Very few, it turns out, can be trusted, and nothing will be the way it was.
But despite the contemporary resonances, this is not a political novel. It’s a story about what it means to survive, and what it means to go home; what it is like to love, what it is like to be betrayed. It is about guilt and responsibility, about how to live with unspeakable burdens, and about how to survive when, as one character says, “everyone is excused, but no one is forgiven.”
But this is not a dark novel, either. Or, rather, it’s dark like the earth is dark, sometimes crushingly heavy, but also fertile and alive—partly because of where the story brings us, and partly because the writing itself is so luminous.
Read the rest of my review of The Ghost Keeper in Dappled Things.