Transmitting light: Stained glass and painting by Patrice Schelkun

The thing about stained glass is that the artist doesn’t know how it will look until it’s installed.

“There’s an element of surprise along the whole process,” said Patrice Schelkun, who works in glass and also in paint.

When Schelkun works on stained glass, she pieces her windows together on a huge table and solders it tight, planning out every element, every color, every piece of glass. She must choose between clear or opalescent glass, and sometimes she adds more than one layer to create a sense of depth.

But it’s not until it’s completely done and held up to the light for the first time that she really knows how it came out.

Schelkun likes to add texture and detail to her glass pieces with paint, and this, too, yields unpredictable results. The paint, which is made of pigment mixed with finely ground glass, is applied with oil or water and fused to the glass surface in a kiln, eight hours at a time. Sometimes five or more layers of paint are applied, and fired in between each application. Sometimes the paint changes, and sometimes the color of the glass shifts in the kiln.

Or sometimes a piece turns out as designed, but then it’s not displayed for greatest effect. This was the case with “Adorned,” a panel with a sun-dappled face peering out from a crush of jewel-toned chrysanthemums. The piece was designed to be hung in direct light, but it was displayed too high up in an exhibit in Chicago, and the light didn’t shine through as Schelkun intended. When she retrieved that piece, she opted to install it on a light box, to display it at its best.

But sometimes this variability inherent in glasswork is an asset. Natural light, in particular, brings out the potential of glass to shift in appearance.

“It’s almost like the window is alive,” Schelkun said. “It’s the same thing if you’re walking by a window. It changes as you walk past it. It projects colors onto the floor. It’s kind of a living thing.”

Schelkun, 65, now concentrates more on oil painting and portraiture than she does on glass, but she wasn’t always an artist of any kind. She studied science but soon put that aside to raise her children. The family bought a house in Pennsylvania in the ’90s, and Schelkun got to work decorating it. She began in her oldest daughter’s room, which she festooned with a mural of flowers and bunnies, turning it into a little secret garden.

Friends who saw her work said she was good, good enough to start a business. She began decorating homes, and then businesses, and then a church.

A church bathroom, that is. The pastor gave her free rein to redo the ugly little room in the vestibule.

“I did a stone wall and a little niche, and he was like, ‘Whoa,’” Schelkun said. She was welcomed onto the committee for the parish’s building project and worked on choosing colors and furnishings.

At the same time, she started to study drawing and painting in earnest, taking private classes with artists when she could spare the time. She also took a class on stained glass at a local community college.

“I knew nothing about stained glass. Basically [the class] was teaching you how to cut glass and piece it together, and I said, ‘No, I want to paint on glass,’” she said. “My first love was painting.”

But there is something about glass, and its potential to capture, transmit and refract light in different ways. Her studio, Immanence Fine Art, shows works in both paint and stained glass. What they all have in common is an emphasis on light.

“Immanence is evidence of the divine throughout the material world. We can interact with God’s presence through the beautiful things we see in nature, and the way light strikes things. That’s evidence of God, to me,” Schelkun said.

When she paints portraits, she often composes them with strong lighting from one side, but even more often with “rim light,” light that bleeds out from behind the subject.

“If someone is standing in front of a sunset, the light halos around their head,” she said. “It’s the light I’m attracted to.”

She has seen firsthand how the light can attract other people, too….Read the rest of my latest artist profile in Our Sunday Visitor.

Creative destruction, violent creation: The art of blacksmith Evan Wilson

“I hit, beat, torture, manipulate, crush, squeeze, twist, punch holes in and hammer all those pieces of metal into shape,” said Evan Wilson, artist and blacksmith.

This is how he turns copper, bronze, iron and steel into furniture and firepitsleaves, berries, wings and hands, and, sometimes, the body of Jesus.

“It’s a mixture of brute force and finesse,” he said.

Wilson, 37, said his work is an emotional experience, and sometimes a spiritual revelation.

“For me, it’s become a way of understanding my own, and our universal, coming back to God. Of relating to the God who calls us to suffer and to grow,” he said.

At times he’s focused on being the smith who shapes the metal, but other times he feels more like the thing being shaped.

“I hit this material like I mean it. I really clobber it. But every hammer blow is at just the right angle, just the right amount, the right temperature, the right location,” he said.

What he’s doing is bringing about a “loving transformation.”

“But from the perspective of the metal, it’s like ‘Oh my God, stop beating me!’” he said.

Wilson isn’t just using his artistic imagination; he has lived it.

Wilson was received into the Eastern Orthodox church in 2023, but was raised evangelical Protestant. Wilson was all of 7 years old when he began to note the logical inconsistencies of a “sola scriptura” approach to doctrine. As he grew, he kept finding more questions than anyone in his community could answer, and the faith of his childhood had less and less of a grip on him.

“It left me with a lot of angst,” he said. “I never threw away Christ, but I always wanted to figure out what the deeper value of this story was.”

As an adult, seeking a life of meaning, he spent time in Afghanistan working for a nonprofit that taught literacy and offered pregnancy care.

“I lived in a mud hut with an ex-Taliban member, had a dog, rode my bike to work. It was an awesome time, but very difficult to reconcile the God I was told about as a child with what was occurring there,” he said.

He saw so many people, especially women and children, who seemed trapped and forgotten.

When Wilson returned to the United States, he took up with Mobile Loaves and Fishes, a nonprofit that serves the homeless in Austin, Texas.

“I could tell there was something embodied or incarnate in the faith that was in action there,” he said.

That something wasn’t picturesque. He recalls working surrounded with what founder Alan Graham called “the bouquet of Christ,” the aroma of incontinent and unbathed bodies, and crack smoke.

“We served them as we serve Christ,” he said.

Wilson still struggled with his faith, but Loaves and Fishes is where he began to use his hands. He ran a workshop teaching the homeless to build wooden bird houses and tree swings, so they could have some shot at supporting themselves. His program invited journeymen to come and host workshops, and this included a dozen master blacksmiths from around the world.

“They were super generous, and I learned a ton,” he said.

That is when blacksmithing began to compel him, and it eventually became his main focus. It was not a smooth or graceful transition.

“My wife and I had our first son in 2020, I lost my job, and I got my first commission all in the same year,” he said.

That first commission was a Stations of the Cross. He calls it the beginning of his salvation, as he carefully crafted the tiny bodies acting out the suffering and death of Christ.

He first made the figures out of plasticine clay and shaped them with wooden replicas of his smith tools, to make sure he’d be able to form them from metal without using his hands. He literally wrestled with the little bodies as he worked.

“Pushing Christ’s arm just so, not thinking but feeling that; the tilt of the head here, the Roman soldier hammering the nails in. That’s how I was converted,” he said…. Read the rest of my latest artist profile for Our Sunday Visitor

Image: Evan Wilson in his studio with the Face of Christ (Mandylion) in chased bronze

Note: I’m expanding the scope of this monthly artist feature! If you know of a Catholic musician, composer, dancer, or other contributor to the arts who has an interesting story to tell, let me know. Shoot an email to simchafisher at gmail dot com. Thanks!

 

 

Artist and teacher Monica Dix walks the walk.

Monica Dix believes that if you’re the smartest person in the room, you’re in the wrong room.

That’s why the 53-year-old artist and teacher will sometimes tack up one of her in-progress drawings where her room full of eighth-graders can see it, saying, “Okay, five things. Critique my work.”

At first, they praise her art, and tell her she’s the best artist ever.

“Then they dig in,” she said.

They always find mistakes she didn’t see, and they’re not shy about letting her know she didn’t properly measure the space between the nose and the upper lip, or that something was off about the eyes.

“It’s great for my pride,” she said.

It’s also great for her students, because it shows them not only how to look critically at the objective elements that make or break a piece of art, but it shows them what it’s like to be an artist. Sometimes you can fix a mistake, but sometimes you have to start over.

“It’s that whole ‘walk the walk.’ I let them see that,” she said.

Sometimes, a kid will point out an error she’s made, and she realizes she’s not only executed something wrong, she’s been teaching it wrong. It’s like when one person raises his hand and asks a question, and it turns out there are ten people who also had that question, but were too self-conscious to ask.

“It helps everybody,” she said.

Dix has been teaching art to teenagers at Naples Classical Academy, a charter school in Naples, Florida, since 2021. In many ways, it’s an extraordinary school, where kids leave their cell phones behind and nobody aspires to be a TikTok star. The classical curriculum, provided by Hillsdale College, tends to attract families with a certain mindset, she said.

But in other ways, they bring the same attitudes and assumptions to her class that many Americans bring to art in general. Part of the curriculum includes modern art, and every year when she introduces abstract expressionism, someone will say, “I could do that!” or “A kindergartener could do that!”

She responds, “Then why didn’t they?”

She asks her students to learn what was going on in the artist’s life and what was going on in the world. They study art on the same timeline as they study history, so they begin to make connections and understand why some artists chose to break with tradition, and why we still remember their work today.

