Noah (2014) was a terrible movie. Help me figure out why we liked it anyway.
This is the second (yes, that’s all we’ve managed to watch so far) in this year’s Friday Night Mandatory Lent Film Party series. Last time, we watched The Passion of Joan of Arc, so I figured the kids would appreciate a “real movie” (i.e., in color, no subtitles, and, yanno, Russel Crowe). We had never seen this movie, and I’ve always been curious about why some people hate it so much, so we went for it.
Here’s the trailer, which is a fair representation, except it doesn’t include rock monsters:
The movie is apparently based not only on Genesis, but I guess on the book on Enoch, and also just . . . movie stuff. I’m sorry, I’m not going to research which parts are scholarly and which were just made up, because that’s not the part I’m interested in. I believe there really was a cataclysmic flood (many cultures have mentioned it) and that a holy man built an boat and saved his family and a bunch of animals. I also believe the story of Noah in Genesis is a myth, in the sense that it was written to convey something true about God and his relationship with man, and is not meant to be taken literally.
One thing I know, the story of Noah is not a children’s story (despite all the play sets and nursery decor people produce because of the animals and the rainbow). It’s actually incredibly violent and baffling. So I’m happy to report that this movie is also violent and baffling. Some of the baffling stuff is because the movie doesn’t really make internal sense, and part is because the writers don’t know what to do with a story about someone trying to make sense of the will of God while also having free will. But, I also don’t know what to do with that. I guess that’s ultimately why I liked it: Because it doesn’t make anything coherent out the story, but it does take the unavoidable problems seriously.
That being said, this movie was a mess.
[COPIOUS SPOILERS AHEAD]
In Genesis, God speaks very clearly to Noah, even telling him the most precise specs on how to build in the ark. In the movie, God refuses to speak except through ambiguous prophetic dreams, and this lack of clarity causes anguish to Noah and others. Supernatural things happen a lot, and it’s impossible to tell what they portend, except in hindsight. Noah thinks God wants him to save his family and the animals so the world can start fresh. Noah’s grandfather, Methuselah, gives them a seed from Eden, and when he plants it, springs well up out of the ground and instantly make a flourishing forest grow, and these are the trees the rock monsters cut down to build the ark. (Yes, I will get back to the rock monsters.)
Noah has three sons, and the daughter they adopted as a child, who eventually marries the oldest son, but is barren. He also has an enemy, the king Tubal-cain, who killed Noah’s father in the beginning of the movie. As the flood looms and Noah has built the ark and the animals are safely inside and in some kind of coma, Noah goes to find wives for his other two sons, but the people are so degenerate (I think they are eating each other? It was hard to say) that he decides he has the wrong idea about what God wants, and he intends to wipe out mankind entirely and give the earth over to the animals.
The second son, Ham, meets and greatly desires an innocent girl who’s been cast out by Tubal-cain’s people, but as the floods come, Noah rescues only Ham and leaves the girl to be trampled because he doesn’t want there to be any more children born.
BUT THEN, we find out that Noah’s wife has previously gone to Methuselah–
okay, let me pause and just belly laugh about Methuselah. I think this was the dumbest part of the whole movie. The dude lives in this cave on top of a mountain and it’s apparently like, a forty-minute stroll away from the ark? But they only go see him every few decades. Which is perhaps understandable, because’s he’s very clearly just Anthony Hopkins in a wig, and it’s incredibly awkward.
— anyway, he mystically arranges for Shem’s wife, Ila, to become fertile, and she immediately gets pregnant. Which is how the rest of the family discovers that Noah isn’t rescuing them in order to save mankind; he’s taking them all on a kind of elaborate death cruise, and he now believes that, when the baby is born, if it’s a girl, God will want him to kill her. This makes for some tension on board!
There is also the other complication that Ham is so mad at Noah for not letting him have a wife that he has rescued Tubal-cain, and secretly keeps him on board. Tubal-cain introduces him to the notion of eating animals, which is repugnant to Noah’s family. In fact, it is Tubal-cain who tells Ham (while gnawing on a live lizard) some of the few lines actually quoted from Genesis: That man is supposed to subdue the earth and have dominion over it.
Interestingly, Tubal-cain, like Noah, has also been struggling with God and is in anguish because God does not speak to him as he used to do. But Tubal-cain decides that the answer is to take charge, whereas Noah tries very hard to do what he thinks, according to his best guess, is what God wants. Just as the ark hits a newly-uncovered mountaintop, Ila has what turns out to be twin baby girls, and Noah finds he can’t kill them. He lowers his dagger and instead kisses the babies on the head, he tells God that he can’t do it.
The movie is extremely muddled, here. It does seem, right throughout the movie, that God wants some specific course of action, and does not want others. But he doesn’t ever let on what it might be; and Noah isn’t supposed to rebel against God, exactly, but he’s also not supposed to just do what he thinks best, exactly? The difference between him and Tubal-cain (other than that Noah is clean and has nice Russel Crowe eyes; and Tubal-cain is gross and murdery) is that Noah is trying, whereas Tubal-cain has decided he’s going to do what he wants. There are several points in the movie where doing your best according to your conscience seems to be admired; but also, Tubal-cain definitely seems predestined to be evil, so I don’t know. They land on a very squashy message about . . . I can’t even remember, something about how love is the answer.
