African Queen (1951)
where to watch

IMDB summary: In WWI East Africa, a gin-swilling Canadian riverboat captain is persuaded by a strait-laced English missionary to undertake a trip up a treacherous river and use his boat to attack a German gunship.

We have actually seen this with the family a few times, but I’m always up for another viewing. The ideal movie, in many ways. I’ve written a little essay about this one, too. Oops, that’s two Humphrey Bogart movies, OH WELL. 

 

Sanjuro (1962) 
where to watch

IMDB Summary: A crafty samurai helps a young man and his fellow clansmen trying to save his uncle, who has been framed and imprisoned by a corrupt superintendent.

Also recommended is the first one, Yojimbo, which we saw recently. If any of your sons has a man bun and it’s bothering you, show him Sanjuro or Yojimbo, and he’ll probably realize he’s not pulling it off. Sidenote, you know who had a massive crush on Toshiro Mifune? My mother. Also my father, I think. 

Overwhelming fascination! A juggernaut of a film! Weird trailer. I cannot remember if the actual movie has that goofy music in it or not. If I were watching with a slightly different crowd, I’d propose a game where you drink every time he scratches himself. 

The Man Who Would Be King (1975)
where to watch

IMDB summary: Two former British soldiers in 1880s India decide to set themselves up as Kings in Kafiristan, a land where no white man has set foot since Alexander the Great.

Again, it’s been a long time since I’ve seen this, and I remember it being a sort of fever dream of a movie, especially toward the end. Probably better for the older kids. I do recall that the white man does not come out looking as good as he does in Gunga Din. It will be interesting to compare the two movies. 

The Black Stallion (1979)
where to watch

IMDB summary: After being shipwrecked with a magnificent horse off the coast of Africa in the 1940s, a boy bonds with the stallion, and trains him to race after their rescue.

I cheated a little bit and this is going to have to count for the 80’s movie. Difficult to find an 80’s adventure movie that doesn’t have fantasy or supernatural elements, and/or isn’t completely sleazy. 

I haven’t seen this for many years. I remember it as being intensely beautiful and emotional, and the rare movie that’s suitable for kids but doesn’t have a lot of dialogue. It will be interesting to see how it holds up. Damien doesn’t like it, but I forget why. 

The Edge (1997)
where to watch

IMDB summary: An intellectual billionaire and two other men struggle to band together and survive after getting stranded in the Alaskan wilderness with a blood-thirsty Kodiak Bear hunting them down.

I actually wrote out a full review of this underrated movie several years ago. A tense, scary, intelligently written and acted wilderness adventure story that’s just as much about salvation as it is about survival — but not in a heavy-handed way. I always make this movie sound like a slog when I write about it, but it’s a kickass movie, very funny in parts, and it has a lot of bear in it, plus Alec Baldwin really acting, plus Anthony Hopkins, plus a bear.

Master and Commander: The Far Side Of the World (2003)
where to watch

IMDB summary: During the Napoleonic Wars, a brash British captain pushes his ship and crew to their limits in pursuit of a formidable French war vessel around South America.

Saw this for the first time last year, and it totally deserves its popularity. A thoroughly enjoyable, thrilling, fascinating, beautiful movie with engaging characters and relationships and gripping action and a well-crafted script. Really can’t wait to share this one with the kids. This trailer makes it look kind of cheesy, but it’s really not at all. I think we may watch this one first, because it’s long, but it leaves you wanting more adventure. 

 

Hunt for the Wilderpeople (2016)
where to watch

IMDB summary: A national manhunt is ordered for a rebellious kid and his foster uncle who go missing in the wild New Zealand bush.

People keep recommending this, and it certainly looks like a change of pace from the rest of the list! Taika Waititi is never boring, anyway. 

Honorable mention, for movies that would be on the list except we’ve watched them too recently, or too many times:

Castaway

True Grit (2010) I may move this into this summer’s watch list, just to get more females onto the screen. 

Robin Hood with Erroll Flynn

Die Hard

National Treasure (I don’t want to talk about whether Die Hard is a Christmas movie, but my kids will die on the hill of National Treasure being a Thanksgiving movie. You can come over and argue with them if you want, but you won’t get anywhere.)

Jaws. This is on the honorable mention list solely because we are spending a week in Cape Cod this year and some people are already sufficiently nervous. But it’s one of the best movies ever made, and maybe we can watch it in the fall, when we’re all dry. 

That’s it! Please add your suggestions in the comments, or let me know if I’m making a horrible mistake by exposing my kids to Alec Baldwin, or just say hello! It’s almost summer, and I’m just so ready to sit on the couch. 

Hooray for the African Queen!

Along with Thirty-two Short Films About Glenn Gould, which I only put into our Netflix queue to see if my husband really loved me, The African Queen has been languishing in the “saved” category for over a year, waiting until the movie should be released on DVD.

We finally got to see it last week, and it was such a treat – all the more so now that I have 12 years of marriage under my belt, and can see that this is a movie about more than leeches after all (but still:  brrrrrrr).

I am  a little frustrated by condescending reviewers who sigh that the dramatic shift in the relationship between Miss Rose and Mr. Allnut strains their credulity.  Here’s something I would expect movie reviewers to understand:  The African Queen is a movie.  As such, it tells things in a movieish way– that is, it moves at its own discrete pace and choses scenes selectively, so that the viewer can understand what has happened without anyone actually running a camera over every breath the characters take.  It’s not that I can wink at what is obviously a phony but entertaining story; it’s that it’s a true kind of story being told, but at adventure pace.

The precipitousness of their newfound love is really the point of the movie:  here are two people who have so far only half-lived their lives.  If they fall together quickly, it’s because they’ve been waiting so long.  At the opening scenes, we see that Miss Rose has taken herself out of the stream of life, and Mr. Allnut travels up and down the river, but only to deliver other people’s mail.  It’s time for both of them to go somewhere, and the river is waiting.  What an artful and deceptively simple portrait of a marriage the movie is, from start to finish — and it’s all done in gestures.  Every time Katharine Hepburn touches her hair, it means something; and every time Humphry Bogart scratches his chin, you know what he’s thinking, and whether or not he’s relishing that thought.

The characters fall together because, like most well-matched couples, they need each other.  First they discover each other’s strengths (she turns out to be brave and passionate; he turns out to be clever and strong); and then, through the other, they discover their own, previously unchallenged weaknesses (she’s selfish, making him sleep in the rain; he’s not a coward, exactly, but his solution is to sit in a backwater and wait out the war).

Then they show their vulnerable points to each other (she panics and is useless when the flies swarm; he, over and over again, is much too ready to give up), and readily forgive each other for them.  Then they are angry at each other for those weakness (he thinks she just can’t understand how foolish their plan is; she thinks he is craven and all talk).  Then they accept their weakness, their own, and each other’s.  He really, really doesn’t want to go back into that leechy water, and she really, really doesn’t want to send him there.  But it has to be done.

They relinquish their claim on what they thought they wanted out of the adventure, and of life in general.  She prays for God to be mericful to them both, and they lie down to die.  Then comes a flood, they almost get hanged, and the boat explodes, and they swim away!  Oh man, what a great movie!  In the course of a few days, they go from being strangers to courting, to love, to surrender — right down the river they go.

I love this story because, even though there are irresistable symbols to be found, (like the river that looks so different, once you fight past a certain point, that it changes name, but it’s really the same river . . . ) it’s not a metaphor about a relationship — it’s just a great portrait of one.  It understands exactly what movies are for:  to show us things we already know, but in a new way.  With crocodiles!

 

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This post originally ran in Crisis in April of 2009