“I come at it from a historical standpoint, from a cultural history standpoint. (These things are) worth looking at,” she said.

She also gets her students to do more than just look. If they have time, she invites them to re-create art that baffles them — for instance, the intricate, dynamic layers of drips and splashes in a Jackson Pollock action painting.

It’s harder than it looks. Her students are allowed to say whether they like or dislike a piece of art, but first they should know what they’re talking about.

Dix makes herself walk the walk, too. …

Read the rest of my latest artist profile for Our Sunday Visitor.

Image: Sunday Afternoon At the Porch House Pub by Monica Dix (image courtesy of the artist) 

***

Also, a note: I’m expanding the scope of this monthly artist feature! If you know of a Catholic musician, composer, dancer, or other contributor to the arts who has an interesting story to tell, let me know! Shoot an email to simchafisher at gmail dot com. Thanks!

Matthew Alderman finds ancient answers to new questions in church architecture

Matthew Alderman has a surprising weakness for neon haloes, the kind you might find lighting up the heads of stone saints in 1,000-year-old Italian churches.

“It can be quaint. I will take old, interesting kitsch over ’60s clip art,” he said. “At least it has honesty.”

But when Alderman works on church design, he tries to aim a little higher than honesty. Clients, weary of bland and barren sacred art and architecture, are ready for more.

“They want something transcendent that speaks to a higher order,” he said.

Alderman, 41, is a popular illustrator and heraldry expert, but his day job is with the venerable church architecture firm Cram and Ferguson, where he is the day-to-day design manager, working together with several other team members. The firm is known for its role in spearheading the revival of Gothic and other traditional styles. Its hallmark style provides a lively relief from the dreary errors of the past several decades. So much modern design is cold and sterile, bleak or banal.

But Alderman never wants to make a mere copy, or return to the past simply for the sake of returning. At the same time, he will never reject a design merely because it comes from a certain era, even a modern one.

“The artists who produced (church buildings) in the ’50s and ’60s did have a classical education,” he said.

There was a reason they made the design choices they did, even if the results come across as ugly, theologically dubious, or distasteful. But the generations that followed them were not necessarily educated or thoughtful, and the churches that came next were “copies of copies of copies.”

“They do not speak to us,” Alderman said. “It feels narrow and inauthentic.”

As he and his co-workers at the firm collaborate with painters, wood carvers, sculptors and the clients who commissioned it all, Alderman strives to see what can be learned from the past, and figures out how to make it work for the present. Rather than straining for design so artistically pure it becomes almost legalistic, or merely attempting to copy the work of great architects like Borromini or Gaudi, he tries to get inside their heads, identifying the essential principles that guided them. He asks himself how they would solve whatever problem is bedeviling him now.

“I have this particular style I’m trying to learn from, get behind it, think about what are the ideals, the first principles. It’s a wonderful challenge,” he said.

Alderman didn’t invent the idea of taking ancient principles of design and applying them in new ways. In the 19th century, portrait sculptors of great statesmen wanted to give their subjects the grandeur and nobility of emperors of the past, but they couldn’t show them wearing togas.

“They figured it out: Suits with overcoats wrapped around them,” Alderman said.

He mused that a contemporary artist could do something similar with images of modern holy men and women, like the soon-to-be-canonized Carlo Acutis.

“You have to find an ideal balance between producing something so contemporary it becomes distracting, and something not recognizable as a saint,” he said.

Hoodies have a nice drape to them, or perhaps you could show Acutis wearing the hospital gown he died in.

“The problem with images of modern saints is that we’re going off photographs,” he said, which tempts artists to slavishly recreate the exact details on record.

“They should look like them, but they shouldn’t be the only thing we’re using to recognize them by,” he said.

He’s seen a few portrayals of Acutis holding a laptop, which is a tool he used for evangelization, but he’s not sure if it works.

“Maybe the decoration on the border could look like circuit boards,” he said. “There are so many ways to attack this.”

He takes similar problems under consideration in architecture, trying to find a balance between the wisdom of the past and the actual requirements of the present. Some elements of church architecture are immutable: The overall design should always focus attention on the most important things, the crucifix, the tabernacle, the altar.

“It should be building to that crescendo,” he said.

But while you achieve that goal, there is endless room for variation. The relative newness of the Church in America is fertile ground for creativity, even playfulness — and even a chance to right some wrongs of the past…Read the rest of my latest for Our Sunday Visitor. This article can also be found in the most recent print edition of OSV. 

Image: St. Paul Catholic University Center, photo by Father James Bradley. (Courtesy of Matthew Alderman)

What’s for supper? Vol. 384: What Washoe wants

Happy Friday! I spent most of the week prepping for the big Independence Day family party, which will be Sunday. We had to move it because Saturday looks like wall-t0-wall thunderstorms, and now not everyone can come, but I think it’s going to be lovely anyway. It’s almost always lovely, just like me.

Today’s post has a certain amount of complaining, an unreasonably large and expensive cabbage, pictures of my reasonably chimpy deck, and a few good meals. If that sounds readable to you, then here we go! 

SATURDAY
Chicken quesadillas

We had an action-packed day, I forget why, and I got home quite late from shopping. So I did something I’ve never done before: I bought chicken that was not only pre-cooked, it was pre-shredded. 

It was fine. Not bad, even.

I made chicken quesadillas for everybody, but by the time I was done frying them up, I had already experienced enough chicken and oil through my other senses that I didn’t want to eat a chicken quesadilla, so I had a little girl dinner instead.

And very good it was, girl dinner. You’ll notice I still had room for cheese. Alert viewers will also note that I ate it in bed.

SUNDAY
Aquarium!

Our first day trip of the summer! Last summer, we went to the Mystic Aquarium in Mystic, CT, and it was cheaper to get a membership than to buy individual tickets, so even though it’s two-and-a-half hours away, we decided to make the trip again to get a second visit in before the membership ran out. 

The day before, I stopped at Market Basket and got six footlong subs, which are crazy cheap (like $5.50 each) and quite good. (And that makes exactly one good thing about Market Basket.) We cut them in half and there was way more than enough for lunch on the road.

This was the very first time in 26 years that I didn’t obsessively check the weather forecast and insist that everybody bring at least a light jacket. Which of course caused it to pour rain the whole time we were there, interspersed with violent thunderstorms, so we had to shelter in place. BUT, lots of people got scared away by the storms, so when it went back to just plain raining, it wasn’t too crowded!

It’s a good aquarium. The sea lion show is very loud and cheesy, but still lots of fun. We didn’t get to feed the rays this time, because of the rain, but the sharks and turtles and light-up jellyfish were still excellent. They have several belugas, and one of them spends so much time just hanging out upright, they have to rub Coppertone sunblock on her head so she doesn’t get a burn.

Complete doofus. She periodically did this weird head-shaking thing as she hung out, and the top of her head wobbled around like a blanc mange. 

I had Benny and Corrie in my car, and we stopped at Domino’s on the way home, and then again at Wendy’s for Frosties. I had the triple berry one, which tasted exactly like you’d imagine (fine).

For a trip this long, I okay’d the DVD player, and we watched Moana on the way up and the second Harry Potter on the way back. Wow, Moana really holds up. Captivating even if you’re only listening while you drive. I still think the coconut demon part could have been cut, and I still cry when it gets to the part where all the brute force and all the magic in the world is no use, and Moana uses her feminine genius to conquer Ta Fe by reminding her who she really is.

I told this guy they had stolen the heart from inside him, but this does not define him, and he was like, I know, but this is who I truly am.

Fair enough. 

MONDAY
Korean beef bowl, rice, roast broccoli 

Monday was very much back to the summer grind, which is highly preferable to the non-summer grind, but still, fairly grindy. I got so confused, I had to write it down on actual paper

and I’m happy to report that, since this day, one kid who previously needed a ride now owns her own car!  The whole rest of the week was like this, too, but for some reason I was especially confused by Monday. 

So in between, I got a bunch of yard work done while Corrie cooled off, and was cool, on behalf of everybody

Got a big pot of rice going in the Instant Pot, made some quick Korean Beef Bowl (I had fresh garlic and ginger, which is great, but we were out of brown sugar, which was boo, so I used honey, which wasn’t the same. 

Still a yummy, satisfying, and EASY dish.

Jump to Recipe

I was gonna make sesame broccoli,

Jump to Recipe

but I couldn’t find the sesame oil OR the sesame seeds, so I just cut up the broccoli and dumped on some garlic powder, a little salt, and a bunch of soy sauce, and roasted it under the broiler. Not bad at all. 

I forgot to add any kind of oil, and I may actually make it that way going forward. 

TUESDAY
Not-caesar chicken salad

Tuesday I spent most of the day working on the deck. I undid a few inadvisable parts and starting on the railing, doing my best impression of a chimpanzee learning how to work power tools, and frequently reminding my simian self that it doesn’t have to look professional; it just has to not be a death trap. And I achieved that!