But I salute them for recognizing what a profoundly hard question it is. What does God want? How do we follow his will? What if it’s something that seems like it’s the opposite of what people are supposed to want? They don’t answer these questions, but at least they ask them.
I forgot to tell you about the rock monsters (“Watchers”), which are fallen angels (?) who were cast down to earth because they helped Adam and Eve, and when they landed they got this gunky rock stuck to their angelic bodies (?). They see the magical forest that grows from the Eden seed and decide they will help Noah, so they build the ark and defend Noah’s family.
The rock monsters also apparently have a choice, and can be redeemed from their rebellion (?) against God, and at the end they go shooting up into the heavens like some kind of rocket-powered Transformers. Again, it wasn’t ever brought into focus, but there was a vague idea of salvation as something that’s always available to everybody, or something.
I don’t really have a problem with the rock monsters. They were silly, but I liked them, and they almost freaking made sense. Maybe there really were little weird doggy pangolin creatures trotting around, and maybe there were all kinds of healing salves and animal coma smokes and at-home pregnancy tests that we don’t have anymore. Maybe there really was a weird mishmash of technology and primitivism and a strawberry-loving Anthony Hopkins.
Again, they answered the question very poorly, but at least they asked a decent question, which was: What did the world look like, after Eden but not very long after, and not only before the Incarnation but before the flood? What does life look like when things are being revealed, but they’re not revealed yet? It’s a good question, and it took some guts to tackle it.
The movie was quite beautiful in many places. I loved the rather arty scene depicting creation, and then later the scene showing the potential for the restoration of creation. There is some mention of the waters below the earth meeting the waters above it to make the flood, and this is how the flood comes about: Huge geysers punch their way up out of the ground and combine with the punishing rainfall. Soo o o o there is some suggestion that from Eden comes both the downfall of the earth (in the form of the threatening waters) and its salvation (in the form of the ark). Which is not wrong! There’s something there! It’s just quite incoherent. But the film seems to sense there is meaning there, even if it’s not fully developed.
I wish the dialogue had been written to be less pedestrian, and I wish it had had a cast of nobodies. I found the all-star cast to be distracting and off-putting, which may be a me problem, but I just don’t really need to see Emma Watson screaming for two hours. Also, I didn’t recognize the actor playing Ham, but every time I saw him, I thought he was Reese from Malcolm In the Middle. Again, surely a me problem.
I deliberately didn’t read any reviews of this movie, but I’m going to do so now and see what smarter people had to say. If you’ve seen it, I’m so interested to know what you guys thought! I should note that Damien thought it was complete crap with no redeeming qualities, and it was mostly me and the kids who thought there was anything to talk about.
We did let the nine-year-old watch it, but it was pretty violent, had some fleeting sexy scenes, you hear the mother screaming quite a bit as she gives birth, and — well heck, it’s not a kids’s story, as I said. I was kind of relieved that the nine-year-old fell asleep after the first hour or so. Also definitely needs some discretion for credulous viewers who think movies based on the Bible are always accurate.
Because we couldn’t think of a polite way to decline the invitation, we actually went to the movies last night and saw Cabrini. We surprisingly enjoyed it. It certainly sparked a lot of discussion and googling about Irish-Italian relations in immigrant NYC. My husband and I are not arthouse movie types and there were a tad too many arty drowning scenes thrown at us, but overall, a very enjoyable movie, one that I think our kids will actually like.
My husband was slightly irritated by the ending, where Mother Cabrini tells the NYC mayor something to the effect that her work had to be done by a woman (as opposed to a man). But the scene didn’t bother me at all. The exchange struck me as something an Italian woman would say (or at least the Italian women I’ve known and worked with all my life) and I was so wrapped up in how unwelcoming the earlier arriving Irish immigrants were to the newly arriving Italians, that the exchange blew right past me.
I watched it years ago, and didn’t much like it. The oddest thing in it, I thought, was the continuing theme of not eating animals. That scene where the people are trading their daughters for sheep was particularly strange. For awhile I thought maybe it was some kind of vegan propaganda, which seemed really weird even for Hollywood. But then I re-read the scripture and I think maybe it was the prohibition against eating animals with blood that they based that on. Still, seems a very strange thing to focus on, with everything else going on in that story.
I took a look at the Roger Ebert review after reading yours, out of curiosity. The overall take is similar to yours – “It’s a mess, but it’s got something.” It sounds as though, rather than trusting the drama and theological implications of the original story, the director/producer panicked and threw a bunch of other stuff into the mix. I will try to watch it sometime, as you have piqued my interest.
Haven’t seen it and I have to say, thanks for the review because a few minutes of reading saved me from much more time spent watching the movie – don’t think I’d enjoy it but I enjoyed your review!