Why do you need a crucifix on your wall?

An exorcist cleansed a local house of oppressive spirits, some time ago. A friend of the priest who exorcised it told me that he had remarked that there were no crucifixes hung anywhere on the walls, even though the family was Catholic.

No crosses, no icons, no devotional pictures, no holy cards, no tin Sacred Hearts, no dried-up palm branches stuffed behind a family photo. No Bible, decorative or otherwise. But especially, no crucifix.

I only heard his comment second-hand, so I’m not sure if there was any follow-up, or how much importance he attached to it. Still, he thought it was worth remarking on, and so it’s something I’ve been thinking about. Why should we hang crucifixes in our house, if not to ward off demons?

Well, warding off demons isn’t actually a bad motivation. The cross, and specifically the crucifix, does have a certain amount of power just because of what it is, and (just purely speculating as a layman). I can imagine an unclean spirit at very least feeling uncomfortable around it, and less willing to settle in.

But of course, the crucifix isn’t a magic charm or a lucky horseshoe. What I can more easily imagine is an unclean spirit feeling uncomfortable in a house where a crucifix is not only hung, but noticed and revered.

But let’s say you hung up a crucifix, and that was the end of it. You did it because you always had one growing up, or because you wanted to make your grandmother happy, or because it just looks pretty. You don’t especially revere it or even notice it after a while. Is it still worthwhile?

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Catholicism without Christ

Is there any return from being cancelled? We’re not really sure. But there is wailing and gnashing of teeth until the 24-hour news cycle moves along and you are forgotten.
This is what comes of religious practice without faith, of Catholicism without Christ: At best, you enjoy some faint mimicry of the riches the faith has to offer; at worst, you suffer immensely, without any hope of redemption.

It is sad to live this way. It is ridiculous. But at least there is some excuse.

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Image via https://fshoq.com/ (Creative Commons)

Do what in memory of me? On slavery or sacrifice

To participate in the sacrifice of the Mass, we must be free of mortal sin. So let us say we have put ourselves into the cell of sin, over and over again. What then? We must put ourselves into the confessional box, over and over again. Then we can receive Christ; and then we can, in turn, freely put ourselves into the cup of sacrifice, to be poured out for each other. That is how it works. Jesus told us so. This is what he told us to do.

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Image source: Saint John the Baptist Church Melnik Jesus Christ Icon, 19th Century via Wikipedia

 

Letter from a soul in mortal sin

I didn’t see the curability of it all. It seemed like what you could offer us, with your sacraments and your elaborate covenants, was an answer to a question that no one asked. Salvation from what? I couldn’t see it.

But we have been together for a long time, off and on. We’ve been together long enough that I know that losing you is not only a loss, it is THE loss, the loss I can’t survive.

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Image of praying skeleton by Bixentro via Flickr (Creative Commons)

Savor some beauty for yourself; don’t put it all on display

They remind me constantly that there is still loveliness in the world, still resilience, still freshness, still time to grow. Silly little impatiens with their simple petal faces, and they bloom all season long. They don’t mind the shade. Some of them look directly into the window, nodding and smiling at me in the breeze.

The other day, I checked to see how well they show up from the road, and the answer is: Not at all. What do you know about that!

This does not detract from my enjoyment of them. If anything, it increases it, since it’s a tiny little reminder that “just because I like them” is a perfectly good reason to have them. I am not less important than strangers passing by. Beauty is important, and so am I.

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Image via Maxpixel (public domain)

Are we spiritually deprived when women are barred from preaching?

The rule against women preaching doesn’t stem from misogyny, but from the obligation to make the sermon something specific: an extension of the proclamation of the liturgy of the word. It’s not supposed to be a lecture or a chat; it’s supposed to be part of the liturgy celebrated by an ordained priest or deacon in persona Christi. And that’s why laypeople aren’t supposed to do it.

But the flap over who gives sermons exposed another, possibly deeper misunderstanding about how, exactly, we’re supposed to learn about and live our faith.

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The emerald ash borer and the priest

It’s a strange thing, but when I hear sensationalized documentaries about environmental devastation, I come away drained and horrified, exhausted with despair over what is becoming of the natural world.

Not so with listening to this man, who has spent his life literally face to face with the enemy. He was, as I said, placid, and I went away feeling hopeful about the future of the forest. Not complacent, but hopeful.

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Photo by USDA via Flickr (Creative Commons)

Does the creed disrupt the flow of your worship?

It’s fairly easy to get carried away by whatever kind of flow our life is busy with. The agitated flow of busyness, the aimless flow of boredom, the flooding flow of panic, the swirling flow of temptation. But Jesus Christ is the same yesterday, today, and forever, and that unmoving God has planted the rock of his Church, creed and all, for the express purpose of disrupting that flow.

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Image by David Dixon (detail) (Creative Commons)

One size fits most

Readers may not be aware of how heavily writers rely upon reference books, such as encyclopedias, thesauruses, Wikipedia, Dickeypedia, and of course a rhyming dictionary, which often reveals hidden truths about language through a kind of mystical game of word association which posits that synonyms come in triads, or what Carl Jung used to call “threeness envy.” Nobody knew what he meant by that. He has a really weird accent.

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Image: Luigi Cherubini and the Muse of Lyric Poetry by Jean Auguste Dominique Ingres (Creative Commons)