Then I dragged my knuckles inside to do something about supper. It was supposed to be chicken caesar salad,

Jump to Recipe

but it turned out I forgot to buy anchovies for the dressing, but that’s okay. Oh, I also forgot to buy a wedge of parmesan cheese. Still okay, I guess. But then I discovered we didn’t have any lemons OR bottled lemon juice. I discovered this after I had already started making the dressing.

So, knowing it was terribly wrong, I put lime juice in. 

So, fine, it was disgusting, whatever. Who cares. We had romaine lettuce and roast chicken and I think cucumbers. Also the dog stole one of the chicken breasts, so there wasn’t even that much chicken. What you want from poor old Washoe? Washoe tired. 

WEDNESDAY
Shepherd’s pie

Wednesday it was murderously hot and humid, so of course I spent all day trudging around Home Depot and working on the rest of the deck railing, and then I topped the day off with an extremely heavy and dense casserole. Sometimes you look at your plans, realize they are terrible, and forge ahead anyway, because following through feels better than anything else possibly could. At least that’s what you tell yourself. 

I installed the last of the balusters and topped the whole (well, almost the whole) railing with a PVC gutter, because I just need to protect little hands from the screws that are poking out all over the place. It’s FINE. It’s fine! 

I didn’t even argue with the Home Depot guy when I bought the gutter. I told him what I wanted (a handrail cover, or, failing that, something that would function like a handrail cover; for instance, maybe some PVC gutter) and he told me, “Oh, no, that’s not what you want.” Which is what Home Depot ALWAYS says to me. They either say “Oh no, that’s not what you want” or else they say “That would be a special order” even though I know exactly what I want and they clearly HAVE it, because I can SEE IT, RIGHT THERE; but they insist they don’t have any. Or one time, they installed a water heater for us, and there was a carbon monoxide leak, and I had to throw and absolute FIT to get them to admit that this is a problem. I haven’t forgotten that. 

Anyway, I thanked him for his help and then went over and bought a PVC gutter, and I attached it to the rail with a staple gun, so there. 

I also opened up the pool-facing part of the original platform. It used to look like this:

because it was originally a play structure, not a lifeguard stand. So you had to duck your head to get into the pool 

But now it looks like this:

Wooo, wide open! Go right in! I was pretty nervous about removing half the frame, because I was afraid it would somehow destabilize the whole thing. But it still seems perfectly solid. 

So here is my oddly-shaped but indisputably actual deck:

I also trimmed off a few protruding parts, added a grabbing handle to the ladder at the end, and did miscellaneous fussing, and put one of my finer pallets underneath it, so we have a spot for our hay and straw collection

And there it is. Still needs to be sanded and painted or stained, but I don’t think I can get that done this week.

I wondered if it was really, truly done. I thought long and hard and then went back to Home Depot, looking for a transitional piece to ease the 1-inch drop between the triangular floor section and the long section. But as soon as I got there, I remembered having the same fruitless search when I was redoing the dining room floor, which had its own weird threshold situation. 

So I’m gazing at long pieces of wood and a guy in an orange apron greets me in a booming and friendly voice, and asks how I’m doing. 

I say, “Oh, good, but do you have a moment? I have a question about wood.”

He says, “I just have to get back to this customer, but what do you need to know?”

So I explain what I’m looking for, and he suggests looking in the flooring section. I say I already did that, and then I explain a bit more about what I need. 

So he says he’s going to go help the first customer, but he’ll send someone else over to help me. I thank him. So cordial, so helpful. Home Depot’s not so bad after all!

I start walking to the flooring section, just to take another look, but I’m keeping an eye out for the guy, so he doesn’t have to search for me. And I pass by an aisle, where I hear a booming and friendly voice saying, “Yeah, this lady needs some help, she has some transitional bullshi–”

and then he sees me. The “t” never falls from his lips.

You know what, fair. He wasn’t wrong. It was an hour before close, it’s customer service, and I DID have some transitional bullshit. I’m not even mad. So the other guy (who turned out to be the “oh, no, you don’t want a gutter” guy, haha) walks with me to flooring and we look over our options, which are, as I expected, additional bullshit, which is even worse than transitional bullshit. I can put a stair nosing over the transitional part, which will not help in any way, and is $20, and I would need two.

So I went home! Thanks for nothing, Home Depot. I hate you so much. 

I also bought some flowers, which is what I do when someone hurts my feelings. So I guess I was a little mad, actually. And I also got some fresh sand for the sandbox, and some Killz in a spray can, which I didn’t realize was a thing. The bathroom ceiling is about to find out it’s a thing!

Oh, so the shepherd’s pie was fine. Instant mashed potatoes continue to delight. 

Quite tasty, even if it did slump a bit

Who among us. And did you notice the Fiddler on the Roof? A present from Moe. 

THURSDAY
Vietnamese chicken salad, potstickers

Thursday was, of course, the Fourth of July. I got up relatively early and cleaned out the fridge, which was MONSTROUS, and then prepped supper, because I knew I was gonna be running around all day.

I had been waffling all week on what to do with this chicken. I know it sounds like I’m going to make pun about chicken and waffles, but I’ve never even been tempted to make chicken and waffles. That’s just weird and I don’t want to understand.

What I wanted was to make the Milk Street Radio Goi Gà, but I always get lost in a maze of Milk Street logins; so I decided instead to make this Chinese chicken salad from Recipe Tin Eats, a site which has yielded some great recipes. 

This recipe calls for both red cabbage and Napa cabbage, but when I got to the store, they had plenty of red, but only one Napa cabbage, and it was massive. But I was like, haha, it’s one cabbage, Michael, how much could it possibly cost? 

That mofo was $14!!!!!! But it was already our fourth stop and it was already after 5 PM, so I didn’t have it in me to call the manager over to void a cabbage. 

So I had this freaking cabbage the size of a hassock, and then, I don’t even remember why — possibly because there has some kind of giant locust in the house all week, and I have absolutely torn the living room apart and vacuumed everything I can find but I CANNOT FIND THE BUG, and it just sits there screaming all day long! Which can be a little wearing! — but I switched recipes again. I went with a different Vietnamese chicken salad recipe that I cannot even find now. Good heavens. And I ran out of fish sauce, and guess what? I forged ahead, and IT WAS DELICIOUS. 

Basically you have some cooked chicken (I cooked it in the Instant Pot and then shredded it in the standing mixer), a bunch of shredded cabbage (if you can’t find Napa cabbage, just shred some $20 bills), and this garlickly-limey-fish saucy-spicy dressing, and I didn’t have peanuts so I put some cashews in a bag and bashed them with a rolling pin, and I made a big bowl of pickled red onions, and found some crunchy Chinese noodles, and it was so, so good. 

It’s supposed to have cilantro, which I forgot to buy, and fresh mint, which I didn’t use enough of. Still, just about everybody liked at least some part of it, and it made a really pleasant summer meal — filling, but not too heavy, and a real festival of flavors. And pretty! And if you use an Instant Pot, you don’t even have to heat up the kitchen. 

By the end of the day, my hands and feet were all swollen up and I was full of wood splinters and fish sauce and bad opinions about life, and simply could not face the thought of taking the kids to a fireworks show. So Damien, who had been dealing with a Napa cabbage-sized heap of nonsense himself all day, and all week, cheerfully brought them. And they had a nice time. I stayed home and took a shower and lay in front of a fan, and I also had a nice time. 

FRIDAY
Pizza

We just had pizza several times, but we’re having more pizza. Fight me. Topped the garden basil, so I believe we’ll have basil pizza. 

I got some pretty great mail today: Some bins that I was planning to store duck and dog food in, but it turns out they are too small (even though I measure and measured and did tons of research and comparison shopping and even worked out how to covert gallons to pounds), which is a bummer, but then I also got a framed alla prima painting of a skull by Matthew Good. I ordered it kind of on a whim with some money that fell into my lap for a ridiculous reason, so I exchanged it for ONE ART, and I feel wonderful about that. 

When we die, we are not gonna leave our kids any money, because we ate it all, but we are gonna be able to leave them some original art. 

Anyway, this is our current pet food storage system:

and this is what I have now.

Not big enough, but it cannot fail to be an improvement. In some way. Surely. 

I just took a quick break to give Sophia her very first driving lesson, and she did great. Corrie got some sunblock in her eye, and then the other eye, and then the first one again, but we all survived. I planted the grapevines. I moved the eggplants. I weeded around the patio. I staked up the peas. I put the stairs on the bog bridge. I mulched around St. Joseph. I ziptied the flowerpot to the stand so it stops falling down. I trimmed the hydrangeas so the stella d’oro lilies can see the sky. I thinned the collards. I deadheaded absolutely everything. I found a high spot for the flowers the bunnies keep eating. And for the third time this summer, I replaced the sunflowers that the bunnies also keep eating, and this time I smartened up and sprinkled red pepper all over them. And I cleaned up the hundreds of bits and pieces of wood that somehow got thrown all over the yard by some maniac. 

And now I’m ready to have a party! Basically! I just need to go shopping. 

Washoe out!

Korean Beef Bowl

A very quick and satisfying meal with lots of flavor and only a few ingredients. Serve over rice, with sesame seeds and chopped scallions on the top if you like. You can use garlic powder and powdered ginger, but fresh is better. The proportions are flexible, and you can easily add more of any sauce ingredient at the end of cooking to adjust to your taste.

Ingredients

  • 1 cup brown sugar (or less if you're not crazy about sweetness)
  • 1 cup soy sauce
  • 1 Tbsp red pepper flakes
  • 3-4 inches fresh ginger, minced
  • 6-8 cloves garlic, minced
  • 3-4 lb2 ground beef
  • scallions, chopped, for garnish
  • sesame seeds for garnish

Instructions

  1. In a large skillet, cook ground beef, breaking it into bits, until the meat is nearly browned. Drain most of the fat and add the fresh ginger and garlic. Continue cooking until the meat is all cooked.

  2. Add the soy sauce, brown sugar, and red pepper flakes the ground beef and stir to combine. Cook a little longer until everything is hot and saucy.

  3. Serve over rice and garnish with scallions and sesame seeds. 

Sesame broccoli

Ingredients

  • broccoli spears
  • sesame seeds
  • sesame oil
  • soy sauce

Instructions

  1. Preheat broiler to high.

    Toss broccoli spears with sesame oil. 

    Spread in shallow pan. Drizzle with soy sauce and sprinkle with sesame seeds

    Broil for six minutes or longer, until broccoli is slightly charred. 

 

caesar salad dressing

Ingredients

  • 1 cup vegetable oil
  • 6 cloves garlic, minced
  • 12 anchovy fillets, chopped
  • 1 Tbsp kosher salt
  • 1/2 cup fresh lemon juice (about two large lemons' worth)
  • 1 Tbsp mustard
  • 4 raw egg yolks, beaten
  • 3/4 cup finely grated parmesan

Instructions

  1. Just mix it all together, you coward.

5 from 1 vote
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Leftover lamb shepherd's pie

This recipe uses lots of shortcuts and it is delicious.

Instructions

  1. Preheat the oven to 350.

  2. Prepare the mashed potatoes and set aside.

  3. Heat and drain the corn. (I heated mine up in beef broth for extra flavor.)

  4. In a saucepan, melt the butter and saute the onion and garlic until soft. Stir in pepper.

  5. Add the flour gradually, stirring with a fork, until it becomes a thick paste. Add in the cream and continue stirring until it is blended. Add in the cooked meat and stir in the Worcestershire sauce.

  6. Add enough broth until the meat mixture is the consistency you want.

  7. Grease a casserole dish and spread the meat mixture on the bottom. Spread the corn over the meat. Top with the mashed potatoes and spread it out to cover the corn. Use a fork to add texture to mashed potatoes, so they brown nicely.

  8. Cook for about forty minutes, until the top is lightly browned and the meat mixture is bubbly. (Finish browning under broiler if necessary.)

Sarah Norton of Conversion Street Studio: Meeting Jesus, again

On Sarah Norton’s second day of college, someone asked her to join a Bible study group. It was the beginning of one of many conversions. But at the time, it just seemed like a way to meet people.

“I needed friends, so I said, ‘OK,’” she said.

Norton, now 33 and the mother of four, as well as the artist owner of Conversion Street Studio, originally went into college as a vocal music major. She was Catholic, but even though she had gone to Catholic school, she perceived her faith as “rules to follow, not a relationship.”

In college, she dropped her faith and started partying. When someone from FOCUS Campus Ministry invited her to join their group, she went along with it, purely for the social aspect. She went to weekly Bible study but didn’t always attend Mass.

It wasn’t until a year in, when the leader asked her to join the ministry as a leader, that it started to get personal.

“I had to come early to college campus, and all the Bible study leaders were going to daily Mass and praying, and they had a joy about them. I wanted that. So I followed them,” she said.

Twelve weeks later, in her sophomore year, she was at Mass and looked up, and she saw Jesus.

“It was him. He gave my whole life to me. I’m gonna give my life to him,” she said.

That process wasn’t seamless. Norton slowly chipped away at the partying lifestyle she was leading and learned how to take her faith more seriously. At the same time, three years into her studies as a music major, she realized that music wasn’t meant to be her life. She ended up with a liberal arts degree and “one hundred minors in music.” And she took a few art classes.

Norton also felt the pull to make good on an inheritance of sorts she had gotten back in fourth grade.

“A family friend died, and her mom was an artist. For whatever reason, I inherited all of her oil paints, thousands and thousands of paints,” she said.

When she changed her degree, she decided to try to make use of this gift. She only had a few art classes under her belt, but quickly discovered she had a love for color and an aptitude for painting.

“I felt like I was dancing when I was painting, and I still do,” she said.

After college, she married her husband (also a FOCUS missionary), and he introduced her to a sort of hidden Marc Chagall museum in D.C.

“This opened my mind,” she said. “I love that he had his own style. I love his floating people. And he was so good at color. And I loved how strongly his Jewish heritage came out, how his religion came out in his art.”

Norton began to paint in earnest, learning through online tutorials, and often following the practices of prayer she learned in FOCUS. In the lectio divina, she said, you meet Jesus in Scripture, intentionally imagining the scenes as described in the Gospels.

“I was pretty on fire,” she said.

She and her husband had their first child right away, and then life shifted… Read the rest of my latest artist profile at Our Sunday Visitor

This is the eleventh in a monthly series of profiles of Catholic and Catholic-friendly artists for Our Sunday Visitor. 
Previous artists featured in this series:
Eileen Cunis
Daniel Mitsui
Mattie Karr
Jaclyn Warren
Daniel Finaldi
Gwyneth Thompson-Briggs
Chris Lewis
Kreg Yingst
Sarah Breisch
Charles Rohrbacher

If you know of (or are) a Catholic or Catholic-friendly artist you think should be featured, please drop me a line! simchafisher at gmail dot com. I’m not always excellent about responding, but I always check out every suggestion. Thanks!

Eilieen Cunis: The art of whatever is asked for right now

Eileen Cunis, 67, makes banners for churches. Not those primitive and graceless felt-and-burlap banners that dominated liturgical decor through the ’60s or ’70s, but thoughtfully crafted, dignified works of art produced by a woman who just wants to walk through whatever door the Lord has opened for her.

One of Cunis’ pieces, a processional banner of Mary Mother of the Eucharist, was recently accepted for the National Eucharistic Revival Art Exhibit, and it will travel from Connecticut to Indiana. It is a shining, intricate, iconlike work with many layers of fabric and brocade carefully pressed, folded and sewn into position, the faces and hands of Mary and her baby delicately rendered in paint.

As delighted as Cunis is to have her fabric work honored, she’d really rather be painting. She prefers the freedom and flexibility of working exclusively with paint, and she’s starting to wade into the deep waters of iconography, with its profound theology of light.

“I would love for a priest to say, ‘I have this big wall and I want you to do a big mural, and it’s going to be in the church for 50 or 100 years,’” she said. But it all comes down to how the Lord is leading her right now.

Right now, she’s just finished a set of four tapestries for Sacred Heart Church in Bloomfield, Connecticut, a building that had some vast, empty spaces to fill. It’s a gymnasiumlike structure, and that’s not just a coincidence. The church was built in 1962, when Catholicism in the United States was still burgeoning. The congregation assumed their parish would continue to flourish and grow, so they built the church intending to eventually convert it into a gym for the Catholic school.

“It just didn’t happen,” Cunis said. “People were caught flat-footed, and the gymnasium church remained the church.”

The school closed in the ’80s, a nearby church also closed, and the large, simple structure of Sacred Heart became the main church building for the congregation. It had been decorated and made suitable for worship, but still had a rather bleak facade on the apse wall.

The pastor saw Cunis’ work in a local shop, and a lightbulb went on. The gray space has now been transformed by a small host of angels rendered in shining fabric.

Cunis’ first banner, though, wasn’t designed to enliven a large space, but just the opposite…

Read the rest of my latest artist profile at Our Sunday Visitor

What’s for supper? Vol. 373: Little lamb, who ate thee?

Happy Friday! This week at our house was A DOOZY. Possibly multiple doozies. Luckily, most of it was scheduled dooze, except for both cars having issues (my sliding door stopped closing, and one of Damien’s tires blew out spectacularly, and also his alternator lost its will to alternate) and also Damien has been working on Dora’s car, so, you remember how Damien once added “and cheese” to every item on my shopping list? It was like that, except every day had “and everybody needs a ride” added to it. 

BUT IT IS SPRING. And that counts for so much! We had a big snowstorm last week, but it slowly warmed up over the weekend, and it’s been raining for a few days, so the snow is now mostly gone. 

I tried THREE new recipes this week and a new decorating technique, and Corrie had TWO sacraments, and NO ducks died, although some of them tried to kill each other. I think there is a dead mouse somewhere in the WALLS. And we are having SPAGHETTI for supper. We are all pretty TIRED. But it is spring, for real! 

SATURDAY
Pizza? 

Saturday I did a monstrous shopping because I skipped shopping last week. I feel like there was something else big going on, but I don’t remember what. We had just regular pizza. 

SUNDAY
Banh mi, german chocolate cake 

Sunday we celebrated Lena’s birthday! They had pork belly on sale at Aldi, so I poked around for recipes and decided to try the Crispy Pork Belly Banh Mi from Recipe Tin Eats, because Nagi has never failed to delight, and also because, despite our best efforts, we still had chopped liver in the house.

Before I forget, here is my chopped liver recipe. Chicken livers are cheap and this is an easy recipe. Why not make up a bunch, separate it into servings, and keep some in the freezer in case of banh mi? I think you should. 

So, pork belly is the cut of meat that’s made into bacon. If fat upsets you, you will not like this recipe! But if you are someone who has fond and lavish imaginings of what could possibly be meant by “crispy pork belly,” then I urge you to give this a shot. It was magnificent. And easy! But it did take some planning. 

You have to let the meat dry out in the fridge overnight, or at least several hours. Then you rub the flesh side with oil, kosher salt, white pepper, and Chinese five spice, and make a sort of foil packet to enclose the sides and bottom, so none of the juice will escape while it’s cooking. Then you cook it in a low oven for two hours.

You’re supposed to check it halfway through and tighten up the foil, because it shrinks as it cooks, but I forgot. The pork will have changed shape at this stage, so you level it off by putting balls of tinfoil under the lower side. 

Then you turn the oven way up to 465 and let it brown up for about half an hour, rotating it halfway through and using foil to protect any spots that are browning too fast. You salt it at some point, but I forget when. 

Sooo, here is how it came out:

ooooh. 

Probably could have let it get a little browner, but I really have no regrets.

This particular dish is meant to be cut into chunks, rather than shredded, so I cut it up

and served it on toasted baguettes with mayo, cilantro, pickled carrots, cucumbers, jalapeños, chopped liver (paté) and the wonderful, velvety sauce suggested in the recipe (hoisin sauce, coconut milk, and a little soy sauce), and also some crunchy fried onions from a can. 

Amazing. Pretty different from the banh mi I usually make, which has fish sauce and is a different texture. 

Jump to Recipe

This was sweeter and less bitey but also richer and more complex. An excellent, excellent sandwich, and the sauce was so good. I did make the pickled carrots using her recipe, and I think I prefer mine, which are less sweet,

Jump to Recipe

but it was a negligible difference. 

The pork belly chunks were sublime. The fat layer on top was salty and crackly, and the flesh inside was so juicy and succulent, and it had layers of fat inside that were meltingly tender. No chewiness in any part, and each individual piece of meat was, I’m a little embarrassed to say this, but almost like a layered sandwich in itself. So it was like a sandwich full of little baby sandwiches. Not, uhhhhh, an everyday food, for a variety of reasons. But I enjoyed it so much. 

And I made a cake! I decided to use the Tastes Better From Scratch recipe for German Chocolate Cake. I actually made the two frostings on Saturday, to save time, but then left them sitting on the stove all night by mistake. One has egg in it, and I wasn’t crazy about the texture anyway, so I decided to remake it. Because I was being smart. 

I then proceeded to be very dumb and decided that, when I got to the part of the cake recipe where you add a cup of boiling water to the batter, I would use a metal measuring cup without a handle.

Do you know, boiling water is hot? I didn’t realize this. So I basically tipped a little water in and then shrieked and flung the measuring cup into the moving mixer, with predictable results

So I wiped down every single surface of every single thing that was in the kitchen and then I remade the coconut pecan frosting. I made a double recipe of the cake, and it came out, like so many of us these days, a little too fragile. Also the chocolate frosting was so thick, you couldn’t really spread it, but you could squish it, so that is what I did. So the resulting cake looks a little like someone held it at shoulder level and then dropped it

but everyone assured me it was delicious! You have to agree, this is definitely a lot of cake. I have finally started on Emgality, so who knows, maybe some day I will have chocolate again, and find out for myself. 

MONDAY
Eclipse! 

Monday, if you recall, was the eclipse! We were in the 95% range, and we’ve seen a partial eclipse before; so I decided to excuse the kids from school and hop in the car to see totality. Our goal was St. Johnbury, VT, which is normally about two hours away. It took about 3.5 hours, so I deployed the car DVD player, which is reserved for the longest trips, and we watched Ice Age, which holds up, at least if you’re only listening to it. 

We were thrilled to see clear skies, and it was one of the warmest days of the year so far, so we felt very lucky. Staked out a spot, ate our sandwiches, checked out the craft tables and information booths, and then the moon started to steal across the sun, and then . . . 

I don’t know if you guys realize this, but the sun is what is making us alive, and when it gets covered up, things change DRAMATICALLY and IMMEDIATELY. We went from sweating in the sun to shivering, and the light was . . . not twilight, like when the sun is going down. It also wasn’t “there’s a storm brewin'” light. It was light I have never seen before in my life, and there above me were immense heavenly bodies silently moving themselves in a completely new way. Everybody stood up. People shouted and cried out. I wept. It was quiet and cold. I don’t know what to say.

I did take a few pictures

but of course they aren’t anything like what it was like. Neither, I may say, are the dramatic, high resolution pictures that people have been sharing. If you haven’t seen a total eclipse, it is simply not like anything else

We did bring a colander and use it as a pinhole projector to make the little crescent shapes before totality.

Strange, strange stuff. The whole thing was just so strange. And it was just the sun, and the moon! The sun and the moon, that we already know about and have lived with all these years. If this is how strange the physical world can get, it makes you wonder what other surprises may be in store. Phew. Phew. Quite a day. 

Lots of people turned right around and zipped off to their cars the very second totality was over, but we hung out and kind of caught our breaths, and then headed over to the Fairbanks Museum, which is a strange little natural history museum full of taxidermy and cultural oddities from all over the world. I enjoyed every bit of it, including the document hand written by Robert Louis Stevenson deeding his birthday over to a little local girl who had the misfortune of having been born on Christmas. Sweet man. 

 

Oh, I forgot to mention that just before totality, we saw strange ruby-red gems of light on the bottom edge of the sun. These turned out to be something called Bailey’s Beads, and it is the sunlight leaking out between the crags of the moon just before the moon moves totally over the sun. 

So after the museum, we plunged back into traffic and spent another 3.5 hours getting home. We watched Help on the way back, and Corrie lost a tooth, and we sampled Wendy’s Orange Dreamsicle Frosties (exactly what you’d expect), and then we came home and collapsed. 

TUESDAY
Chicken burgers, chips

Tuesday I was like, wow, I’m not even that tired. I got the kids to school, took one kid to a rather fraught doctor appointment, cleaned out the car for the first time in months because Corrie lost her tooth and then lost it again, and was pretty distraught about it; and then I decided that it was time to do something about the duck house, which was in a truly shocking state. And then I thought I would sit down for a minute, and of course I fell asleep. SO asleep. So ASLEEP. It was such a deep nap, I feel like I’m still waking up several days later. Man. 

So yes, chicken burgers and chips for supper. It was finally warm enough to eat outside, so that is what I did!

WEDNESDAY
Hot dogs, fries

Wednesday was the rehearsal for Corrie’s First Communion and confirmation right around supper time, so I got Elijah to manage supper and we got it done! Wednesday was supposed to be nachos for supper, but I had so many other things to do, we didn’t even have time for that, so hot dogs. 

After dinner, I made a cake for the next day – just a box mix, which are really quite good these days. I made some kind of white cake that uses just egg whites.

THURSDAY
Qeema and rice with minty sour cream and coriander chutney; white cake 

Thursday I just . . . didn’t want to make nachos. I don’t know why. So I went back to Recipe Tin Eats begging for a ground beef recipe, and dear Nagi said I could make qeema. 

I’m telling you, that lady does not miss. I minced up a bunch of garlic and ginger, cooked that a bit, added finely diced onion, cooked it some more, and then added the ground beef along with kosher salt, cayenne pepper, garam masala, cumin, coriander, and turmeric, and browned up the meat. Then you just add some water and simmer it until most of the water evaporates.

And that’s it! I set up some rice in the Instant Pot for Damien to start while I got the kids, and I wanted to make some yogurt sauce, but since I had been planning nachos, I had bought sour cream, and we didnt’t have yogurt. So I defrosted a couple of the mint cubes I had put away last fall

and stirred that in with the sour cream (I froze them with a little olive oil. I also found a bottle of coriander chutney in the cabinet and chopped up some cilantro, and IT WAS ALL DELICIOUS.

Definitely making this meal again. I told the kids it was like Korean Beef Bowl

Jump to Recipe

except Indian, which is sort of true, but also kind of a silly thing to say. It was not spicy, but was absolutely bristling with garlic and ginger, which I love. Just a wonderful, warm, homey taste, and the sauce from the meat soaked right into the rice and made the whole thing savory and good, and so nice with the cool chutney and minty sour cream. Great meal, and really quick (or a great make-ahead meal). 

I also realized that I’m very tired of not really knowing how much meat I actually have (the ground beef was in a ziplock bag from last week, after I divided a giant package and used the first part on areyes. So I got a cheap kitchen scale, and I’m looking forward to seeing if this improves my baking, too, if I can measure dry ingredients by weight rather than volume. Probably not! I think I’m just a mediocre baker, and I’m mostly okay with that. But who knows, maybe this will change everything. Anyway, I’ll know how much meat I have. 

We ate really early and then headed off for Corrie’s confirmation and First Holy Communion! 

Bunch of pictures here. 

It was lovely. Just lovely. Clara was her sponsor, and she chose the name Casilda, who is a saint she learned about from Meg Hunter-Kilmer’s excellent book Saints Around the World. It didn’t ring a bell at the time, but Saint Casilda of Toledo is the subject of this famous painting by Francisco de Zurbaran

which was the reference for a painting by Roméo Mivekannin which we saw in person a few months ago at the Currier Museum in Manchester.

 We do get around. 

For the cake, I often make a stained glass cake for sacrament parties. You cover the cake in royal icing to make a stable surface, let it dry, pipe lines in black, and the carefully fill them in with various jellies whipped up with a little water. This isn’t the greatest example, but it gives the general idea:

I wanted to try something different, so I frosted the cake and then melted some white candy melts and just kind of dabbed them onto parchment paper

When they were dry, I peeled them off and arranged them into a flower. 

I thought it was pretty, if a little rough; but it didn’t really say “Catholic” to me. First I attempted to make crosses out of candy melt. They looked pretty terrible when I cut them out with a knife; and when I tried to use a cookie cutter, they kept breaking when I tried to release them. So I found some gum paste and

behold, it’s THE LITTLE LAMBY OF GOD. 

This is the cutest religious cake I have ever made. Corrie loved it, and I’m happy to have a new way to decorate cakes. I see many possibilities. 

I’ve been on a poem-printing kick lately. I follow several poets and poetry lovers on social media, and the printer has been amazingly obliging lately (= it prints things???), so any time something strikes my fancy, I print it out and stick it to the wall. Here’s The Lamb by William Blake, if you’d like to do the same. When we were at the Fairbanks and I pointed out the Robert Louis Stevenson document to the kids, I reminded them that he was the one who wrote At the Sea-Side (“When I was down beside the sea/A wooden spade they gave to me…”) which is the poem that’s been hanging in the bathroom for several years, and my favorite poem of all time; and one of my kids said, “Oh, I have it memorized. I stare at it every time I take a dump!” So I guess you could say [looks smugly at fingernails] I really know my stuff, parent-wise. 

And now, my friends, all ten of my children have been baptized and confirmed and they’ve all been to confession and received Communion. And they’ve memorized at least one poem. I’m not saying my work is done, but it sure feels like a milestone. 

FRIDAY
Spaghetti? 

I believe we’re having spaghetti. I gotta clean up the kitchen from yesterday (it was Benny’s turn, but we got home so late), and the ducklings are meep-meep-meeping and the dog is whining and I’m still in my pajamas and there are things overdue and there simply isn’t time for it all, but I am so glad for my life. What a life! 

And look at my flowers, which did NOT DIE.

The greens are daffodils and possibly red tulips, I don’t remember. Some of my winter sowing jugs are finally poking out of the dirt. And the buds on my peach tree look fine! We had a freeze and I was rushing around in the dark, draping sheets over things and weeping, as one does, but it looks like everything survived. 

Happy Friday! I’ll pray for yez all at adoration this afternoon. 

 

Korean Beef Bowl

A very quick and satisfying meal with lots of flavor and only a few ingredients. Serve over rice, with sesame seeds and chopped scallions on the top if you like. You can use garlic powder and powdered ginger, but fresh is better. The proportions are flexible, and you can easily add more of any sauce ingredient at the end of cooking to adjust to your taste.

Ingredients

  • 1 cup brown sugar (or less if you're not crazy about sweetness)
  • 1 cup soy sauce
  • 1 Tbsp red pepper flakes
  • 3-4 inches fresh ginger, minced
  • 6-8 cloves garlic, minced
  • 3-4 lb2 ground beef
  • scallions, chopped, for garnish
  • sesame seeds for garnish

Instructions

  1. In a large skillet, cook ground beef, breaking it into bits, until the meat is nearly browned. Drain most of the fat and add the fresh ginger and garlic. Continue cooking until the meat is all cooked.

  2. Add the soy sauce, brown sugar, and red pepper flakes the ground beef and stir to combine. Cook a little longer until everything is hot and saucy.

  3. Serve over rice and garnish with scallions and sesame seeds. 

5 from 1 vote
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Pork banh mi

Ingredients

  • 5-6 lbs Pork loin
  • 1/2 cup fish sauce
  • 3/4 cup sugar
  • 1 minced onion
  • 1/2 head garlic, minced or crushed
  • 2 tsp pepper

Veggies and dressing

  • carrots
  • cucumbers
  • vinegar
  • sugar
  • cilantro
  • mayonnaise
  • Sriracha sauce

Instructions

  1. Slice the raw pork as thinly as you can. 

  2. Mix together the fish sauce ingredients and add the meat slices. Seal in a ziplock bag to marinate, as it is horrendously stinky. Marinate several hours or overnight. 

  3. Grill the meat over coals or on a pan under a hot broiler. 

  4. Toast a sliced baguette or other crusty bread. 

5 from 1 vote
Print

quick-pickled carrots and/or cucumbers for banh mi, bibimbap, ramen, tacos, etc.

An easy way to add tons of bright flavor and crunch to a meal. We pickle carrots and cucumbers most often, but you can also use radishes, red onions, daikon, or any firm vegetable. 

Ingredients

  • 6-7 medium carrots, peeled
  • 1 lb mini cucumbers (or 1 lg cucumber)

For the brine (make double if pickling both carrots and cukes)

  • 1 cup water
  • 1/2 cup rice vinegar (other vinegars will also work; you'll just get a slightly different flavor)
  • 1/2 cup sugar
  • 1 Tbsp kosher salt

Instructions

  1. Mix brine ingredients together until salt and sugar are dissolved. 

  2. Slice or julienne the vegetables. The thinner they are, the more flavor they pick up, but the more quickly they will go soft, so decide how soon you are going to eat them and cut accordingly!

    Add them to the brine so they are submerged.

  3. Cover and let sit for a few hours or overnight or longer. Refrigerate if you're going to leave them overnight or longer.

“My conscience will not allow me to make boring art for God”: Artist Daniel Mitsui

Daniel Mitsui likes drawing on calfskin vellum the best.

It’s popular with artists who, like Mitsui, create works in a medieval northern European style. But it’s not mere tradition or attachment to history that makes calfskin so appealing to Mitsui.

“It’s really, really, really nice,” he said. “It’s a very precise medium because, on a microscopic level, it’s an organized layer of skin cells. You get a more precise line, and you can make corrections easily by scraping away a layer with a knife.”

Try that on paper made from vegetative matter, and you’ll tear your picture up. But calfskin vellum is forgiving.

“People sometimes say, ‘How can you be so precise?’ That’s part of the secret. You draw on a better surface,” Mitsui said.

Mitsui, 41, has spent decades doing the work of carefully sorting, modifying and balancing tradition with innovation — or, more precisely, “combinations of influences, rather than wholly new ideas,” he said.

His work is distinctly medieval but brings in elements of Persian, Celtic and Japanese art.

“I think of it as a living style, rather than a historical one,” he said.

“In religious art, there’s a requirement that you try to uphold tradition in some manner, but I think that tradition is mostly in the content and the arrangement of the picture. It’s not really stylistic, so much as what you are showing, and with what associations,” Mistui said.

Thus he brings his audience “Great Battle in Heaven” in the style of a Japanese woodblock print.

On his site, he explains how he synthesized the appearance of the angelic warriors, who look like the heroes in prints by Utagawa Kuniyoshi, with a composition from one of Albrecht Dürer’s apocalyptic works. The result is at once arrestingly unusual and weirdly familiar, like a vivid but coherent dream where the mind feels free to draw on any meaningful image.

He is aware that not every viewer will be well versed in the Patristic writings and artistic conventions that enrich his work, so he tries to write descriptions to help the viewer understand more fully what they are seeing.

“It’s something I’m not as on top of as I’d like. I’m a relatively fast artist and a relatively slow writer,” he said. “I’m always behind.”

He said that medieval art is full of well-established symbolism, which is not necessarily obvious when you first look at it, but a little bit of analysis will provide the background to show how well it corroborates with what the Church Fathers have always taught.

“I very strongly value tradition as a theological concept, as the basis of Catholic epistemology. It’s how we know what we know as Catholics. That underlies my artwork; that’s part of what I’m trying to communicate,” he said.

But his work enjoys enormous appeal across a wide range of audiences because the images themselves are so compelling. And remaining faithful to tradition doesn’t mean limiting his scope.

“There’s really very different views on artwork even in traditional Catholicism,” he said. “If you even go back to the 12th century, the Victorines and the Cistercians had very different notions of aesthetics. I can’t just say, ‘My work depicts traditional Catholicism.’ Well, which part of it?”… Read the rest of my latest artist profile at Our Sunday Visitor

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Image: “Jesus Christ in Majesty with Cherubim and Seraphim” by Daniel Mistui

 

***

This is the ninth in a monthly feature on Catholic and Catholic-friendly artists I’ve been writing for Our Sunday Visitor. 
Previous artists featured in this series:
Mattie Karr
Jaclyn Warren
Daniel Finaldi
Gwyneth Thompson-Briggs
Chris Lewis
Kreg Yingst
Sarah Breisch
Charles Rohrbacher

If you know of (or are) a Catholic or Catholic-friendly artist you think should be featured, please drop me a line! simchafisher at gmail dot com. I’m not always excellent about responding, but I always check out every suggestion. Thanks!

What’s for supper? Vol. 367: I knead you so badly

Happy Friday! We’ve been eating a little too well for Lent. Don’t tell my bishop. Or, actually go ahead and tell him. I went and got fired from the diocesan magazine already last week, so do your worst. (I don’t really know why it happened, other than that I am annoying. It’s fine. Something else always turns up, and I can go be annoying to a slightly different subset of readers, inshallah.)

Anyway, here’s what we had this week, which was February vacation for most of the kids:  

SATURDAY
Grilled ham and cheese, chips

Usually, for grilled cheese, I buy a few loaves of sourdough bread that comes in very large pieces, but they were out of them at Aldi, so I got some pleasant-looking Italian loaves that seemed likely. Dinner time comes along, I open the bag, and here is what the individual slices look like:

and I’m like, huh. Possibly I’m a pervert, but this feels slightly awkward. Maybe they will look more normal if I put mayonnaise on them

Ah well, we’ll just call it theology of the body and fry ’em up. 

Yes, they all looked like this. 

So everyone got one and we also had pickles and let us never speak of this again. Definitely not to the bishop. 

SUNDAY
40 garlic whole chickens, orzo al limone

I have mentioned in the past how allergic I am to cooking whole chickens, because we had them SO often when we were super poor and they used to be like 49 cents a pound, and I just feel so gloomy and oppressed by whole chickens now. But I’m trying really hard to shop the sales, so I made a tremendous penitential Lenten effort and bought two whole chickens for cheap, which I prepared using this recipe for 40 garlic clove chickens

You melt butter and oil in a dutch oven and brown the chickens on all sides, take out the chicken and drain off some of the fat, and stir in the garlic cloves. Yes, we peeled 80 cloves of garlic.

In fact, it was after we peeled about 65 cloves of garlic that I more carefully read the recipe I was going to use, and discovered that it calls for unpeeled garlic. So I quickly switched to the recipe I linked above, which doesn’t specify. No, I will not read to the end of a recipe before starting it! You can’t make me!!

So then you put the chicken back in along with a little water, and lemon juice, salt, thyme (it calls for dried but I had fresh), and pepper, cover the dutch oven, and bake it in the oven for 90 minutes.  I don’t actually have a dutch oven, so I browned the chicken in a pot and then transferred it to a giant oven pan, covered it with tinfoil, and then put a second pan on top. 

Good enough! When I opened it up, the chickens were [Danny Kaye doing his drooling Clever Gretel voice] nicely cooked

I cooked them breast-side-down in “humble frog” position, because I knew the skin wasn’t going to be the star of this chicken anyway, and I really wanted the meat to be juicy. It was not the most visually stunning chicken I have ever met, but it was extremely juicy and full of flavor. I actually used quite a bit more lemon juice than it called for, and I have no regrets.

Before I made the chicken, I started on the orzo. I was using this recipe from delish, and if it sounds tasty to you (and it will), I recommend taking a screenshot, because they limit how many free page views you get. I assemble the ingredients and knew this would be a winner. Just look:

It’s basically the same as risotto. Sauté some garlic, then lemon zest, and oops, I threw my chives in there too soon 

then add your orzo with salt and pepper and toast it a bit. Then you add chicken broth, a bit at a time, so the orzo slowly absorbs it.

Yeah man. 

When it’s cooked, stir in the cheese (it called for Pecorino Romano, but I had parmesan) and the parsley, lemon juice, and chives. 

I actually cooked the orzo first and then put it in the slow cooker, and then got to work on the chicken.

They were SO nice together. 

Some asparagus or spinach would have put this meal over the top, but it was pretty great as it was. The cloves of garlic were as soft as boiled potatoes, so what I did was just fork-mash them onto my chicken 

and we were all in garlic heaven. “We” being the chicken and the orzo and me. 

The orzo is amazing. I loved it so much. It was rich and creamy and cozy, but also piquant and sharp with the garlic and lemon and herbs. Some of the kids did not like the texture, probably because they are used to risotto and it’s not the same. But Damien and I thought it was great. 

On Sunday, I also did some winter sowing, which is something I only recently discovered. The idea is that you can start seeds outdoors in late winter even if it’s cold and snowy out, because you’re planting in milk jugs that act as little greenhouses; and then when the frost is past and your seedlings are big enough to transplant into the ground, you don’t have to harden them off, because they’re already acclimated. I have never successfully hardened seedlings off, because I take it too personally and all I can think is that nobody ever carried me in and out and in and out because my little leafies might get cold. 

You cut the milk jugs about four inches up from the bottom, leaving the last bit intact for a hinge. Fill the bottom with seed starter material, plant your seeds, water, and put the top back and tape it shut. That’s it. 

I was delighted to find a sack of seed starter I had bought on clearance last year, so I got out my saved seed stash and did three jugs of eggplants, three of pumpkin, and two butternut squash; and I did two jugs of morning glories for my friend Millie, who is in the nursing home again. And I got some more spiles and tubing for maple sugaring! But I used up all the milk jugs, so we have to build up some more supply before I can get going on that.

MONDAY
Spicy chicken sandwiches, fruit salad

Monday I went to see Millie in the morning. If you could keep her in your prayers, please, I’d appreciate it! She’s going to be 90 the first week in March and she’s hoping to be able to get back to her house and garden soon. 

I had some boneless, skinless chicken thighs I had stashed in the freezer when they were on sale a few weeks ago, and I made these wonderful sandwiches that everybody likes. They come together really fast. You just season the chicken thighs with Cajun seasoning — actually I used Tony Chachere’s, which is creole, but close enough — and then pan fry them on both sides. While they are cooking, you cut up some shishito peppers (just cut the tops off) and slice some red onions. When the chicken is done, you blister up the peppers in another pan, and lay some American cheese on top of the chicken and put a lid on it so it melts. 

(I didn’t actually cook the chicken this close together; I used two pans, and then transferred the chicken to one pan for the cheese treatment.)

Layer the chicken, peppers, and onions on brioche buns, with BBQ sauce top and bottom. Boom, amazing sandwich.

I just love this sandwich because it’s so SIMPLE. One bottle of spice, one step with the peppers, easy sliced cheese, bottled sauce. You really couldn’t improve it if you made it complicated and fiddly (although I’m sure Sam Sifton would like to try). 

You can see that I made a fruit salad, which we haven’t had for a while. Strawberries, blueberries, grapes, and kiwis. Nice to have some color. 

TUESDAY
Beef barley soup, french bread

Beef was on sale, so I got a likely-looking hunk and made some soup. Garlic, onion, and carrots, chunks of beef, tomatoes, beef broth, mushrooms, and barley, and plenty of pepper. So good. 

Jump to Recipe

This is the soup I sometimes make in my head when I can’t sleep. 

While that was simmering, I thought it was high time to test out my lovely new marble countertop, which I purposely installed lower than the rest of the counter, to make it easier to knead dough. (I’m kind of short; I don’t know if I’ve mentioned this.)

IT WAS PERFECT. Made such a difference. I never realized I was struggling with dough on the higher countertop, but now that I have a lower one, it was so much easier. 

Here is the simple french bread recipe I use:

Jump to Recipe

It makes four long loaves — or, in this case, three long ones and three shorties, because I was sending some food over to one of the kids. 

I do love rolling the loaves out. Zoop!

Then I set them for a second rise and managed to drop BOTH pans as I was moving them, so they got kind of wadded up, but they baked up well enough. 

They had a really nice thin little shattering crust on the outside, and they were soft and tender on the inside. Good stuff. 

So we had the soup and the bread

and at this point I’m just dragging the narrative out because I have more pictures. 

And now I’m done!

WEDNESDAY
Korean beef bowl, rice, raw veg, crunchy rice rolls

Wednesday we had a bunch of errands – haircuts and what have you – and I started supper late, but it was a quickie: Good old Korean Beef Bowl. I had bought extra ground beef when it was on sale for the Super Bowl, and this is a fast, easy recipe, even if you do go for fresh garlic and fresh ginger, which I did. 

Jump to Recipe

So I put the cooked beef in the slow cooker, and made some rice in the instant pot, cut up some cucumbers and took out the packages of crunchy rice rolls I had been saving. 

Tasty little meal. The beef has sesame seeds and chopped scallions for garnishes. I don’t know why I feel the need to point that out, but there you are. 

On Wednesday I cut up the leftover chicken and made a simple chicken salad (just mayo, I think maybe lemon juice or cider vinegar, salt and pepper, celery, and green apple), and then I made soup with the rest of the carcasses, just so as not to waste it. I had a brainwave and realized I could freeze it all and get a jump start on Passover cooking this year! I really hate making the chicken soup some years, so I’m delighted to have this already done. I will need to add parsley and dill, but it already has the chicken, carrots, celery, and onion in it

THURSDAY
Pizza

The kids had mainly been playing board games all week (including Dixit, which was a Christmas present, and turned out to be a hit) for vacation week, but I did promise/threaten a trip to an art museum; so five of the kids and I went to the Currier Museum of Art in Manchester. Great stuff. Admission is reasonable (one adult, two students, two youth, and a kid got in for $35) and their descriptive cards are good, providing enough context and explanation to help you see, but without leading you too much. They have a really solid, varied collection for a small museum.

Interesting things happening in the contemporary art world! There is still a certain amount of “hoo HOO, I bet THIS transgressive bit of plastic really pushes your conventional little buttons, DOESN’T IT??” getting churned out, but also some far more interesting stuff. (Yes, I realize I opened this post with some penis sandwiches, so maybe I should shut my yap about who’s childishly transgressive. On the other hand, they were just sandwiches.) I was especially taken with two large works by Kara Walker, who will have an entire exhibit there soon, but there were other thoughtful, skilled, intriguing, moving contemporary pieces as well. I shared a few images on Facebook:

It is a small museum, so we did a thorough tour in two hours. Then we hit a few thrift stores just for fun, and then we got pizza and talked about art. Lovely day with my lovely kids. On the way there, they played an ice breaker game (“If you were an animal, what kind would you be? What is your favorite movie” etc.), but they played as different characters, so everyone had to guess who they were. Let me tell you, if we had run out of gas, we could have made it home under the sheer white hot heat of the quantity of in-jokes flying around. I had no idea what was going on, but they had fun. 

FRIDAY
Tilapia tacos and guacamole

I don’t really have a solid plan for this fish, but I’m tired of having it in my freezer. It was on clearance at Walmart quite some time ago, and I don’t want to look at it anymore. Hoping the avocados I got aren’t totally overripe by now. 

And I need to make a cake! A Squirtle cake! For tomorrow is Corrie’s birthday party. It’s going to be Pokémon-themed, and Sophia is making a treasure hunt and Irene is making a piñata. This has honestly been one of our nicest February vacations, despite some trials which, nay, I shan’t mention. Love seeing my kids enjoy being with each other. 

My other thing is that I’m a little frustrated with yoga lately, partially because I managed to injure both knees (one by falling on the ice, one by doing ABSOLUTELY NOTHING; the little fucker just started hurting for no reason, and now I go up and down stairs looking like I imagine Strega Nona would, on stairs), so I have started pilates. I kind of hate it, but it keeps my attention because you have to be SO SPECIFIC about what muscles you’re using, so at least it’s not boring. I did one random class on YouTube and then I found this lady, Banks (that’s how she refers to herself, as “Banks”), and I have done three of her thirty-minute core classes for beginners. Tough stuff, but I’m hanging on. She is very specific about what you’re supposed to be doing and how it’s supposed to feel, which I appreciate, and she’s not especially annoying. So, now you know everything I know. 

5 from 1 vote
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Beef barley soup (Instant Pot or stovetop)

Makes about a gallon of lovely soup

Ingredients

  • olive oil
  • 1 medium onion or red onion, diced
  • 1 Tbsp minced garlic
  • 3-4 medium carrots, peeled and diced
  • 2-3 lbs beef, cubed
  • 16 oz mushrooms, trimmed and sliced
  • 6 cups beef bouillon
  • 1 cup merlot or other red wine
  • 29 oz canned diced tomatoes (fire roasted is nice) with juice
  • 1 cup uncooked barley
  • salt and pepper

Instructions

  1. Heat the oil in a heavy pot. If using Instant Pot, choose "saute." Add the minced garlic, diced onion, and diced carrot. Cook, stirring frequently, until the onions and carrots are softened. 


  2. Add the cubes of beef and cook until slightly browned.

  3. Add the canned tomatoes with their juice, the beef broth, and the merlot, plus 3 cups of water. Stir and add the mushrooms and barley. 

  4. If cooking on stovetop, cover loosely and let simmer for several hours. If using Instant Pot, close top, close valve, and set to high pressure for 30 minutes. 

  5. Before serving, add pepper to taste. Salt if necessary. 

 

5 from 1 vote
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French bread

Makes four long loaves. You can make the dough in one batch in a standard-sized standing mixer bowl if you are careful!

I have a hard time getting the water temperature right for yeast. One thing to know is if your water is too cool, the yeast will proof eventually; it will just take longer. So if you're nervous, err on the side of coolness.

Ingredients

  • 4-1/2 cups warm water
  • 1/4 cup sugar
  • 2 Tbsp active dry yeast
  • 5 tsp salt
  • 1/4 cup olive or canola oil
  • 10-12 cups flour
  • butter for greasing the pan (can also use parchment paper) and for running over the hot bread (optional)
  • corn meal for sprinkling on pan (optional)

Instructions

  1. In the bowl of a standing mixer, put the warm water, and mix in the sugar and yeast until dissolved. Let stand at least five minutes until it foams a bit. If the water is too cool, it's okay; it will just take longer.

  2. Fit on the dough hook and add the salt, oil, and six of the cups of flour. Add the flour gradually, so it doesn't spurt all over the place. Mix and low and then medium speed. Gradually add more flour, one cup at a time, until the dough is smooth and comes away from the side of the bowl as you mix. It should be tender but not sticky.

  3. Lightly grease a bowl and put the dough ball in it. Cover with a damp towel or lightly cover with plastic wrap and set in a warm place to rise for about an hour, until it's about double in size.

  4. Flour a working surface. Divide the dough into four balls. Taking one at a time, roll, pat, and/or stretch it out until it's a rough rectangle about 9x13" (a little bigger than a piece of looseleaf paper).

  5. Roll the long side of the dough up into a long cylinder and pinch the seam shut, and pinch the ends, so it stays rolled up. It doesn't have to be super tight, but you don't want a ton of air trapped in it.

  6. Butter some large pans. Sprinkle them with cornmeal if you like. You can also line them with parchment paper. Lay the loaves on the pans.

  7. Cover them with damp cloths or plastic wrap again and set to rise in a warm place again, until they come close to double in size. Preheat the oven to 375.

  8. Give each loaf several deep, diagonal slashes with a sharp knife. This will allow the loaves to rise without exploding. Put the pans in the oven and throw some ice cubes in the bottom of the oven, or spray some water in with a mister, and close the oven quickly, to give the bread a nice crust.

  9. Bake 25 minutes or more until the crust is golden. One pan may need to bake a few minutes longer.

  10. Run some butter over the crust of the hot bread if you like, to make it shiny and even yummier.

 

Korean Beef Bowl

A very quick and satisfying meal with lots of flavor and only a few ingredients. Serve over rice, with sesame seeds and chopped scallions on the top if you like. You can use garlic powder and powdered ginger, but fresh is better. The proportions are flexible, and you can easily add more of any sauce ingredient at the end of cooking to adjust to your taste.

Ingredients

  • 1 cup brown sugar (or less if you're not crazy about sweetness)
  • 1 cup soy sauce
  • 1 Tbsp red pepper flakes
  • 3-4 inches fresh ginger, minced
  • 6-8 cloves garlic, minced
  • 3-4 lb2 ground beef
  • scallions, chopped, for garnish
  • sesame seeds for garnish

Instructions

  1. In a large skillet, cook ground beef, breaking it into bits, until the meat is nearly browned. Drain most of the fat and add the fresh ginger and garlic. Continue cooking until the meat is all cooked.

  2. Add the soy sauce, brown sugar, and red pepper flakes the ground beef and stir to combine. Cook a little longer until everything is hot and saucy.

  3. Serve over rice and garnish with scallions and sesame seeds.